
I Am Zhang Liang, Descendant of the Marquis of Liu
在下张梁,乃留侯之后
- Status
- Ongoing
- Length
- 1.1M Words
- Genre
- Historical
- Subgenre
- Historical High-Concept
- Updated
- 7mo ago
- Source
- Fanqie
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In booklists 325
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Maybe I've read too many books, because I can't get into a lot of them and drop them after about three chapters. If I can finish one and enjoy it, it's definitely a gem worth sharing! I'll update this list from time to time. I've read every book on it myself, though I can't guarantee everyone will like them. 😍
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Reader comments 119
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The subject matter and perspective are novel, with the Yellow Turban Zhang Liang as the reborn protagonist. It breaks away from the common perspectives of Cao, Liu and Sun in Three Kingdoms themes and chooses the Yellow Turban uprising camp to unfold the story, which brings freshness to readers and fills the gap in the depiction of the Yellow Turban group in the Three Kingdoms online literature. The rhythm design is very considerate. The author informs in advance that the first two volumes are about farming and development, and the third volume begins the expedition. He also reminds impatient readers to jump directly to the third volume. This takes into account readers with different reading habits, and the details are carefully considered. The rhythm is thoughtful, and the history and fiction are well blended! The farming and expedition stages are marked in advance, and you can skip reading to adapt to different readers; the text is solidly researched without losing imagination, making it enjoyable to read.
The combination of history and fiction is natural. It not only refers to historical materials such as "Book of the Later Han Dynasty" and "Three Kingdoms" to set the age and appearance background of the characters, but also reasonably adjusts the appearance time of the characters for the plot. The fictional creation is done within the historical framework, balancing the rigor of history and the interest of the story. The opening chapter has a strong sense of substitution, with a real-life scene of the protagonist being knocked unconscious by a wild boar, cutting into rebirth, and contrasting the chaotic times of the late Han Dynasty from the perspective of a modern social animal. The plot is light and humorous, allowing readers to quickly enter the story. The portrayal of the protagonist Zhang Liang in the opening chapter is more like a social animal, which can add details such as his inner struggle with the fate of the Yellow Turban after time travel, and his plans for the future, making the character more three-dimensional. The contrast of wearing Han Dynasty is so eye-catching! The story of "The Wild Boar Knocked Out" is down-to-earth, relaxed and humorous, and gives you the feeling of survival in troubled times in one second.
The rhythm control is awesome! A small climax in one chapter, which makes people unable to stop at all. The main plot is clear, and the branch plots are also exciting. It doesn't make people feel cluttered. The author's narrative ability is amazing. This is what a high-quality novel should be like! The author's imagination is really amazing! Who would have thought that Zhang Liang in the Yellow Turban Uprising in history would be a descendant of the Liuhou who strategized? This setting immediately made the character stand out - he not only has the strategy and wisdom inherited from the Liuhou lineage, he can make a step forward in the surroundings of the princes, but also has the decisiveness of a hero in troubled times, never procrastinating in the face of desperate situations. The description of "Liuhou's inheritance" in the book is full of details. The ancestral military strategies, the hidden secrets of talismans, and even Zhang Liang's wisdom in life have become Zhang Liang's trump card in the troubled times. Every time he uses his wisdom to reverse the situation of the battle, everyone is amazed. The background of the Three Kingdoms is also restored to a very high degree, but there is no lack of novelty. The beacon fire at Hulao Pass, the undercurrent of Luoyang City, and the political confrontation between princes and alliances. Every historical scene has a strong atmosphere of troubled times, which makes people feel instantly involved. However, the author did not stick to the official history, but used the identity of the protagonist to bloom new flowers in the gaps of history - Zhang Liang is no longer a supporting role in the Yellow Turban Uprising, but relies on the wisdom of Liu Hou to integrate forces and deal with various princes. He must not only deal with the imperial court's encirclement and suppression, but also resolve internal disputes. This kind of "rewriting fate" plot is simply a highlight for historical fans! The character creation even escapes the trap of facial expression. The protagonist Zhang Liang is neither holy nor reckless. He makes decisions before taking action. He can calmly plan even if he is in a desperate situation. This kind of protagonist with an online IQ is really popular! The supporting characters also have their own highlights, including loyal generals, princes who are both enemies and friends, and clever counselors. Each character has his own position and calculation. Their confrontation with Zhang Liang makes the plot twists and turns. Moreover, the author understands the preferences of Tomato readers very well and leaves enough suspense at the end of each chapter, making people unable to help but click on the next chapter and unable to stop at all! The most rare thing is that this book not only pursues a sense of pleasure, but also contains thoughts on "inheritance" and "morality". As a descendant of Liuhou, Zhang Liang must not only protect the glory of his ancestors, but also stick to his true heart in troubled times. His choices and struggles give this troubled hero a little more warmth. In addition to the refreshing plot, you can also feel the weight of history, which is really far beyond ordinary refreshing novels! Brothers who like the theme of the Three Kingdoms and historical imagination, hurry up and rush to Tomato to read "After Zhang Liang, but after Liu Hou"! Descendants of Liuhou travel to the Three Kingdoms and outwit the heroes. This kind of cool story is really hard to find!
A masterpiece with more than 6.8 Points. The author's historical and cultural heritage is far beyond comparison with that of a non-professional and amateur like me. I can be considered a history buff, and I feel extremely ashamed in front of the author. Zhang Liang's opening position is indeed very novel, and he also considers the development route of the Yellow Turbans from another angle. Overseas development, based on Hebei and Liaodong, is a one-step move. In addition, the relationship between characters is well handled, such as Tian Feng, Zhao Yun, Guan Yu, etc. It also explained many unknown details such as Li Ying and He Yong. There are also many little people who have passed by in history. It fully reflects the author's profound background. There are also some small details such as titles and communication words, which are all well written. As expected, the ratings went up. As expected of my Yanzhao brothers.
The beginning of the time-travel chapter is fast-paced, with the absurd plot of "being knocked unconscious by a pig" quickly cutting into the plot. The modern cognition of Zhang Liang, a social animal, is in sharp contrast with the ancient survival scenes in the mountains. The details of Brother Pei's honest and honest rescue work outline the local customs, and the description of the environment such as adobe walls and rough bedding makes the time-travel setting come true. The sense of dislocation from the shopping mall to the ancient village, the instinctive action of "touching the mobile phone" and the real feeling of chest pain accurately poked modern people's curiosity and sense of substitution in time travel, laying a vivid foreshadowing for the subsequent survival story.
This work is undoubtedly a masterpiece that achieves a high degree of unity in both literary and ideological aspects. Its grand and exquisite worldview construction provides a solid and tense stage for the story. The plot structure is sophisticated and dramatic, with natural and smooth transitions. Every turn is both reasonable and unexpected. The progressive suspense settings and relaxed rhythm control jointly build an immersive narrative space. In terms of character creation, the character image is full of flesh and blood and has multiple dimensions. The author is good at using various description techniques such as the character's appearance, language, behavior, psychology, etc. To make the character's personality complexity and clear growth trajectory very convincing. The intricate but well-organized relationship network between the characters, as well as the choices they make in moral dilemmas and fateful decisions, greatly enhance the reality and resonance of the story, and trigger readers to think deeply about the multi-faceted nature of human nature. The author's writing style is precise and expressive, and his language combines poetic beauty with the texture of life. The descriptions of the scenes, atmosphere and subtle emotions of the characters are extremely vivid and delicate, giving the text a strong visual sense and appeal. What is particularly valuable is that beneath the surface of the wonderful story, the works contain profound insights into grand propositions such as human nature, society, or the meaning of life. These thoughts are not rigid preaching, but are integrated into the plot and the fate of the characters like salt in water. They can not only deeply touch the readers' hearts, but also bring long aftertaste and enlightenment after closing the book. The whole novel has reached a high degree of harmony and unity in terms of artistry and ideology. It can be said to be a sincere work that can arouse widespread resonance and be worth reading again and again1
This work cleverly combines the background of the Yellow Turban Uprising in the late Han Dynasty with fictional historical interpretation. After the author reborn Zhang Liang as a Liuhou, he not only had a sense of historical significance, but also gave the protagonist a reasonable golden finger - a "weak system" to avoid the routine invincible flow. Especially the construction of Xiaquyang and the creation of Jizhou's basic base, the details are real and perceptible, making people seem to see the rise of a stable place in troubled times. The plot of the Yellow Turban Army going north and south and exploring overseas has broken through the traditional Three Kingdoms structure and is refreshing.
"After Zhang Liang, I stayed behind the Marquis" is a refreshing novel about Yellow Turban farming in the late Han Dynasty. The protagonist is reborn as Zhang Jiao's younger brother. He starts with a "weak system" and does not blindly follow the old path of the Yellow Turbans' quick defeat. Instead, he plays a steady and step-by-step strategy of "building walls high, accumulating grain widely, and becoming king slowly". He rescues Guan Yu, recruits Zhao Yun, grows high-yielding crops, builds paper workshops, and seeks a way out for Taiping Road step by step. The first two volumes lay the groundwork for farming and development. They have both the thrill of system exchange and the passion to rewrite history. They combine the pragmatism of surviving in troubled times with the heroic passion of opening up new territories. The pace is relaxed and moderate, and it is worth reading.
I read this opening chapter in one go and couldn't help but be amazed! The author uses the humorous setting of "Lottery Distribution Center" to break the theme, cleverly resolving the inconsistency of the time-travel theme, making people smile. The protagonist Zhang Liang transforms from a modern social beast into the younger brother of Zhang Jiao, the leader of the Yellow Turban Army. This identity setting is both historically accurate and full of dramatic tension. The most exciting thing is the portrayal of the psychology of time travel - when Zhang Liang realized that he was on the eve of the Yellow Turban Uprising, his inner monologue of "I had no choice in my previous life to be a social beast, but in this life I want to be a good person" is both humorous and profound. The introduction of the "Dad Civilization" system is even more magical. It cleverly combines the Internet meme of getting stronger with krypton money and survival in troubled times, making people look forward to the follow-up development while being hilarious. The author's writing style is sophisticated, using details such as "horseshoes" and "repeating crossbows" to create a realistic and perceptible time and space of the late Han Dynasty, and also creates contrasting laughter through the modern elements of the system mall. The interaction between Zhang Liang and Su Shuang is vivid and natural, which not only demonstrates business wisdom, but also lays the foundation for the subsequent development of power. This kind of writing power that perfectly combines the richness of history with the refreshing feeling of online writing is really amazing! The protagonist shows the potential of a hero at the beginning, coupled with the arrogant and funny system, it will definitely set off a new storm on the magnificent stage of the late Han Dynasty. Highly recommended to readers who like historical themes and light-hearted humor, this is definitely a masterpiece worth following!
I love watching it, I like watching the interaction between Xiao Liangzi and the system [laughing] [laughing] The interaction between the two is so joyful hahahaha, but Tongzi also spoils Xiao Liangzi and responds to every request. This is [laughing] early stage farming, the plot is not tense, but it is very immersive, the writing is very good, and the writing is excellent. I think the friendship between young people is the purest and most passionate. I love to see a group of young people talking about their plans to conquer the world. It's a pity that we can't go back to our youth. Although Xiao Liangzi is said to have traveled through time, his EQ and IQ are online, and he is also very... Well, how should I put it, smooth? In other words, it's a masterpiece. The characters are well created and the plot is compact. I like watching it. What I like the most is the interaction between Xiao Liangzi and Tongzi. Unfortunately, Tongzi appears less and less in the future, but this also represents Xiaoliangzi's growth. Come on, work hard, and wish it a great success!