Quick Transmigration: The Heartthrob Uses His Looks to Reclaim Illegal Systems

The writing is very good, I like the protagonist very much, but there is one extremely shocking point, that is, every time the protagonist leaves that world, everyone will lose their memory. Then it is a waste of time. I don't know why it is arranged like this. It is very uncomfortable. It is rare to encounter a novel that I like, but the ending is like this every time.

It has a very ancient flavor, it is really charming, the beauty is prosperous, and men, women, old and young are all killed. The main character is a magnolia tree, a gentleman like the bright moon. The grass and trees are ruthless, no matter how ruthless it is, it is touching. Everyone has wishful thinking, and their hearts are secretly promised. The extra story is also very enjoyable. Five-star recommendation⭐

My Mamma Mia is so beautiful. It has the flavor of the early Lujiang heartthrob style. It's a little sad but overall it's a very refreshing feeling. The description is not exaggerated and the narration is very classic. Hahaha. In Lujiang, it is also a fast-travel heartthrob novel that is both sensational and endlessly memorable. I didn't expect to see a novel with this style of writing in Tomato.

Really heartthrob, no CP, it fits the description very well, and I have never abused the protagonist. I like this very much, because there are a lot of people who say they are heartthrobs but the content abuses the protagonist without self-awareness. I have watched three Small Worlds so far, and the fourth one is being updated (I think this one is more interesting than the previous three, quite interesting) The protagonist has a cold personality, and the missions in the small world are mainly to destroy the missions of other people (the reborn aboriginal people/the heroines who travel through books to do missions/in short, people who will have a negative impact on the small world). The protagonist is the kind of person who lets nature take its course. He does not say that he deliberately destroys other abnormal missions very hard, but just lives according to his own heart and does the missions by the way. Because he is a heartthrob, he is naturally favored by others, including the missionaries who are on his opposite side (the missionaries don't know that the protagonist wants them to fail the mission). This person is a real heartthrob, I like him. No CP, the protagonist has never had any romantic feelings, treats everyone equally, and at most has a good friendship. Everyone else takes care of the protagonist. Not off topic. It may be a bit off-putting to some people (there will be spoilers, but it's acceptable You can continue reading 1. The protagonist will leave the small world after completing the task. It is not death. In the eyes of the aborigines, the protagonist does not exist at all, but the things the protagonist once did still exist. When everyone notices the disharmony, they will gradually discover the traces/portraits of the protagonist (this is the extra part). I see that some people in the comment area feel that this part is a bit abusive (to others), so they can skip the extra part. For me, it's okay, I don't feel anything. Anyway, it's other people who want to abuse it. In short, the main text is well written, Su Shuang. 2. There is a small world identity and a fiancée, although in my opinion it is the same as having or not having it. But they are all infatuated with each other. I think it's okay if they only have status and the relationship is just friendship at best. But some people may mind this, so I'll write it down too. One is that the fiancée is related to the plot and is a fan of everyone, so it goes without saying that the fiancée likes the protagonist. The second is to go to the countryside. The protagonist is in poor health. In order to let his fiancée take care of the protagonist, the family did not terminate the engagement.

The heartthrob has no CP, is a cold and dull group favorite, Shura field, is not mandatory, respects the personality of the protagonist, everyone cherishes and protects Yuheng, and travels quickly. The protagonist is not forced to follow the plot. I really love the real heartthrob. There is no intentional or unintentional torture for the protagonist. If I insist on it, the second world will be sick and physically uncomfortable [I almost cry]. Some of the supporting characters are also well designed, such as the original heroine of the educated youth world, but it ends too quickly and comes to an end in a flash. The writing style is good and very comfortable. The protagonist is beautiful. It's almost love at first sight. However, the protagonist is not bound by anything and is a heartthrob without any compulsion. I will give it five stars for this setting. Come on!

Really good-looking! ! The best thing about the heartthrob without CP is that I like to see the main character not liking anyone. Now that I have seen the second world, I really like A Niang in the first world and Hezhou in the second world. Hezhou is really cute. Hahahahaha. I like this kind of little dog. He is still an honest person. The author's writing style is very good, and the writing is not embarrassing. I like it very much o(^▽^)o, the author is very good (o^з^o)💞 Is there any article similar to this? Please recommend |･ω･｀) I can't stand it anymore. The world in the apocalypse is so crying. It's really beautiful.

It's very good-looking and can be watched as the protagonist of All. Although there is no cp, there are many plots between two men in the process.

It's nice and nice. I've always felt that heartthrob stories are a test of literary talent. If they're not well written, they'll be embarrassing and illogical. But this author's writing is very natural and the language is fluent. It's super addictive to read. The characters are also very well drawn. Everyone is distinct. It's nice to read. Highly recommended (hiss)

It's pretty cool. After watching so many, I still like the first world the most. It's more complete and comprehensive, and has a more alive atmosphere. I don't know if anyone else can relate to it. I feel that except for the first world, the protagonists in the subsequent worlds have very light personalities. Can you say that? In fact, I feel a little cold. The first world gave me the impression of a tall, good man with a calm face. Oh my, I don't even know what to say. Anyway, it's just different from other worlds. The back part is a bit like a cold vase. Maybe it's a foreshadowing of Magnolia Flower? Oh, yes, it may be that there are fewer scenes, and the portrayal of the protagonist is not so comprehensive.

I like it very much, but everyone loves the male protagonist, but the writing style is not new, and it doesn't feel forced to praise. My only regret is that everyone will gradually forget about the male protagonist. I want everyone to still remember the hero after he leaves. [Love][Love][Send heart]