No Rules in the Capital at Night

The male protagonist must be tortured very deeply and deeply, and the female protagonist's sister must be rescued. Although I prefer he, but, well... The damage caused by the male protagonist to the female protagonist cannot be erased, and the ending will be natural.

It's very interesting to watch, but the plot is a little too slow. The story of Chasing a Wife at the Crematorium is designed to make people feel happy. A plot that's too slow will lead to the loss of readers.

The heroine's tenacity is so relatable. She raised the twins alone, took care of her sister who was in a vegetative state, and had to work hard to make money for medical expenses, but she never complained. Faced with the cold reunion of the male protagonist, she did not get entangled and only focused on herself and her children. This setting of a loveless brain is very endearing and reads very real.

Love this pull! I like torturing the male protagonist [laughing and crying], and the female protagonist is not stupid and sweet. Big cheers for the author, keep up the good work

The damage has been done. No matter what the misunderstanding is, the heroine's sister has become a vegetative state. If the heroine forgives her, she will be sorry for the suffering she has received. The author is great, please write it as a heroine [love] [love] [love] [love]

Sorry, I've read too many books of the same genre, so this level is fine for me. The hostess has a pretty good personality, she is sober and not sloppy, she doesn't backstab, and she doesn't forgive easily. Faced with the male protagonist's persistent stalking, guilt, and rejection again and again, I was very firm in my thoughts and found it difficult to let go of the hurt I had suffered. In the genre of reunion, the male protagonist is okay and clean, but he was really bad in the past. He disrespected and misunderstood the female protagonist. But after the reunion, I thought that the heroine was married and had a husband, and I was willing to do 3. I wanted to support her, his husband, and her children, which was enough for love. The author did not let the male protagonist downplay the hurt suffered by the female protagonist. Instead, he was willing to spend space to let the male protagonist deeply understand the pain of the female protagonist during those six years, which greatly inspired the male protagonist to feel guilty and regretful. I read a lot of articles about chasing wives where the male protagonist pursues the wife simply to get and win back the female protagonist, and he doesn't actually feel much about the harm done to the female protagonist. I think this article handles this point very well. I finally finished it and watched the rest of it. It was very interesting and the second part was very warm and sweet. I rated it at least 8.3 If I rated it low. The male protagonist chases his wife in the crematorium and I can't fault it. He is just a love-minded dog who worries about gains and losses. The point is to be clean and focused, both physically and mentally When they broke up, the male protagonist did not seek confirmation because of a one-sided misunderstanding, and he mentally convicted the female protagonist. When the female protagonist was in the most difficult situation and needed some money, the male protagonist did not help, but his brothers made trouble. The heroine was isolated and desperate and wanted to commit suicide, but she relied on herself to persevere. The author should have tortured the male protagonist to death.

Overall, it is a very classic setting of reunion + chasing wife in the crematorium. There is no too bloody plot, and the pace is quite smooth. The setting of the heroine raising the twins alone and taking care of her sister who is in a vegetative state is quite realistic, and you can feel the difficulty for her. The tug-of-war between the hero and the heroine after their reunion is not abrupt, and is in line with the normal logic of Ba Zong's story.

It's much better after watching it, and the details are described very delicately, such as the heroine smelling the familiar scent of the hero when they reunite, the sting when she sees the "family of three" next to him, and the forbearance when taking care of her sister alone. These psychological activities are very real. There is no bloody forced conflict, the emotional pull is slowly laid out through details, and the sense of substitution is strong.

The twin girls are so adorable! Sensible and innocent, the little details of taking care of each other and wanting to know each other's father are very poignant, adding a bit of warmth to the emotional pull between the male and female protagonists, balancing the seriousness of the plot, and making it not boring to watch.

The tenacity of the heroine Chi Ran is quite endearing. She concentrates on making money to raise her children and save her sister. She is not pretentious or romantic, which is very suitable for the difficulties of single mothers in reality. The male protagonist's transformation from "irrelevant person" to paranoid stalker is well-prepared and not too blunt.