I’m Worth Billions, Yet I’m Willing to Submit and Become a Caged Bird

Compared with the pull of the love triangle, what is more moving about this book is the confession of the gaps in human nature. Fu Yu has been disciplined by her native family for a long time and is used to pretending to be fragile with indifference. This deep-seated inferiority is the source of the conflict between the two relationships. Lin Tingyu's frank and passionate preference is unreserved redemption; Jenna's paranoid possession under the gentle skin is the complete mutual binding of the same frequency. The small shared house is like a mirror, reflecting the emotional flaws of the three of them. The author does not simply distinguish between love and possession, but uses a lot of psychological portrayal to describe the fear, greed and escape of those who lack love when facing love. The tension between three people living together is not a bloody farce, but the real appearance of a group of lonely people who long for warmth but don't know how to love each other properly. It is delicate and heart-wrenching.

It can be said to be the most ideal state of a transvestite [laughing and crying]

Each of the three of them is pitiful, and none of them is pitiful. Let the three of them be together and stop making fun of others.

The ultimate complementarity and pull. The description is spot on.

You don't need to read the comments, no one reads them, they all buy them, hahaha

When the two seemingly contradictory images of "a billionaire" and "a bird in a cage" collide, we are always reminded of the canary drama in the love affairs of wealthy families. But "I am worth billions, but I am willing to lie down as a bird in a cage" tore away the shell of labeling, and wrote a story about gender recognition, self-reconciliation and hostility in the world, like the glimmer of light that Fu Yu has repeatedly rubbed for ten years - quiet, but with the power to penetrate people's hearts. Strong recommendation, Baozi

It breaks away from the traditional formula of "crazy career pursuits and brainless slaps in the face" of great writers, and instead focuses on the most provocative question of "how to live after you have money". The characters do not have a floating golden finger halo, but each has his or her own fireworks: some have hundreds of millions of fortunes but just want to be salty fish, and some seem to be in a mess but have tenderness hidden in the details.

Nice. The author uses a shared house as the stage to outline a tangled love triangle, and the characters are created with great tension. The protagonist Fu Yu is burdened with a repressed past from her native family. She has been pretending to be a cold young man for a long time. Only after breaking free from the constraints does she dare to accept herself. Her lack of love and soft background are heartbreaking. Lin Tingyu, a wealthy daughter who is passionate and straightforward, rushes in one direction with sincerity; Jenna, the gentle school beauty, has a gentle appearance but is paranoid possessive on the inside. She regards Fu Yu as her property at a glance. Three people live in the same room, and their three hearts are intertwined. Fu Yu is immersed in the joy of finding himself, and is at a loss for the two strong loves; Jenna hides a domineering desire for control, and the two incomplete hearts of Fu Yu are constantly being tested and pulled. The story uses delicate psychological description to break through the state of mind: what is in the heart is what the world looks like. The loneliness, longing and heartbeat of the characters are described in a delicate and touching way, with a full sense of emotional pull.

Alas! Why is no one watching? So wonderful

Yiyi, you won't get popular if you keep writing like this [laughing evilly]