This book has an intense, realistic, and complex plot. Recommended for readers who are comfortable with that kind of content.
Jiang Xi, a charming, laid-back heroine with maxed-out appeal, accidentally binds herself to a background-character, everyone-loves-her System. She travels through different fictional worlds, where all kinds of men fight over her... Jiang Xi just wants to eat and sleep. Being everyone’s favorite is exhausting.
This book is written to indulge the author’s personal tastes. Writing is a hobby, and the author makes no promises about meeting any particular expectations. The content also pushes boundaries in various ways, including physiological, psychological, ethical, intellectual, and moral themes.
Readers who are easily unsettled or young should proceed with caution. This is an unconventional everyone-loves-her story that subverts tropes throughout, so it may make for uncomfortable reading, especially in the later chapters.
If you don’t like it, feel free to pick a book you enjoy. The author is getting on in years, and getting yelled at can bring on a sudden illness. Much appreciated.
If you’re okay with it, read on. I invite you to join me in creating a story about women becoming women.
1. Quick transmigration, multiple male leads, feel-good fiction (not smooth sailing, but feel-good in many different ways, all piled together), everyone-loves-her, and a System (with a minimal presence). There is no original host: the heroine enters the story, and the plot world begins.
2. The heroine is not a perfect, powerful female lead. She’s laid-back, morally ambiguous but kind, lives in the present, and has little affection for the male characters.
3. There are many male leads (complex and imperfect characters). The author has a soft spot for young men. Expect men to suffer (chasing after their exes, face-slapping, and so on), as well as a touch of twisted behavior. The author will serve up delicious meals.
4. The characters are real people. I don’t control their actions or the plot, so please don’t conflate the author with the characters or with real life.
Very well written and beautiful
To be honest, as I read the book later, I felt more and more something was wrong. What initially attracted me was the title, introduction, and early writing style. It was clearly a story based on a female perspective. The heroine returns after rebirth, how to complete herself, and how to improve herself. The author carefully wrote about her growth and transformation, which made me feel that this is a story that truly focuses on the subjectivity of the heroine.
But in the later stages, all this changed. The author diverted a lot of ink away from the female protagonist and turned to desperately describing the pain of men. He even confessed in the author's remarks that he cried when writing a male character. But the problem is that this man has obviously been bullying the heroine in his previous life, but the author reads a kind of "love" from it. In this life, he is still bullying the heroine, kissing her until she bleeds and biting her fingers swollen regardless of her wishes, but the heroine never really fights back. Did the author write that he fell in love with the man he wrote about?
What made me completely speechless was that the female protagonist slapped the male character and cursed at him, but the male character did not show any painful reaction, or even any emotional reaction. Whether the female protagonist spoke or hit him, it was like hitting a wall or a ball of air. The male character is completely talking to himself, and the female protagonist's counterattack is like a cow drowning in mud and has no effect. What's the point of such a counterattack? The male character will still bully her next time. What exactly does the author want to express? Do you want to say that the heroine is like the previous life, or is she pressed against the wall and bullied?
If this is the case, what is the meaning of the heroine's rebirth? Isn't rebirth meant to complete oneself and improve oneself? But here, the heroine's resistance was completely nullified. It wasn't that she couldn't win, but that there wasn't even an echo after she fought. This kind of description is not to create any complexity, but to dissolve the subjectivity of the heroine. The message it sends is that your resistance is useless, he doesn't care, and you are still pinned against the wall just like in your previous life.
I can feel that the author wanted to write something muddy, complicated, and so-called literary, but the effect presented was only four words, artificial. There are obviously no such deep feelings, but they are exaggerated to the point of death. In the later stage, it seemed that the atmosphere was deliberately created in which "the heroine and these men can only be reborn through each other." But the heroine has lived two lives. She can be reborn and become strong on her own. Why should she be dragged down by these men who have never experienced anything in her first life? If the male protagonist needs the female protagonist to redeem him, that would make sense, but if the female protagonist is also trapped in it and ties her growth to these men, then her rank is too low. It is unreasonable for a person who has experienced a lifetime of ups and downs to be entangled with a group of men who have not experienced any hardships. This is completely different from the female perspective story presented in the title, introduction, and early style. So, I moved this book off the shelf. I still feel very sorry in my heart, after all, the early writing was so good...
I still prefer the ambiguity of the young man in front of me, rather than the suitability of life. It's so sad to see. How can I give up on that trend? You have to keep your integrity for the rest of your life, you bastard [grieved]. It's still rare to see a heroine be paired with an ordinary official character.
The writing is really beautiful! A pure heartthrob. The ending of the first world seems a bit sloppy in my opinion, which is a pity. I really like the previous descriptions, but the subsequent worlds are all very well written! The heroine has a light abstract and humorous character, with strong subjectivity, but also intimate descriptions. It is really a perfect blend, but not too exaggerated. She is really cute, and the author is also very funny, and she naturally integrates into the plot! The emotional descriptions and the emotions of some of the male protagonists and supporting actors are all very well written! It's so fun to watch…and the setting is also very cool. All in all, let's take a look! Can the author scare us by adding millions of words at once?
The plot is well written and very natural. I like the first world the most. The half-brother and the human-computer roommate Li Jiaxuan. He and Xibao are like young lovers in adolescence. They teach Xibao how to reject others and how to be firm. The mother-daughter relationship in the rich female supporting role is also very touching.
Hahaha, I got this from another serial by the author. Hello, double-book boss, please give me more food, thank you!
The heroine in this book is a bit unclear because of system damage that affects her memory. She is confused and cute, and doesn't understand the defense between men and women (or maybe she doesn't care). She is a natural scumbag and a heartthrob. In the original plot, she may have been the supporting female character, but she became the heroine after passing through. The original plot has been fragmented.
The male characters each have their own yin and wet methods, and there are many Shura fields. So far, I have only watched the first small world.
The more surprising thing is a man-machine brother. I like Li Jiaxuan very much. I feel that he is not affected by the plot. Maybe because he is a passerby in the original plot, so he sees everything. The living person is slightly dead. Only the heroine will make him collapse from time to time. He has an online IQ and EQ, knows how to respect people, and tries his best to resist the succubus heroine but fails. It is so funny. He is completely fascinated and sinks into consciousness~
Speaking of which, the setting of a naturally scumbag-like female protagonist who unconsciously exudes charm + a complaining and guiding male protagonist is a bit awkward. Keep reading...
After watching the first world, I couldn't help but comment.
When I first watched it, I always compared the first three men. As the author said, they all loved the heroine, but their love was based on appearance. Later, Li Jiaxuan appeared, and I just regarded him as a male best friend. But later, with Li Jiaxuan's words and actions, I slowly realized that he was the one who was truly worthy of the heroine. It should not be said that he deserves it, but that he guides her. He loves her, so he teaches her to understand the world. When I read the sequel, I cherished it because it was plain. I read many heartthrob novels and always thought that the heroine should be with one or more powerful male protagonists. But this book gave me a new perspective. Thank you, author, for bringing me a solid sense of happiness and warmth.
The writing is super good. The charm of the heroine can be seen through the screen and the text. I fell in love with it. The various emotions of youth, dampness, and stickiness are well described. The campus story has a sense of ordinary happiness ₍ᐢ..ᐢ₎♡
The first scene was beyond my expectations. It was the first time I saw such a subject. The heroine has different choices, but I can also understand that choice. The characters are very vivid. I like the role of the heroine so much. Come on, the author is great [blowing kiss][blowing kiss][blowing kiss][blowing kiss]
I picked it up from another serialized article.
I just finished reading the first story. Although it is supposed to be a sweet story, I don't know why I feel uncomfortable reading it. (Purely plot discussion)
Li Jiaxuan really knows Jiang Xi best. Before the ending, I thought the two were good besties. How come they became lovers and got married later? I couldn't follow the plot.
Jiang Xi has no judgment about the relationship between men and women, so I think it's normal for Li Jiaxuan to help the heroine get rid of the entanglement of the male partner, but there is a feeling of being guarded and robbed later. The head teacher at the entrance banquet teased the heroine and didn't know how to respond. Why did Li Jiaxuan directly hold hands to show that the two of them are together? Is it because my wife didn't write it down that they had already confessed to each other in private? When I looked at it, I felt that it was Li Jiaxuan who admitted it unilaterally (because Jiang happy still seemed to know nothing about the relationship between men and women)
Then the first world was really fast. Many things were not written, and there was no trace of the childhood sweetheart brother (the rest of the male supporting characters were enough to stop the plot). After Jiang happy and Li Jiaxuan got together, it seemed like they were the only ones left in the world.
I can't accept that Li Jiaxuan and Jiang Xizhen are together. Maybe there will be related plot foreshadowing later, but I don't dare to watch anymore.
But the character design of the wife is very stable, and I also like the character she created. She received a five-star rating.
It can be seen that the author is very thoughtful and carefully constructs each story, and the writing and plot are very good. The heroine's personality is indeed relatively salty, and she has the attributes of a heartthrob. The development of the story is mainly driven by the system and tasks, which makes it very melancholy to read (?, But the plot is still very attractive, and I watched it all afternoon. I hope that the heroine can develop in the future, love when you want to love, stay away when you want to stay away, don't have to compromise, and become a person in control of your own life. I look forward to the fourth story
Very well written and beautiful To be honest, as I read the book later, I felt more and more something was wrong. What initially attracted me was the title, introduction, and early writing style. It was clearly a story based on a female perspective. The heroine returns after rebirth, how to complete herself, and how to improve herself. The author carefully wrote about her growth and transformation, which made me feel that this is a story that truly focuses on the subjectivity of the heroine. But in the later stages, all this changed. The author diverted a lot of ink away from the female protagonist and turned to desperately describing the pain of men. He even confessed in the author's remarks that he cried when writing a male character. But the problem is that this man has obviously been bullying the heroine in his previous life, but the author reads a kind of "love" from it. In this life, he is still bullying the heroine, kissing her until she bleeds and biting her fingers swollen regardless of her wishes, but the heroine never really fights back. Did the author write that he fell in love with the man he wrote about? What made me completely speechless was that the female protagonist slapped the male character and cursed at him, but the male character did not show any painful reaction, or even any emotional reaction. Whether the female protagonist spoke or hit him, it was like hitting a wall or a ball of air. The male character is completely talking to himself, and the female protagonist's counterattack is like a cow drowning in mud and has no effect. What's the point of such a counterattack? The male character will still bully her next time. What exactly does the author want to express? Do you want to say that the heroine is like the previous life, or is she pressed against the wall and bullied? If this is the case, what is the meaning of the heroine's rebirth? Isn't rebirth meant to complete oneself and improve oneself? But here, the heroine's resistance was completely nullified. It wasn't that she couldn't win, but that there wasn't even an echo after she fought. This kind of description is not to create any complexity, but to dissolve the subjectivity of the heroine. The message it sends is that your resistance is useless, he doesn't care, and you are still pinned against the wall just like in your previous life. I can feel that the author wanted to write something muddy, complicated, and so-called literary, but the effect presented was only four words, artificial. There are obviously no such deep feelings, but they are exaggerated to the point of death. In the later stage, it seemed that the atmosphere was deliberately created in which "the heroine and these men can only be reborn through each other." But the heroine has lived two lives. She can be reborn and become strong on her own. Why should she be dragged down by these men who have never experienced anything in her first life? If the male protagonist needs the female protagonist to redeem him, that would make sense, but if the female protagonist is also trapped in it and ties her growth to these men, then her rank is too low. It is unreasonable for a person who has experienced a lifetime of ups and downs to be entangled with a group of men who have not experienced any hardships. This is completely different from the female perspective story presented in the title, introduction, and early style. So, I moved this book off the shelf. I still feel very sorry in my heart, after all, the early writing was so good...
I still prefer the ambiguity of the young man in front of me, rather than the suitability of life. It's so sad to see. How can I give up on that trend? You have to keep your integrity for the rest of your life, you bastard [grieved]. It's still rare to see a heroine be paired with an ordinary official character.
The writing is really beautiful! A pure heartthrob. The ending of the first world seems a bit sloppy in my opinion, which is a pity. I really like the previous descriptions, but the subsequent worlds are all very well written! The heroine has a light abstract and humorous character, with strong subjectivity, but also intimate descriptions. It is really a perfect blend, but not too exaggerated. She is really cute, and the author is also very funny, and she naturally integrates into the plot! The emotional descriptions and the emotions of some of the male protagonists and supporting actors are all very well written! It's so fun to watch…and the setting is also very cool. All in all, let's take a look! Can the author scare us by adding millions of words at once?
The plot is well written and very natural. I like the first world the most. The half-brother and the human-computer roommate Li Jiaxuan. He and Xibao are like young lovers in adolescence. They teach Xibao how to reject others and how to be firm. The mother-daughter relationship in the rich female supporting role is also very touching.
Hahaha, I got this from another serial by the author. Hello, double-book boss, please give me more food, thank you! The heroine in this book is a bit unclear because of system damage that affects her memory. She is confused and cute, and doesn't understand the defense between men and women (or maybe she doesn't care). She is a natural scumbag and a heartthrob. In the original plot, she may have been the supporting female character, but she became the heroine after passing through. The original plot has been fragmented. The male characters each have their own yin and wet methods, and there are many Shura fields. So far, I have only watched the first small world. The more surprising thing is a man-machine brother. I like Li Jiaxuan very much. I feel that he is not affected by the plot. Maybe because he is a passerby in the original plot, so he sees everything. The living person is slightly dead. Only the heroine will make him collapse from time to time. He has an online IQ and EQ, knows how to respect people, and tries his best to resist the succubus heroine but fails. It is so funny. He is completely fascinated and sinks into consciousness~ Speaking of which, the setting of a naturally scumbag-like female protagonist who unconsciously exudes charm + a complaining and guiding male protagonist is a bit awkward. Keep reading...
After watching the first world, I couldn't help but comment. When I first watched it, I always compared the first three men. As the author said, they all loved the heroine, but their love was based on appearance. Later, Li Jiaxuan appeared, and I just regarded him as a male best friend. But later, with Li Jiaxuan's words and actions, I slowly realized that he was the one who was truly worthy of the heroine. It should not be said that he deserves it, but that he guides her. He loves her, so he teaches her to understand the world. When I read the sequel, I cherished it because it was plain. I read many heartthrob novels and always thought that the heroine should be with one or more powerful male protagonists. But this book gave me a new perspective. Thank you, author, for bringing me a solid sense of happiness and warmth.
The writing is super good. The charm of the heroine can be seen through the screen and the text. I fell in love with it. The various emotions of youth, dampness, and stickiness are well described. The campus story has a sense of ordinary happiness ₍ᐢ..ᐢ₎♡
The first scene was beyond my expectations. It was the first time I saw such a subject. The heroine has different choices, but I can also understand that choice. The characters are very vivid. I like the role of the heroine so much. Come on, the author is great [blowing kiss][blowing kiss][blowing kiss][blowing kiss]
I picked it up from another serialized article. I just finished reading the first story. Although it is supposed to be a sweet story, I don't know why I feel uncomfortable reading it. (Purely plot discussion) Li Jiaxuan really knows Jiang Xi best. Before the ending, I thought the two were good besties. How come they became lovers and got married later? I couldn't follow the plot. Jiang Xi has no judgment about the relationship between men and women, so I think it's normal for Li Jiaxuan to help the heroine get rid of the entanglement of the male partner, but there is a feeling of being guarded and robbed later. The head teacher at the entrance banquet teased the heroine and didn't know how to respond. Why did Li Jiaxuan directly hold hands to show that the two of them are together? Is it because my wife didn't write it down that they had already confessed to each other in private? When I looked at it, I felt that it was Li Jiaxuan who admitted it unilaterally (because Jiang happy still seemed to know nothing about the relationship between men and women) Then the first world was really fast. Many things were not written, and there was no trace of the childhood sweetheart brother (the rest of the male supporting characters were enough to stop the plot). After Jiang happy and Li Jiaxuan got together, it seemed like they were the only ones left in the world. I can't accept that Li Jiaxuan and Jiang Xizhen are together. Maybe there will be related plot foreshadowing later, but I don't dare to watch anymore. But the character design of the wife is very stable, and I also like the character she created. She received a five-star rating.
It can be seen that the author is very thoughtful and carefully constructs each story, and the writing and plot are very good. The heroine's personality is indeed relatively salty, and she has the attributes of a heartthrob. The development of the story is mainly driven by the system and tasks, which makes it very melancholy to read (?, But the plot is still very attractive, and I watched it all afternoon. I hope that the heroine can develop in the future, love when you want to love, stay away when you want to stay away, don't have to compromise, and become a person in control of your own life. I look forward to the fourth story