Quick Transmigration: My Sister Is Irresistibly Alluring

I have only watched the first world so far, and the plot settings are very interesting, but I think it is a bit too easy for the male protagonist to pursue his wife, right? The male protagonist traveled through time and became the older brother of the female protagonist (the female protagonist was adopted, not biological). He inherited the memory of his original brother and found that the female protagonist's sister had a great influence on him. He didn't want to be affected, so he alienated the female protagonist and treated her very coldly. He also planned to go abroad and stay away from the female protagonist. After that, he took the college entrance examination and was admitted to a top foreign university. The whole family knew that he was going abroad, except the heroine. When the heroine finally found out, she had a big fight with him and said that she would never recognize him as a brother again. The male protagonist always sneaks back to visit the female protagonist when he is abroad. He also sees that the female protagonist has made many boyfriends. He finds out that he likes the female protagonist, so he applies to return to the country. After returning to the country, he lives with the female protagonist, saying that it is convenient to take care of the female protagonist. Later, the male protagonist discovers that the female protagonist's new boyfriend is very similar to him, so he suppresses that boyfriend. The female protagonist guesses that it was the male protagonist, and is forced to break up with her boyfriend. Later, the female protagonist attends her roommate's birthday party and drinks a glass of drugged wine. The male protagonist rushes to the hero's rescue. After this incident, not long after, the male protagonist and the female protagonist confessed their love, the female protagonist agreed, and they were together. I think it's a bit too easy for the male protagonist to pursue his wife. There is no crematorium, and there are no setbacks in his relationship. He has treated the female protagonist like this before, abandoning her whenever he wants, and coming back whenever he wants. According to the previous plot settings, I thought the plot would develop like this: After the male and female protagonists get together, the female protagonist will occasionally talk about how her brother is different from the previous one. The male protagonist is dark and twisted while imitating the original brother's appearance in his memory to get along with the female protagonist, fearing that the female protagonist will find out. Sometimes they went somewhere or ate something, and the heroine would also say that she had experienced this with her brother before. The hero felt uncomfortable in his heart, but he still said yes, yes, and recalled the good times with the heroine. The male protagonist has been thinking in his heart, does the female protagonist like the original brother or the current him? But he felt that all the heroine's closeness to him was based on the relationship with his original brother. He was not the brother who had been with the heroine for more than ten years, so he did not dare to reveal the truth, fearing that the heroine would leave him if she found out. He was jealous of his former brother, but he still wanted to imitate him to prevent the heroine from finding out. In addition, the heroine had many boyfriends in college. Even if she dated him, many male college students still liked her. While the male protagonist strikes out to assert his sovereignty against the small three-handed man who wants to take the upper hand, he transforms into a gentle man and takes care of the female protagonist meticulously. Even if there is a young man seducing the heroine, he comforts himself that everything outside is a hotel, and only his place is home. There is another point that I don't like very much, that is, why don't the male and female protagonists know how to call the police? ? ? The heroine encountered two dangers but did not call the police. One time was when the heroine was fifteen years old. She met a senior on her way home. The senior stopped her, as if to confess his love or something. The heroine refused. The senior jumped over the wall and threw the heroine down, trying to do something bad to her. At this time, the original brother arrived and beat the scumbag senior away, but neither of them called the police. Although the heroine's parents found out later, they suppressed the scumbag senior's family business, made them bankrupt, and the scumbag senior also transferred to another school. Another time was the heroine's university. In the KTV, the heroine attended her roommate's birthday party. A senior from the same school handed the heroine a glass of drugged wine. The heroine didn't want to drink it at first, but the senior said that if she didn't drink, she wouldn't give face to her roommate. The heroine took a sip and found that she had Chinese medicine, so she went After entering the bathroom, the senior followed him. The heroine entered the bathroom, locked the door, and called the hero for help. The hero rushed to save the beauty. Until the hero and heroine were together later, I didn't see the fate of the drugged senior. Didn't the hero and heroine call the police? This is a very bad thing! This is all an attempt by QJ, and this person can definitely be sent to jail. I still hope that the male and female protagonists can take up legal weapons to protect themselves.

The physical description is very detailed, huh. However, I feel that the story is a little thin. In fact, the male and female protagonists in each world are quite good, but I feel that one of the stories is very short, and the other has a straightforward narrative feel, which seems to be a bit unable to move my emotions. Well, the description of appearance can be slightly less. Although I know that one of the characteristics of this book is that it can make faces, this setting, but this part should not be too much. Emmm, one of the reasons why this story may feel thin is that there may be less emphasis on other people. There are only two of them in the whole world, and there is little contact between the characters. It feels like except for the male and female protagonists, everyone else is an NPC, although this is indeed the case. You can design more characters and add them to enrich the plot of this story.

I have seen that many children like to read book reviews before reading the book, and I have also noticed that some young readers have reported that the male protagonist's pursuit of his wife in the first world could be more profound and the emotional line could be fuller. Thank you very much for reading and discussing so carefully. I will keep every opinion in mind and think about it again and again. The first world was a setting that I really wanted to try at that time: the time traveler is assimilated by the original body's feelings and falls in love with someone he would not love originally. During the conception, in order to pave the way for the change of attitude of the female protagonist and the emotional misunderstanding of the male protagonist in the early stage, I arranged a plot in which the male protagonist runs away because of escaping from his heart. I must solemnly state here: the male protagonist can never and should never have the idea that "the female protagonist will wait for him forever." In my view of creation, the shaping of the male protagonist always serves the growth and choice of the female protagonist, and I have never wavered on this point. When presenting the consequences of the male protagonist's escape and emotional changes, my handling went awry. I originally thought that side plots (such as the female protagonist starting a new life, the male protagonist's pain and shock after witnessing it) were enough to show his torment and punishment, but now it seems that the intensity and depth of this presentation are far from enough. This is indeed my mistake, thank you very much for reminding me! [Love] In order to present the emotional logic of this world more completely and make up for the shortcomings of the main text, I will try different possibilities in the extra chapter: if line 1 will focus on how he pays the price for his escape and is at an emotional low. If line 2 will try the setting of two souls in one body, so that he will not be favored by the heroine, and the heroine will always have the initiative to choose. I hope that through the extra episode, I can give everyone a fuller emotional explanation that is more in line with expectations. Thank you again to every reader who provided comments. Your feedback is my most valuable motivation. Next, I will polish the story more carefully and live up to everyone's expectations [Love]

Finally, there is a fast-travel novel in which I made my own face and figure. And the time point of time travel is the starting point, and the heroine is not allowed to take over the mess. This way of writing the plot has a lot of room for development, and I am looking forward to the subsequent plot.

I really like the chapter about the chatty brother and the autistic sister. It made me feel warm in my heart and bring salty tears. I read a lot about responsibility, redemption, the love of the older generation of parents for their children, the feelings that need to be expressed, the care that autistic patients need, and the childhood trauma. Although it is really difficult to heal, the love given by my brother is enough. Passionate and sincere, loving each other is really a very, very, very good thing, and it has made my sister grow up a lot (because I am a picky reader, I skipped through it. Now that I have finished reading this chapter, I have to say that the author's writing is very delicate, and the expression of emotions is very natural. The feelings between brother and sister are really similar to each other. "I don't know what happened." There is also a brother who is controlled by his sister. The characters in the author's works are really gentle, three-dimensional and vivid, and they are very similar to real people in reality. After all, the novel is based on reality and imagination. I really want to give the author a five-star praise after reading this chapter. I must recommend it! Don't let the good book be buried! Please give me a boost at the same time! Haha!

Cheers to Shi ~ My brother and sister are so delicious. Those who love to eat my brother and sister are blessed. My brother and sister are so steadily happy ^_−☆

It's really beautiful. Men see menstruation, and women see psychosis. This is the nemesis of depression and an alarm clock for vegetative people. It shows how much the five-guaranteed households in the village miss and love the widow. I see tears flowing from the corners of my mouth and flooding into the Qiantang River. , The teacher's book is so beautiful, it is God, it is my rose that illuminates my dark life and makes my world meaningful. I ran, jumped, and danced the tango on the balcony of the 20th floor. I realized that God does exist. I was fascinated by the teacher's book.

It looks good and feels good, especially in the world of autism, or more accurately, claustrophobia. The female protagonist is very involved in the drama, and the male protagonist is really caring to the extreme. He is very attentive to all aspects of the female protagonist. Just like what the author said, the tranquility of his home is very leisurely and comfortable, and there is comfort everywhere [crying] Let the heroine have her own time to think, take her time, and take her own step, without being guided step by step. Very emotional and delicate

The brother and sister are so pure and delicious 😋The author writes it very well. It's the first time that the heroine travels as a sister. It's very fresh and interesting. The relationship between the brother and sister in the book really touched me! [Crying] You must keep updating, okay? The author is great [Crying] [Crying] [Crying]

I was so excited after watching it late at night that I couldn't help but comment [laughing]. The plot is really touching, and the author wrote that the heroine and the hero get along very well, and it feels like the heroine is secretly seducing the hero. There are some meat and vegetables, some abuse (usually the female protagonist is abusing the male protagonist), some sweet [love] [love] [love], but there is too little, not enough to watch [sending heart] Big boost to the author.