Creation: The Dragon's Journey

The three prologues at the beginning are slow-paced, but the current quality of the text is at a very high level among fantasy online novels. It can be seen that the author has carefully designed the characters and plot, and did not write it casually. The advantage of this book is "stable" - stable character, stable emotions, and stable world view. The disadvantage is "slowness" - the universe view is quite grand, the opening is slow, the information is slow to develop, and some foreshadowing is slow to be recovered. For readers who like slow reading, emphasis on emotion, epics and legends, and emphasis on character creation, this book will be very suitable. Overall, this is an ambitious book. It attempts to tell a long story from the beginning of the universe within the fast-food framework of modern online writing. Its advantages require patience to appreciate, and its shortcomings stem precisely from this "unwilling to please" narrative rhythm. It's not written for everyone, but those who like it will really stay with it for a long time.

Have you ever seen a book with more than two hundred chapters still in the "Newbie Village"? This is my first time reading Tomato, and this book is really special. In this reading era that pursues "three seconds to catch people", this book uses an almost stubborn attitude to invite readers to slow down and stop in the folds of the text. This is not a book that can be "brushed", but a book that needs to be "appreciated". The world view constructed by the author is also grand. Starting from the origin of the first dragon as the subject, unlike many works that throw out a novel setting in passing, every concept here is like a carefully cultivated coral, slowly growing in the ocean of words. And this "slowness" itself also means screening - it is destined not to please everyone, and the audience is destined to be the few people who are willing to sink their hearts. Although the scope is small, it is precise and profound enough. From the structure of the divine kingdom to the historical legends, peeling off the cocoons layer by layer, from the unique design of the Seven Laws to the delicate depiction of cultural customs - this world is so complete that you will wonder if the author has really seen it somewhere. The most rare thing is that this grandeur is not achieved through information bombardment, but like rubbings, allowing readers to gradually piece together the full picture of the past from the characters' words. The author's creation of a sense of history and depiction of "god" are also very good. The history of the story is not a dry chronology, but a smell that permeates the air - the moss growing on the foundation stone of the collapsed palace, a ritual that is subconsciously repeated during the celebration and whose origin has long been unknown. History is folded into every detail, settling like a stratum. You can feel the accumulated thickness of time when you turn any page. The presentation of this worldview and divine atmosphere relies precisely on the most recognizable feature of the work: the slow narrative rhythm. In this era where fast pace has become the mainstream, choosing such a leisurely narrative speed itself requires courage. It can be seen that with just over two hundred chapters, the story has just begun, and many foreshadowings have been buried. But it is this "slowness" that gives the text texture and makes every scene worth chewing over and over again. Use delicate brushstrokes to describe how the morning light climbs up the window lattice, how conversations ferment in silence, and how emotions accumulate in subtle ways. This reminds me of Proust or Kawabata Yasunari - writers who understood the "weight of time". The writing style is another commendable aspect of this work. When the author wrote the sentence "It's just a matter of life and death. In the end, he has to go alone, and no one can help him." The weight of this sentence is enough to become the title of the entire work. What I admire most is the perfect combination of "slowness" and the theme of the content. When the story explores the accumulation of memory, the weight of history, and the dark relationship between mortal things and gods, the fast-paced narrative itself is a kind of betrayal. Only in such a relaxed rhythm can the protagonist complete true growth, and the grand world carrying gods and history gain convincing weight. This is a complete world - with the body temperature of history and the breath of gods. If you are tired of having fragments of information rustling in your head, you might as well give this book a try. Give it a little patience, and it will return you a starry sky where gods live. [Like][Like][Like] The customs and cultures of various ethnic groups are also well written [Like] [Like] [Like]

Starting with the creation of the universe, the perspective is very novel. The protagonist gradually transforms from a newborn energy body into a dragon, exploring the laws of the universe and the world of planes along the way. The plot has a slow rhythm, the world view is carefully constructed, the seven laws and multi-ethnic settings are clear and organized, making it very immersive to read.

As a creation-oriented novel, it does not focus on stacking up combat power, but spends a lot of pen and ink describing the appearance of the universe and the prototype of civilization. The plot is gradual and the foreshadowing is distributed naturally. You can feel the author's intention. It's very good [please read carefully]

If you like stories about a grand worldview, cosmic chronology, alien civilizations, and creation myths, you can feel free to read this book. From Idrian to the major cosmic forces, from dragons to races of various forms. The cosmic calendar, the Kingdom of God, different civilizations, different star regions, star seas and fantasy are intertwined and spread out layer by layer. The worldview is not a background, but one that truly coexists with various races, cultures, and forces. Readers who like to slowly explore how a universe with magic and gods work, how civilizations rise and fall, and how various forces compete, should be able to find what they want here.

The overall rhythm is very comfortable. In the early stage, the origin of the universe and the life of the protagonist are laid out, and in the later stage, plots such as magic training, celebrations and events are gradually unfolded. The power system is solidly set, there are no abrupt cheating plots, and the series is currently stable. Those who like creation, fantasy, and dragon themes can read it.

The theme of the creation of the universe and the setting of the Seven Laws are really exciting. The world view is written with great care and is quite top-notch.

In the slow-paced western fantasy creation flow, the protagonist starts out as a confused energy body in the void, slowly learning knowledge and shaping a dragon-shaped body. The world view is very grand, with complete settings of the seven laws of origin and the multi-racial divine kingdom. It's not about mindless fighting and upgrading. It's more about exploring the universe and getting to know all kinds of God-King characters. The character interactions are easy and interesting. Those who like a slow-paced world view can check it out.

Although I have only read more than 110 chapters, it was really exciting and full of highlights. This book has been gathering dust on my bookshelf for several months. How come I only discovered it now? The introduction to the book says that this is a very long story. I hope so. The author is great and must write it down! ! !

The writing is very good, and the world view is huge. Unlike other Western fantasy games where there are only a few races fighting back and forth. This is the diverse world I imagined, instead of a struggle between forces and always a battle between races. It's a bit different from what I imagined. There are indeed many races, but these races are all humans with tattoos, humans with horns, humans with different wings... The races in other forms are just examples. Even other races turned themselves into humans when they were at high levels. Later, the protagonist also became a human. After the human form came out, the proportion of the dragon shape was less than 10% as I imagined. Even when fighting, they said that the human form is better. Just like some immortal novels, humans are still the spirits of all things, and they end up in human form. It's a little different from what I imagined, but the human form is indeed easier to write than the various forms. The author did write very seriously. It is estimated that the notes are hundreds of thousands of words, and the various descriptions are also very comfortable. For example, the information about the immortality species is slowly reflected in the plot, and it is perfectly integrated into the content. It is much better than those immortality articles. Some immortality articles are really too deliberate, and it is really uncomfortable to read, and it feels like there is no content. Even if this book on longevity is just ancillary content, it is much better than those longevity articles. The same goes for other aspects of the content, including communication with friends, making friends, one's own growth and progress, and the culture of various races... They are all very well written, and it is very comfortable to read or listen to. Unfortunately, too few people read it.