When Doomsday Comes, Beautiful Women Beg Me to Take Them In

This book is very beautiful. It is a doomsday-themed work that is fast-paced and refreshing. The author greatly uses the golden finger setting of "unlimited supplies + system space" to allow the protagonist to quickly occupy the commanding heights of survival after the disaster breaks out. The leisurely way of cooking hot pot in a heavy rain and the domineering display of supplies during floods not only form a strong contrast, but also highlight the protagonist's hard-core attitude of refusing moral kidnapping. Among them, my favorite is the declaration of "I am the rule" in the story. It feels like it breaks the moral shackles of traditional apocalyptic novels and makes people read it heartily!

In the context of doomsday, when survival becomes the only criterion, morality becomes the first luxury item to be abandoned. The ultimate question raised by this book is thought-provoking: When we laugh at Zhao Dezhu's "immorality", is it just because we are lucky enough not to have to face the same extreme choice?

The beginning of the chapter attracts readers' attention with a very tense scene. The author cleverly combines the refreshing setting of "infinite bullets + unlimited supplies + system space" with the in-depth theme of human torture to construct a doomsday scene that is both absurd and real. Nice

There is no overflowing self-sacrifice in the Heart of Mary, nor is there any sloppy interpersonal entanglement. The protagonist's attitude of "I myself am the moral one" perfectly balances the reality of doomsday survival with the sense of satisfaction.

The character of the protagonist is impressive. He is decisive in killing, has an online IQ, is not a virgin, and is even a bit crazy about the anti-hero image. This is in line with the current readers' aesthetics of powerful protagonists. His actions are logical and self-consistent, and his charm is unique.

The setting is very interesting, and elements such as unlimited bullets, unlimited supplies, and system space are very attractive and refreshing points in the doomsday theme. The plot is also very tense. From the protagonist's "arrogance" in the early days of the apocalypse, to the neighbors' plea for help after the flood submerged the city, to the protagonist's tough attitude when showing off a massive amount of supplies, the principle of "if you are not ruthless, you cannot stand firm" in the apocalypse is well reflected, and the rhythm is relatively compact, making people want to keep watching.

Floods submerge civilization, the protagonist hoards mountains of supplies on the top floor, and his former evil neighbor rows a boat and begs for shelter. The sentence "swim eight hundred meters first" will crush human dignity into apocalyptic dust. The survival philosophy of "If you are not ruthless, you cannot stand firm", at this moment, a piercing cold light burst out.

The doomsday is coming, and the protagonist has unlimited supplies and system space. He cooks hot pot during the rainstorm and watches others go from insulting to begging. The author tears apart the shackles of the Virgin with a ruthless declaration of "I am morality", and uses extreme contrast and serial slaps in the face to weave an absurd and enjoyable picture of life. The rhythm is as fast as a knife, and the excitement is layered on top. It both relieves stress and satirizes human nature. It can be called a mudslide in apocalyptic literature.

It feels like the author named the protagonist "Zhao Dezhu" as an ironic statement. In this world of moral decay, he is no longer a "Zhao De" bound by morality, but a "pillar" with his own rules. As the neighbors transform from scolding to begging, the novel sharply reveals the fragility and hypocrisy of human nature in the face of crisis. The phrase "What attitude should I have when asking for help? Swim 800 meters for me first?" Is not only the protagonist's pleasure of revenge, but also a complete subversion of apocalyptic ethics.

It depicts the difficult environment of the doomsday. On the other hand, the protagonist has unlimited material and system space and lives a very comfortable life in the doomsday. This strong contrast satisfies the reader's expectation of survival in a post-apocalyptic novel, making it very enjoyable to read.