Ruyi, Get Lost! Su Luyun Is Reborn as Empress!

It really shouldn't be given such a low score. After being used to those rebirth stories on Tomato that after rebirth, the wife must be squeezed to the point where she has no foothold, and she can't wait to compare all the women. The author's meticulous, smooth, and gentle writing is even more rare. The plot arrangement is a very clever compromise between the official history and the original plot, and it shows the "emperor is the source of all tragedies" that has been ignored intentionally or unintentionally in Ruyi's Royal Love in many aspects. It is really wonderful. In addition, the character of the Empress Dowager Huan Huan in this book is really smart. I really read this book as a follow-up to The Legend of Zhen Huan, which can make up for the regret that I was fully expecting the sequel but was severely beaten by the plot of Ruyi's Royal Love in the Palace. The heroine has evolved into a violent version of Ruyi. . .

I feel that the description of the young human being Hongli is quite good. The whole text is a bit sad but very interesting. But when I think about the middle-aged human being Hongli appearing later, I always feel overwhelmed and scared [laughing and crying]

It feels pretty good. It doesn't have a particularly retarded plot, and it doesn't have that over-the-top feeling. It's very interesting [like] [like]. At least everyone has their own character background. It's not that they are bad for the sake of being bad or good for the sake of being good. The choices they make are all for a reason, and they are not cowardly. I feel very good-looking [flying kiss] [flying kiss] [flying kiss] [flying kiss] is the prettier and wiser among Ruyi's Royal Love in the Palace fans [adoration] [adoration] [adoration] [adoration] [love] [love] [love] [flying kiss] [flying kiss] [flying kiss]

Immortal product. There are three main issues to be dealt with in the derivation of "Da Ru Zhuan". The first is to rationalize the plot, the second is to be anti-feudal in form, that is, to "slay the dragon" in the readers' minds, and the third is to rationalize the first two. General derivative novels may use humorous methods to eliminate doubts about the rationality of the plot in endless gags; they may tie it to imaginary things such as the system and Cthulhu; or they may increase the description of stereotypes in the original plot (this is the most common shortcoming). The disadvantage of the first two is that if they are not put into practice, they will not be true in the end. This novel ties the murderer who fuels the plot to the emperor. Peeling away the emperor's character layer by layer, the protagonist's growth and the plot of this novel and the plot of the original work unfold. The most ingenuity. Similarly, the objectification of women by the emperor, or the penetrating description of objectification, is far better than a novel with an abrupt ending of dragon slaying.

At the moment, I think it's quite interesting. Every character's actions are logical. There's no straightforward attempt to make all the characters good people, nor does it make Da Ru a pure clown. The characters' actions are very logical.

It's really scary to find that the person you've been with has broken down. You will doubt the past, worry about the present, and fear the future. Fortunately, Su Luyun woke up in time and made her changes when she had no way to stay away from this relationship. Fortunately, she had Yongzhang by her side. I really like the courage and brute force shown by Yongzhang at the beginning to help the protagonist come back again. Hahaha, people get lucky, and pure concubines bump into Yongzhang.

The only fan of Ruyi that I can read. The author brought everyone to life. The passionate and ruthless Hongli, the arrogant yet pure and wise Ruyi, the empress who has some thoughts but puts the overall situation first. Hey, it's a pity that this book is not popular.

The writing is very good. It's rare to see Ruyi's Royal Love in the Palace so good. But sometimes it feels like the characters in it seem to be too attached to their original ideas and can't see any changes, or the changes are not big and the progress is very slow. Well, I just want to see Lu Yun being the heartthrob in the harem. When will Hailan become obsessed with Lu Yun?

Very nice to see the text! Every character in Fafa's works is three-dimensional and full of descriptions. They are not twists and turns of the original plot but have different directions. Although Ruyi is still unbearable, the capitalized Ruyi is not like other fans who are black for the sake of being black.

The author's writing style is very delicate, and he has thoughts and speculations about the character Su Luyun. Su Lujun's growth line is very clear. When she was young and ignorant, she would be entangled and sad because of the other women around Hongli, she would blame herself and feel sad because of her own negligence in the death of Fucha Chuying, and she would be disappointed because of Hongli's violation of Hailan. She is a kind and thoughtful person, but not one who refuses to grow. In the deep palace, she will assess the situation, use her own strength to protect those around her, and use her own methods to punish those who hurt her and those she cherishes. Su Luyun here truly achieved Ruyi's methods and warmth in the harem that he wanted to express in The Legend of Da Ru. I really like how Su Luyun grows up into a towering tree little by little in this book, instead of being a tool man who is led around by the nose in the story of Da Ru. I hope more people will discover this good novel and witness Su Luyun's growth in this time and space.