[To start after Jiang Che is reborn, go straight to Chapter 38.]
On the day of his divorce, Jiang Che gets a time-traveling mailbox. Through it, he can write letters to his past self.
So...
"Hi, me from yesterday. Make a note of these lottery numbers."
"Hi, me from a month ago. Me right after getting married. Me in college..."
Jiang Che could have been living the high life, but then he discovers his wife's betrayal.
"I'm a traditional kind of guy. I think you have to take responsibility when you date someone, so you have to be very careful before you start a relationship."
"Jiang Che! Marry me again!"
"What the hell! Are you crazy? I've never even been married!"
"Cut the nonsense! We got our marriage license in our previous life!"
"That was in my previous life!"
"Marry me again!"
"Get lost! I have a girlfriend!"
He runs, she chases!
He can't escape!
This is a novel for women, with an endlessly provocative plot. The problem with the female protagonist is that she does not give the male protagonist a sense of security and does not maintain a legitimate relationship with the mistress. Overall, her career is more important than the male protagonist. The female protagonist even wants to find a balance between the mistress and the male protagonist. The male protagonist's problem is that he is poor, does not improve himself, and does not give the female protagonist a sense of happiness. The two people were at odds with each other, and the mistress of Green Tea's scheming boss took advantage of the situation. The heroine asked the mistress to accompany her to get divorced, and then she agreed to the mistress's proposal a month later after divorcing the male protagonist and was promoted. I don't believe it if nothing happened between the heroine and the mistress. Dogs have to eat meat to get food. You keep the house, and the heroine cannot get promotion opportunities without giving anything. The hero still misses the heroine after the divorce, and then the heroine does not refuse the mistress's physical contact while continuing to pull with the hero. If the mistress is a bad person who lives alone, the behavior of the hero and the heroine feels like two fake people, which is disgusting. Then what the father-in-law and mother-in-law wrote was quite explosive. When he found out that the marriage of the male and female protagonists was broken down due to the mistress' boss, his first reaction was to ask the male protagonist to apologize to his mistress and not to delay the female protagonist's promotion. He probably wanted to find a rich husband. Reading this novel as a whole, I have three different views. I hope it can find an audience who will like to read it.
It's really messy. It's better to write about rebirth. If you want to leave, just leave. Why can't you live without this girl? It's so funny. They are all adults. There are two-legged women all over the street. They are not poor losers. Why do you play love across time and space?
The writing is good, especially the first forty chapters in which the male protagonist is slowly reborn back to the age of 18 through writing letters. This method is amazing. From the first letter, I worried about gains and losses, and my nostalgia and love for Mi have become less and less with one letter after another until now.
I originally thought this would be a novel about mutual redemption. After all, the heroine's dissociation comes from the helplessness of reality and there is no actual betrayal. The male protagonist's failure lies in accomplishing nothing and not seeking to make progress. Going back to the past is a problem that can be solved between the two of them. The female protagonist gradually regains herself in one letter after another, and the male protagonist returns to find the motivation to fight in the first place.
However, the subsequent rebirth development did fall into the cliché. The male protagonist became no longer him. It was true that he started to make money, and it was also true that he started to become worse. The heroine started chasing her husband without any explanation of her psychological journey. I don't understand why it is not expanded upon here. What happened to the heroine in the process of going back to the past? What happened after the engagement? Everything is messy. I hope the author can explain it clearly, otherwise I will be confused, because the most interesting thing about your book is that Mi is not someone else.
The author wanted to write about the feeling of intertwining time and space, but he didn't arrange it well, so I was confused😳
At the beginning of the divorce, the heroine is sitting in a small car. Later, the hero writes to himself saying that Mi Li loves the hero very much. Why don't you believe it? The female protagonist knows that she is the mistress Bai Yueguang. Fortunately, the mistress is not involved. She has no sense of boundaries. She doesn't care about the male protagonist's feelings, but she still loves him very much? I can't understand it. In addition, time and space are messed up. My reading ability is insufficient and I can't connect the story lines. It may be very interesting, but I abandoned it.
The balance point mentioned by Mi in the middle means that you need love but also money to be with the male protagonist and then use Pei. The previous time travel was exposed by the male protagonist before rebirth, which is equivalent to losing the bet and getting divorced. How to put it? This idea is relatively real. In reality, I have indeed met someone who has a boyfriend and then hangs out with a rich guy. She often delivers things and asks her to take a taxi and reimburse her for reimbursement when going to and from work. What happens next is unclear.
What's the point of "traveling" back and forth to different time periods? For various reasons, in the final reality, the wife has already made a choice. What's the point of going back and forth? The timeline is so messy now and then.
If combined, give it two stars and mark it as a cuckold.
The space-time mailbox in front is quite novel. Writing letters through the mailbox changes the past, and it feels like the butterfly effect in the movie. But the author did not write in this direction in depth. The first few chapters are divided into before and after college. Before I returned to college, I wrote as if the male protagonist was a scumbag, and then went on to reveal what Mi did to the male protagonist and his inner thoughts. Some readers who read quickly may be a little confused. The timeline is not very clear. In the first chapter, the couple divorced, but in the next chapter, the husband was called to get up, which seemed a bit confusing.
Returning to the content before college, it explains why the male protagonist and Mi divorced and why the male protagonist refused to forgive Mi. But to be honest, going back to the content before college still feels a bit suspenseful. After returning to college, the content will go in the direction of Chen Hansheng (Chen Hansheng refers to that type of plot, not to say that the content is the same as Chen Hansheng), and then mix in the drama of a yandere chasing her husband (I read it in more than 40 chapters). For me personally, I don't really like the plot before returning to college, but compared to returning to college, it is more interesting before college.
The author's idea is very new, but it is a bit of a test of the reader's experience or experience. The first twenty chapters are a mess of time and space. There is no decisive separation in ordinary emotional articles, nor is it entangled in the article that repeatedly crushes the nerves. Some are just the slow peeling off of reality from campus to wedding dress to parting. Looking back on time and space again and again, analyzing the details of past events again and again, it is the incompatibility of the two people's three views on family values, and the secret misalignment hidden under the love. The sharp point can be said to be betrayal, so the rebirth after the intersection of time and space is the beginning of the exciting story.
This is a novel for women, with an endlessly provocative plot. The problem with the female protagonist is that she does not give the male protagonist a sense of security and does not maintain a legitimate relationship with the mistress. Overall, her career is more important than the male protagonist. The female protagonist even wants to find a balance between the mistress and the male protagonist. The male protagonist's problem is that he is poor, does not improve himself, and does not give the female protagonist a sense of happiness. The two people were at odds with each other, and the mistress of Green Tea's scheming boss took advantage of the situation. The heroine asked the mistress to accompany her to get divorced, and then she agreed to the mistress's proposal a month later after divorcing the male protagonist and was promoted. I don't believe it if nothing happened between the heroine and the mistress. Dogs have to eat meat to get food. You keep the house, and the heroine cannot get promotion opportunities without giving anything. The hero still misses the heroine after the divorce, and then the heroine does not refuse the mistress's physical contact while continuing to pull with the hero. If the mistress is a bad person who lives alone, the behavior of the hero and the heroine feels like two fake people, which is disgusting. Then what the father-in-law and mother-in-law wrote was quite explosive. When he found out that the marriage of the male and female protagonists was broken down due to the mistress' boss, his first reaction was to ask the male protagonist to apologize to his mistress and not to delay the female protagonist's promotion. He probably wanted to find a rich husband. Reading this novel as a whole, I have three different views. I hope it can find an audience who will like to read it.
It's really messy. It's better to write about rebirth. If you want to leave, just leave. Why can't you live without this girl? It's so funny. They are all adults. There are two-legged women all over the street. They are not poor losers. Why do you play love across time and space?
The writing is good, especially the first forty chapters in which the male protagonist is slowly reborn back to the age of 18 through writing letters. This method is amazing. From the first letter, I worried about gains and losses, and my nostalgia and love for Mi have become less and less with one letter after another until now. I originally thought this would be a novel about mutual redemption. After all, the heroine's dissociation comes from the helplessness of reality and there is no actual betrayal. The male protagonist's failure lies in accomplishing nothing and not seeking to make progress. Going back to the past is a problem that can be solved between the two of them. The female protagonist gradually regains herself in one letter after another, and the male protagonist returns to find the motivation to fight in the first place. However, the subsequent rebirth development did fall into the cliché. The male protagonist became no longer him. It was true that he started to make money, and it was also true that he started to become worse. The heroine started chasing her husband without any explanation of her psychological journey. I don't understand why it is not expanded upon here. What happened to the heroine in the process of going back to the past? What happened after the engagement? Everything is messy. I hope the author can explain it clearly, otherwise I will be confused, because the most interesting thing about your book is that Mi is not someone else.
The author wanted to write about the feeling of intertwining time and space, but he didn't arrange it well, so I was confused😳
At the beginning of the divorce, the heroine is sitting in a small car. Later, the hero writes to himself saying that Mi Li loves the hero very much. Why don't you believe it? The female protagonist knows that she is the mistress Bai Yueguang. Fortunately, the mistress is not involved. She has no sense of boundaries. She doesn't care about the male protagonist's feelings, but she still loves him very much? I can't understand it. In addition, time and space are messed up. My reading ability is insufficient and I can't connect the story lines. It may be very interesting, but I abandoned it.
The balance point mentioned by Mi in the middle means that you need love but also money to be with the male protagonist and then use Pei. The previous time travel was exposed by the male protagonist before rebirth, which is equivalent to losing the bet and getting divorced. How to put it? This idea is relatively real. In reality, I have indeed met someone who has a boyfriend and then hangs out with a rich guy. She often delivers things and asks her to take a taxi and reimburse her for reimbursement when going to and from work. What happens next is unclear.
What's the point of "traveling" back and forth to different time periods? For various reasons, in the final reality, the wife has already made a choice. What's the point of going back and forth? The timeline is so messy now and then.
If combined, give it two stars and mark it as a cuckold.
The space-time mailbox in front is quite novel. Writing letters through the mailbox changes the past, and it feels like the butterfly effect in the movie. But the author did not write in this direction in depth. The first few chapters are divided into before and after college. Before I returned to college, I wrote as if the male protagonist was a scumbag, and then went on to reveal what Mi did to the male protagonist and his inner thoughts. Some readers who read quickly may be a little confused. The timeline is not very clear. In the first chapter, the couple divorced, but in the next chapter, the husband was called to get up, which seemed a bit confusing. Returning to the content before college, it explains why the male protagonist and Mi divorced and why the male protagonist refused to forgive Mi. But to be honest, going back to the content before college still feels a bit suspenseful. After returning to college, the content will go in the direction of Chen Hansheng (Chen Hansheng refers to that type of plot, not to say that the content is the same as Chen Hansheng), and then mix in the drama of a yandere chasing her husband (I read it in more than 40 chapters). For me personally, I don't really like the plot before returning to college, but compared to returning to college, it is more interesting before college.
The author's idea is very new, but it is a bit of a test of the reader's experience or experience. The first twenty chapters are a mess of time and space. There is no decisive separation in ordinary emotional articles, nor is it entangled in the article that repeatedly crushes the nerves. Some are just the slow peeling off of reality from campus to wedding dress to parting. Looking back on time and space again and again, analyzing the details of past events again and again, it is the incompatibility of the two people's three views on family values, and the secret misalignment hidden under the love. The sharp point can be said to be betrayal, so the rebirth after the intersection of time and space is the beginning of the exciting story.