A Dating Reality Show? This Cast Refuses to Play Along

It's really good to watch. I recommend everyone to check it out and see how the various systems compete with each other. When I wrote this paragraph, I actually wanted to play a contrasting joke: let everyone think that he is the scumbag character of Neptune. When he opens the door, he will reveal a wall full of figurines and an unpacked instant noodle bowl. Think about it, celebrities usually have such exquisite characters, but I want to let a cannon fodder villain like Lin Ye pile up gaming chairs at home, eat sauced chicken feet, and use such life-like details to slap the scandals outside - such as a red mark on his neck? I deliberately let the barrage guess that it was caused by dismantling the figure. Isn't this more interesting than directly explaining "I'm not in love"? I also dug a hole in the settings of the male and female protagonists. The system said that the two of them were a match made in heaven, but Lin Yezi complained that the male protagonist was "a fool who threw mud in the teacher's face" and the "candy" posted by the female protagonist on Weibo were all fake. It's like when you're watching an idol drama, and someone suddenly tells you off-camera that "they both acted in the scripts." This contrast is intended to break the stereotype that "the protagonist must be perfect." Why did I let Lin Ye scold the male protagonist? In fact, he uses his mouth to complain about those illogical boss settings, and by the way, it makes readers feel that "this cannon fodder is quite real and doesn't seem to be pretending." When describing the scene, I used the lens as a knife. For example, when you shoot the action cabinet in the living room and the barrage explodes, you use the audience's reaction to emphasize that the "character is broken"; when you shoot the "happy nest" surrounded by e-sports chairs, you actually want to tell the readers: This guy usually plays games here, so how can he have time to engage in scandals? Even the detail of the fitness ring gathering dust is to make his "lazy" and "homely" character more believable - after all, ordinary people who buy a fitness ring don't just leave it to collect dust? I regard the setting of live variety shows as a magnifying glass. The worse Lin Ye looks, the easier it is for the camera to capture his true side. The complaints and reversals in the barrage are actually for the readers: I thought he was a scumbag at first, but when I saw the figure, I thought, "Oh, maybe he is an otaku." This cognitive change is the dramatic effect I want to create. The final scene of Su Qingyuan packing her luggage is actually a hook: when the "careful heroine" meets the "cannon fodder lying flat and rotten", there will definitely be more character collision scenes later.

It's so beautiful. I recommend everyone to read it.