The 1970S: I Transmigrated into a Phoenix Man

It's nice, but I gave the first two daughters too many things. I'm not happy. I've already read novels. Can't I make it more enjoyable? [Hold face][Hold face][Hold face]

A good book, the male protagonist has high emotional intelligence, the female protagonist is very cute and a good person, but she has a bit of a love brain. The heroine's mother is gentle and devoted to her daughter, the heroine's father is well-organized and measured, the hero's mother teaches her daughter-in-law. The writing could actually be more realistic hhh, there are many such things in reality. The hero's sister is a love-brained and rebellious girl. This kind of character is quite rare in period literature. Some of the descriptions in it are not quite right for the mentality and work style of the factory director's daughter? The heroine's love brain is also very explosive. She can't think of anything. Fortunately, the hero is here. She doesn't always have to deliberately emphasize the hero's bad attitude. What the heroine says and the interaction between the male and female protagonists are very loving and interesting. How interesting.

There are still a lot of frustrations. The protagonists are good, but most of the supporting characters are annoying, regardless of whether they are good or bad. The hero's sister is too awesome, but she keeps helping her hero become more awesome no matter what, and there is no complete separation from her. The heroine's father was cuckolded for so many chapters but still didn't get back the money he gave. He was so frustrated. Every time I finally have a good moment, but I'm not happy yet, there's a sudden change immediately, with small ups and big downs [awkward laugh]

The writing is very good, some parts are very realistic and helpless. What's more, I feel sad and helpless. The whole environment feels too sticky. Realism is a kind of silent coldness. I'm so tired, it's hard to be a good person.

The writing pace is quite comfortable, and the five stars encourage the author. Basically, everyone has their own characteristics. The characters' thoughts are more realistic, and everyone will have dark thoughts. For example, the female protagonist will suspect the male protagonist of doing bad things when she finds that the male protagonist's behavior is inconsistent with expectations, because the male protagonist has a "criminal record." When the heroine talks about divorce, the mother of the heroine will think that "if the daughter and son-in-law get divorced, the child may be able to leave offspring for the old Zheng family." For example, Yang Wanli has a college degree, is arrogant and looks down on others, makes friends with the hero, and finally creates a stolen design draft because of his own obsession. Because of such bad things, she broke up with the male protagonist. The other people didn't have deep discussions and didn't have any big mood swings. However, because the heroine's mother-in-law had been together for a long time, this kind of "bad thoughts" and bad behavior would make the reader (me) very uncomfortable. But this is actually a dark thought that people have in reality. But in the novel, the male protagonist is reflecting on the "dark thoughts" of his predecessor, while facing the same dark thoughts of the people around him. I feel a little unfair about this. The storyline feels pretty good.

So far it looks pretty good I hope they won't have a baby soon. No matter what happens, unexpectedly or not, they will have a baby later. The two of them have already planned to have a baby. It has always been the male lead inside and the female lead outside. Many novels say that you want to lie down and rely on your wife, but then they all talk about how the male protagonist succeeds in his career and how much he earns, how the female protagonist idolizes him, and then the female protagonist starts to return to the family. I have seen too many of this, and I am a bit tired of it.

It's good-looking, not too bad. I like it naturally. It's worth reading. I'll save 10 chapters each time to read it all at once.

The male protagonist Xu Ming is a social animal who grew up from childhood to adulthood. He was accidentally reincarnated into the body of the same name in the 1970s. He was a delicious, lazy, gambler and mama's boy. His original wife was the factory director's youngest daughter. Because she was too naive and ignorant, she was greedy for the original owner's beauty and was tricked into marrying him by his sweet words. The male protagonist has adapted well. He has had enough work in his previous life and wants to live a soft life. The female protagonist is also very enterprising. The male protagonist is willing to do the logistics and let his wife work harder. He spends his own salary and the wife gives him some pocket money. He is not ashamed to tell outsiders that their family is the female lead outside and the male lead inside. They eat soft rice and live openly. They get in good shape, cook meals and do housework. The ideal is very full. Due to various external forces, the male protagonist still curled up. Wei Juan [laughing evilly] goes to work well and is very active in picking up his wife after get off work.

It's quite heartwarming. A female author writes a male channel. The delicacy is very good. Especially the single female protagonist has a good character portrayal. The shortcoming is that it has no momentum and is a bit too much in daily life. For a male channel, I want the money, the girls, and the power. Fight for fight, but don't fight for the resources.

Oh my god, why is it a serial? Your good guy's tweets are serialized without labeling them as harmful. [Shocking] It's nice, but there are only 50 chapters. Come on, author, your writing is pretty good. The more people read it, the more your rating will go up [Sparrow Food Masterpiece]