Sinking Into Love Past the Deadline

Very good looking, I really like the pair of Yang Shiqian and Xiao Ge It looks good. I hope Yang Shiqian can make her dream come true. She works so hard to make Xiao Yi like her, so just let her do it [Blow a kiss][Blow a kiss]

I like this pair of Xiao and Yang [admiration] [admiration] and come to see it every time. They are not [shy] and they don't torture Xiao severely because Yang is really good and I hope she is happy! [Love][love]

It's good to watch. I like the pairing of Xiao Yi and Yang Shiqian the most. The author please don't let me down. I want to see Xiao Yi chasing his wife.

Xiao Ge, let go of the heroine and just get along well with Shishi. Cherish the people in front of you more. The author sincerely wishes to see more of this couple! ! Love to watch [send heart] [send heart]

It's super good-looking. I like Xiao Yi and Yang Shiqian's pair of deputy CPs very much.

When I started writing this book, I actually didn't plan for a complete ending. The core of what I want to express is about the gap between "being seen" and "being chosen". The tragedy of Tang Yiming is that he has always chosen others, but has never been truly chosen by his own relatives. The tragedy of Xiao Yi is that he was once chosen by Sun Jia, but was deprived of the qualification to continue to be chosen because of his origin. And Sun Jia - it took her too long to learn to choose herself. Some people may ask, why start again under the framework of "substitute literature" that seems to have been thoroughly written? Frankly speaking, it is the cruelty of the "substitute" motif that attracts me. When you read the front part, you might think that this is just another old-fashioned contract marriage story where the male protagonist has a crush on the female protagonist, but later on, you find out that Tang Yiming's initial motivation was indeed impure. This is exactly what I want to express, no one will be nice to you for no reason - he approached Sun Jia because she looked like his lost sister. This setting repeatedly made me feel uneasy during the writing process, because I repeatedly asked myself: Can such love still be called "love"? Later I discovered that the real question was not "whether he loved her at first", but "whether he had the ability to face himself honestly after he discovered that this love had deviated from the original intention." Tang Yiming's growth arc is not about "from use to true love", but from "the person who controls the story" to "the person who is questioned by the story". The night he signed the divorce agreement at his desk, his hands trembled as he wrote, because he finally realized that everything he designed went according to plan, except for his own heart. This fear of "losing control" feels more honest to me than any affectionate confession. The character Sun Jia is the person I put the most effort into protecting. She is very quiet, and her quietness is not indifference, but "putting all her emotions into a place that is out of reach of others." After the miscarriage, she said "it doesn't matter" to Tang Yiming. That "it doesn't matter" was actually the most important sentence. Because she knows that it's easy to get angry, easy to question, easy to break down - but the real pain often occurs after all the emotions have subsided. What I want to write about is a woman who has the ability to choose not to hate, even if she is fully qualified to hate. This is not because she is weak, but precisely because she is strong enough that she does not need to use hatred to confirm her legitimacy. When I wrote the line between Xiao Yi and Yang Shiqian, my mentality changed subtly. At first, I did write Yang Shiqian as Sun Jia's love rival, but as the chapters progressed, her stubbornness of "doing something even though she knew she couldn't do it" began to shake me. The moment she stood outside the ward door and watched Xiao Yi cry for Sun Jia, I suddenly realized: she was not paying for a man who didn't love her, she was bearing the consequences of the way she chose to love. This kind of commitment itself is respectable. Xiao Yi's words "Don't wait" are not cruel, but he is finally willing to honestly face her sacrifice - he can't give her what she wants, so he can't let her continue to consume. By the end of their line, I actually felt sorry for her. She didn't lose to Sun Jia, she just lost to someone who no longer existed. "Crack" is an image I used repeatedly throughout the novel. It is both a rupture in the relationship and a gap through which light seeps in. The lies between Tang Yiming and Sun Jia, the imbalance between Xiao Yi and Yang Shiqian's one-way running, the twenty-year hatred between Tang Hongyuan and Tang Yiming - these are all cracks. But the crack itself is not the end; it simply reveals that the building is not perfect. What I really want to ask is whether people are still willing to stay and repair it after seeing the cracks clearly. Sometimes, staying in the ruins and planting flowers requires more courage than staying away from the ruins. When writing this novel, I repeatedly asked myself a question: Is there a "right way" to love? I still don't have a definite answer. But I know that the most important thing in love is not the method, but the "presence" - when one person cries, the other person does not turn around and leave, but squats down and sits next to her, waiting for her to finish her words. This is probably the warm core that I want to hide among all the broken stories.

This novel describes the "pseudo-deal" of a wealthy family's contract marriage in a delicate and poignant way: Tang Yiluo hides his sincerity and uses absurdity to cover up his tenderness; Sun Jia thinks that everyone gets what they need, but is moved by the details of him guarding his grandmother's hospital bed and tearing up the ambiguous invitation. The contract is like a shell, and the tenderness behind the scenes is like needles. After piercing the disguise of "deal", it is the heartbeat that still indulges in despite knowing that it is a drama - this is not a story about a dog-fighter, but the gentle pull of adults hidden in the contract. The more I read it, the warmer my heart feels.

I've been chasing him for so long, and I can't live without giving him five stars [Adoration] Looking forward to the stars, looking forward to the moon, looking forward to Xiao Yang, and more of them [Admiration]

Five-star rating✨ A marriage that started as a contract has turned into a sincerity that sinks in both directions in the quiet tenderness. Tang Yiluo's clumsy protection was hidden in the torn ambiguous invitation, and in the silent companionship in front of her grandmother's hospital bed; Sun Jia's heartbeat spread quietly in the unexpected tenderness. The author does not use bloody misunderstandings to advance the plot. Instead, he uses delicate details to describe the restrained and turbulent love of adults in a poignant and exciting way. From "each takes what he needs" to "overdue indulgence", it turns out that the most dangerous thing is never a cold contract, but two hearts that can't help but fall for each other even though they know it's a show. My aunt laughed throughout the whole process. This kind of slow-burning and affectionate sweet story about a wealthy family is really something I never tire of!

Marriage is never a piece of paper, it is two people's laughter and curses, two people's daily necessities, and two people getting along day and night. I hope that true feelings can be seen and true intentions will not be let down.