Su Liuli, a top modern nail and lash artist, was just one step away from becoming world champion when she was in a car accident. When she opened her eyes again, she had become the bullied, foolish, timid illegitimate daughter of the Chancellor’s residence in the Great Yong Dynasty. Trapped in the inner household, she faced a spiteful legitimate mother and a vicious legitimate elder sister, Su Mingyu, who were both watching her like hawks. The servants looked down on her, and her father ignored her. Her lot was more miserable than a shattered crystal nail tip.
In her darkest hour, Su Liuli unexpectedly awakened a mysterious space that had come with her transmigration: the “Gleaming Illusion.” It contained an inexhaustible supply of pure energy that could accelerate plant growth and refine materials. Time also passed more slowly inside, making it the perfect sanctuary for her to recover and hone her skills.
Faced with adversity, Su Liuli kept a low profile and used “foolishness” as a disguise. She used the space’s energy to cultivate rare flowers and minerals and extract unique pigments. She refined natural ingredients to create long-lasting “Liuli Gel” and natural “Phantom Feather Lashes” that surpassed anything of their time. Within the Gleaming Illusion, she practiced again and again, seamlessly blending modern top-tier techniques with ancient aesthetics.
A pair of hands that had once shaped global trends began to shine quietly in the back courtyard of the household. From showing her talent by repairing a maid’s nails to making a name for herself in the capital by creating stunning looks for noblewomen, Su Liuli advanced one careful step at a time. She founded “Liuli Pavilion,” set industry standards, and sparked a craze for nail art that swept across the Great Yong Dynasty. The elder sister who had once looked down on her went to great lengths to obtain a manicure designed by her own hand. Even her father, who had once ignored her, was forced to recognize the value she created.
From a discarded daughter of the Chancellor’s residence to the “Mother of the Beauty Industry,” Su Liuli, aided by her space and her extraordinary skills, not only made a triumphant comeback but also established in the Great Yong Dynasty
After reading the first three chapters, I feel so burning but I don't know what I'm burning... It's really burning and passionate, but too much of Da Guangwei's psychological activities makes the plot very dragging and the description of events becomes very perfunctory, and I keep listening to the heroine's inner thoughts. Chicken blood, and then describing all kinds of things in a gorgeous way, I will feel very tired after reading too much... I feel that the author has his own ideas and writing style, but he can be more detailed and appropriate when writing. After all, it is better to focus on narrative in the novel.
The writing is pretty good, the ideas are good, but the wording is a bit too complicated.
I can understand the author's ingenuity. Some chapters use flashback description techniques. For example, when making armor and eyelashes for the queen, the results and causes are written in reverse order, with the effect first and the cause second. There are just some chapters that have little connection at the beginning with the end of the previous chapter. I understand that the author may want to give a general summary of what happened before, but this is strange for people who have been reading all the way. Moreover, the author is slightly lacking in description techniques. Such a summary does not read as smoothly as the previous text. It is recommended that the description be less, at least not described in the current three paragraphs, but can be shortened to one paragraph. If you are in the continuation state and want to use a summary method to remind readers of the previous article, you do not need to use long paragraphs to describe the previous situation of the story. It is recommended to use a more concise description. I found the storyline quite attractive, but later on when the "Feng Yi Nine Heavens" where the queen's armor and beautiful eyelashes shined were described, it felt a little more fantasy-like. This is also novel, I prefer to watch something that is a bit logical, so the plot may be a bit unrealistic. However, the author's descriptive technique should shine in fantasy books. The male protagonist appears suddenly and has no emotional line. It feels like the heroine's career is on the rise, and she suddenly retreats. Then she describes the heavy rain outside, the dragon energy in the heroine's space and the "silent" manicure intertwined with each other. It is mentioned that the queen may be in danger, and the hero appears when the heroine vomits blood. To put it simply: "There are many holes that have not been filled in." We can only rely on readers to imagine what happened between the male and female protagonists. The final extras and ending belong to OE and are open-ended. In fact, this is a neutral ending, neither good nor bad. Maybe I prefer to see what the ending will be like, but I don't like this kind of oe. However, I think that although there is no specific description in the extra chapter, the country should be able to be peaceful and stable after the male protagonist wins the battle.
Hahahaha, I feel like I did this on purpose. I saw "xx raised the corners of her lips with a cold arc" and what is the difference between "xx raised the corners of her lips and smiled evilly" that I saw when I was a kid. Hahaha. It's good to listen to it when I'm working. Sometimes it doesn't matter if I continue listening when I'm distracted.
Very beautiful, the angle is novel,