Dongguan: Those Older Sisters

I felt an inexplicable sadness when I read it. It felt too close to life. If possible, I hope the writing is better. Although I have never experienced this kind of life, I saw the miserable side of those girls, and I felt an inexplicable sadness in my heart. They were also forced to live, but they have their own future. The male protagonist is not offensive either. It is really good.

It's good to read, it's a semi-cool Shanghai type of writing, with a slow pace and delicate writing style, and it's a bit hard to get popular. Nowadays, everyone likes the system bonus, and a beautiful girl flirts with each article. Fast-paced and refreshing article. Do you want to make money or write good works? This is a Hamlet-like question.

The relationship between No. 7 And No. 7 Is really described in a delicate way. I feel a little lustful when I look at it. It's so over the top. The relationship between No. 18 And No. 18 Is also written so delicately. Oh my god, this author is really touching when writing emotional scenes.

To be honest, I mainly read urban novels. Please give me a 100-word review. It stands to reason that even if a city book has multiple female protagonists, there will be one or two fixed female protagonists throughout. After all, the writing is not a cool novel. When I read this book, I thought the fixed female protagonists were Sister Aya and Sister Mei, but suddenly Sister Aya entered the game, which made me very puzzled. The character image has already been created, and there are many emotional lines. Some places are inexplicable. Many of the explanations are not clear. No matter what the character of the male protagonist is, every author has his own way of writing it. The pace is very slow, very slow. It is really the same as writing one day at a time. We are busy alone and it is impossible for new things to happen every day. Just skip the timeline by a month or a week. Since we want to write a story around 2000, we must always remind ourselves of this time period. Many heroines have temporarily gone offline. The pace is still very slow and the timeline is also very vague. This is not right for a novel with this theme. Readers have favorite characters, and this slow pace will greatly affect the reader's reading experience. The author's writing skills are above average, there's nothing wrong with it, but it gives me a feeling that I can't even describe as someone who has been watching the city all year round. I can't give it five stars, but it's not too bad either.

The writing is very good, the author is a professional writer, and the characters have distinct personalities. The ability to express emotions is very strong, although sometimes it is a bit too hard [covering face]. If you look deeply, you will feel a strong feeling in your heart that is difficult to calm down. I sympathized most with the school beauty Lu, who had no choice but to go to sea to treat her mother's illness, but her mother was not rescued. She wanted to marry the male protagonist. The male protagonist had various entanglements. When his father was seriously ill, he wanted to ask the male protagonist to marry him again, but the male protagonist entered Orange and couldn't be contacted, so he had no choice but to find someone else to get married in a hurry. The relationship between Leizi and school beauty Lu is the most special. They are high school classmates and have met each other's parents. The two of them looked back at their common path, like two boats that couldn't find their way, looking at the faint light from the lighthouse of Qinchuan No. 3 Middle School in the dark sea. This feeling could not be found in other CPs. Zhen and Lei Zi were separated. School beauty Lu was also the one who had a bad break. Sister Yan and Sister Huang both had great careers, and the others could move on with their lives. Overflowing with sympathy, I really can't bear to see them separated, and I look forward to a happy ending. After Leizi was released from prison, he went to prostitutes a lot. Upon closer inspection, most of the money he spent was given by Sister Yan. . Then I felt that Lu Wenqian was going to be treated as a consumable tool. . Lei Zi either finds an innocent girl or a rich woman, which feels like a template ending. .

The writing style is very good, not YY; you can be called a writer. Delicate character and psychological portrayal

The unique perspective of an era gives people a strong and real sense of immersion. The text is exquisite, the history is true, and the story is vivid. It is a classic in the great era!

A perfect work, the author depicts the psychology of the characters very delicately, and uses the background of the times to connect the development of the story.

The detailed description technique is amazing and the psychological activities are clear.

It is one of the few online articles that brings to life the wildness, sweat and human touch of old Dongguan, the "world's factory". There is no floating boss, only the crowding of the green car, the humidity of the urban village and the bitterness under the neon lights of the nightclub; it does not describe the sisters as facial expressions of "amorous symbols", but describes their fierceness, righteousness and softness when they are struggling to survive at the bottom. The bond of "sisters and brothers hugging together for warmth" is very poignant. The rhythm is not bad, the punches are intense, and the grudges are settled. In today's routine-oriented Shuangwen market, this kind of "old time narrative" with a rough texture and a quaint atmosphere is indeed powerful and decompressing enough.