Ten Lifetimes of Entanglement, All Ending in Tragedy

It's heartbreaking to be able to write about "time travel" and "reincarnation" so thoroughly. At the beginning of the chapter, the protagonist is thrown into the most desperate situation: taking the place of his enemy, he faces the cruelty and tyranny of the Demonic Supreme Being. He repeatedly emphasizes "I am not him", but only gets an even colder imprisonment. The author does not rush to advance the plot, but uses delicate brushstrokes to describe the protagonist's process from resistance to sinking. Piecing together the fragments of the past in dreams again and again, and understanding the love hidden under the cruelty in the other person's paranoid possession. Guilt and love are intertwined into a web, trapping people in this otherworldly cage. The ten reincarnations are the most amazing design of the story. Each life is a new beginning, but it carries the imprint of the previous life: either falling into the devil due to obsession, or killing each other due to fate, every encounter is a reunion after a long absence, and every love is a repeat of the same mistakes. The author does not beautify the pain, but directly writes the truth of "love wrapped in pain": the other party uses love as a bait to set up a scam, and the protagonist chooses to reincarnate after the betrayal. However, after going round and round, they will still return to each other under the pull of fate. The blank space at the end is the most touching: the protagonist escapes back to his original life, but the other party spends everything waiting for thousands of years. There is no consummation of reunion, only the paranoia and affection of "I will wait for you where I am". It tells us that some love is destined to be a tragedy from birth, but even so, there are still people who are willing to spend ten lives or a thousand years in exchange for even a momentary embrace. Well written, keep up the good work, I'm going to read another one

The themes of time travel, immortality, and sadomasochism are not new, but this book uses the setting of "ten reincarnations + identity dislocation" to create a different and new idea. The protagonist did not take the initiative to travel through time, but accidentally took on the identity of someone else in his dream, and was forced to get involved in the grudges between the original owner and the Supreme Being of the Demon World. The protagonist on the other side is not a simple villain. Behind his paranoia and cruelty, there is an unconscious love trapped by his identity and past. The story does not follow the routine of traditional sadistic novels. Instead, it uses a "love-as-bait game" to overthrow all the early foreshadowing and make the emotional tension instantly full. The setting of ten reincarnations is not a simple repetition. The encounter in each life promotes changes in the relationship between the two. It is not until the last life that all misunderstandings are revealed, allowing the belated deep love to become an obsession that lasts for thousands of years.

Covered in the guise of a fairy tale, it is essentially a heart-wrenching epic about love and redemption. The author uses elements such as cultivating immortals, the devil world, and reincarnation to build a grand world view, but focuses his writing on the emotional entanglement between Jiang Li and Shang Ying. There are not too many redundant subplots, and every plot adds to their relationship. From the tension when they first met, to the temptation and tenderness in captivity, to the collapse and betrayal after the truth was revealed in the dream, the rhythm of the story is very well controlled, and the abuse points are progressive, but with a hidden sugar. Especially Jiang Li's despair when he fell from the clouds to the bottom after learning that everything was just Shang Ying's game was deeply portrayed by the author. In the ending, Shang Ying's thousand-year wait also left a trace of tender hope for this broken relationship, which makes people feel sad after watching it but can't help but recall it.

The anti-routine fairy tale abuse novel does not have the thrill of cheating and counterattack, but only the despair and pull that permeates the story from the beginning. The setting of a woman wearing a man's body itself has a sense of fragmentation: the protagonist has modern memories, but is trapped in a body full of hatred, facing the violence and imprisonment of the devil's supreme being. The initial resistance was instinctive, but after being repaired again and again, she gradually saw clearly the paranoia behind the other person's cruelty - not hating this body, but hating "his" betrayal, and fearing that "he" would disappear again. The author uses "dream" as a key to slowly reveal the truth of the entanglement in ten lives. It turns out that every encounter is not accidental, and every injury hides unspoken love: the other party uses love as bait, just because he wants to keep "him" by his side forever; the protagonist's resistance and disbelief is just because he is afraid of falling into the cycle of destruction again. In ten lives, they went from enemies to lovers, from staying with each other to killing each other, and their identities changed again and again, but the nature of "entanglement" never changed, and the "tragic" ending never deviated. The most touching thing is the growth of the protagonist: from the initial ignorance and resistance, to the subsequent sinking of guilt, and finally to the desperate return home, she finally understands that some bonds are engraved in the soul and cannot be severed even across life, death, and reincarnation. But the other party only saw his heart clearly after losing it, and exchanged a thousand years of waiting for an unknown reunion, and vividly interpreted the sentence "Love to the extreme is destruction". Love it, love it, the other one is also delicious.

This is a "heart-torture epic" disguised as a fairy tale. It uses the framework of ten reincarnations to turn a misplaced relationship into heart-breaking poison. The setting at the beginning is enough to create dramatic tension: a soul from another world takes over the identity of the original owner, and when he opens his eyes, he runs into the arms of the original owner's enemy, and this enemy is also the Supreme Being of the Demon World. This identity confusion of "who am I" and "who is he" has pushed the protagonist into a dilemma from the beginning. The author's portrayal of emotions is delicate and fierce. The protagonist goes from being ignorant and resisting at the beginning to gradually piecing together the truth in his dreams. Guilt and love eat up his reason little by little, turning him from "I am not him" to "I do". "Bear it for him"; while the Demon King expressed his love in the clumsiest way. He imprisoned the protagonist in the Demon Palace, used violence to cover up his uneasiness, and used paranoia to bind each other. However, in the protagonist's repeated alienation, he hid the deep love and waiting for ten lifetimes. This pull of "falling in love and killing each other" is not sweet at all, only the obsession with blood stains, which makes people feel depressed. The design of ten reincarnations gives this relationship a weight that transcends life and death. The encounter in every life is a fateful reunion, and the separation in every life is a destined tragedy. They continue to verify that "love and hate are two sides of the same body" in reincarnation, and look for traces of each other's existence in destruction. The most touching thing is the reversal of the ending: the protagonist chooses to escape in despair, but the Demon Lord only sees his true heart after losing it, and spends a thousand years waiting for an uncertain reunion. This "belated understanding" makes all the abuse find its destination, and makes this relationship that has been entangled for ten generations the most unsettling existence in fairy tales. The other one is also good! I've been chasing both books together.

The fetters that have passed through ten generations have been mixed into a love and hate that spans time and space by the author. From the misunderstanding and imprisonment when they first met, to the guilt and sinking when the truth was revealed in the dream, to the discovery that love is just a carefully planned game, every struggle of Jiang Li is like a dull knife, repeatedly cutting the readers' hearts. The sense of alienation brought about by the misplaced identity and the inability to control oneself in the cycle of fate made this relationship destined to be broken from the beginning. When Jiang Li gave up in despair and returned to the original world, Shang Ying finally saw his heart clearly and waited for thousands of years to repay. This is not a simple love-hate relationship, but two people who were pushed away by fate. In the repeated misses, their love turned into an unsolvable reincarnation. The stamina is so great that after reading it, I still sigh for their regrets. Come on! [Blow a kiss][Blow a kiss][Blow a kiss][Blow a kiss][Blow a kiss]

"Abuse" is written very deeply. It is not a simple physical injury, but a double mental and emotional abuse. The root of all this comes from "identity misplacement" and "fateful reincarnation". The time travel at the beginning is like a key, opening a Pandora's box of love and hate for ten lifetimes. The protagonist, with the cognition of modern people, accidentally time travels in a dream and is forced to take over the grievances of the original owner. Facing the punishment and imprisonment of the demon king, every excuse he makes deepens the misunderstanding between each other, and he gradually falls into this game of love as bait. The author's control over emotions is exquisite. The protagonist's struggle in the Demon Palace, from the initial survival to the later guilt and love, is heart-wrenching every step of the way; and the Demon King's paranoia and affection are gradually revealed in the conflicts. He imprisons the protagonist beside him, uses violence to cover up his uneasiness, and uses possession to disguise love, but he dare not tell the other party that these ten lives of waiting have always been for him. This kind of forbearance of "I love you but I dare not say it, I can only use hurt to keep you" makes this relationship full of broken beauty, and makes readers feel heartbroken and can't help but sigh for their fate. The design of ten reincarnations gives this relationship an epic pattern. They meet again with different identities and go to destruction in different fates. The tragedy of each life confirms the proposition that "love to the extreme is destruction". It is not until the protagonist chooses to escape in the end that the Demon Lord finally sees his true heart and uses a thousand years of waiting to make up for the debts of the ten lives. This deep love of "waiting for you for a thousand years" gives all the abuse a home, and makes this entangled relationship for ten lifetimes the most unforgettable classic in fairy tales. I have been following these two sequel novels. Although this one is written slowly, the other one is very large and full!

The most touching thing about this work is that it blends the contradiction between "fate" and "choice" into the love and hate of ten reincarnations. The time travel at the beginning is not an accident, but a continuation of ten generations of obsession. The protagonist breaks into the world of immortals with the memories of modern people, but is forced to take over the grievances of the original owner. Facing the punishment and imprisonment of the demon king, every time he resists, he deepens the bond between each other and gradually uncovers this scam in the name of love. The author is very good at creating a "sense of fragmentation". Every breath and every excuse of the protagonist in the Demon Palace is filled with powerlessness against fate. He is obviously an outsider, but he is involved in the love and hate of the original owner, and gradually loses himself in the paranoia of the Demon Lord; and the shape of the Demon Lord Xiang is full of contradictions. He is the supreme leader of the demon world who kills decisively, but when facing the protagonist, he reveals his softest weakness. He wraps his love with ruthlessness and trades imprisonment for companionship, but he dare not tell the protagonist that the ten lives of waiting have always been for him. This kind of forbearance of "I love you but I dare not say it, I can only use hurt to keep you" makes this relationship full of tragic beauty. The narrative of ten reincarnations gives this relationship an epic pattern. They met in different eras, either as immortals, demons, or mortals. Each life carried fragments of memory from the previous life, entangled in love and hate, and reborn in destruction, but they could never escape the fate of "loving each other but not being able to stay together." It wasn't until the protagonist finally chose to return to his original life that the Demon Lord finally put aside all pride and pretense, and used a thousand years of waiting to make up for the debts of the tenth life. This deep love of "waiting for you for a thousand years" makes all the abuse meaningful, and allows readers to feel the most extreme form of love in the midst of regret. The other one is also good!

I thought it was a common time travel story, but I didn't expect that the author used the setting of ten reincarnations to write the story into an epic sense. The conflict at the beginning is extremely tense. The protagonist travels through time with modern people's cognition. Facing the original owner's mortal enemy, the Demonic Supreme, he wants to save his life but can't help but speak harshly. In the end, it ignites the other party's paranoid possessiveness. The early trials and discussions, the later truths and betrayals, the plot of each life is not a simple repetition, but the past entanglements between the two are gradually revealed layer by layer, especially the reversal of a game using love as bait, which instantly turns all the sweetness in the early stage into a knife, making it difficult for people to guard against. The author's control of the rhythm is very good. The sad points and foreshadowing are well interspersed. The further you read, the more you can feel the heaviness and despair of fate and love.

The most touching thing about this book is never simple love and hatred, but the emotional web called "fate" that the author has woven through ten reincarnations. Jiang Li broke into another world with his modern soul and faced the demon world's supreme shadow as the original owner. From the initial perfunctory explanation to the subsequent physical and mental sinking, he stepped on the tip of a knife every step of the way. And Shang Ying's paranoid love hidden under the extreme cruelty, from imprisonment to setup, from temptation to loss of control, makes readers feel sorry for the protagonist but also can't help but sigh for this twisted affection. There is no absolute right or wrong in the story, only misplaced identities and belated sincerity. When Jiang Li let go and returned to the original world in despair, Shang Ying saw his true feelings clearly and spent a thousand years of waiting in exchange for a reunion. This setting of "love to the extreme is destruction" gives a layered sense of sadomasochism. It is not torture for the sake of torture, but makes every injury a footnote in the cycle of fate. It has so much stamina that you won't be able to get out of it for a long time after watching it. Its abuse is never a superficial injury, but a spiritual torment that goes deep into the bone marrow. Jiang Li broke into another world with the soul of a modern man, and was forced to take over the grudges of the original owner. Faced with the misunderstanding and imprisonment of Shang Ying, he explained again and again, but was ignored again and again. Finally, he found the truth in the dream, let down his guard and fell in love, but found that everything was a scam carefully planned by the other party. This feeling of falling from the clouds into the mud is more suffocating than any injury. Shang Ying's abuse was hidden in the thousand years of waiting after his loss. He exchanged the hurt of ten lifetimes for Jiang Li's despair, and then used a thousand years of loneliness to repay it. This belated affection can never be exchanged for the person he was before. The author does not use bloody plots to pile up abuse points, but uses delicate psychological descriptions to vividly describe the pain and struggle of the characters, and every detail will bring tears to the eyes.