Anime Crossover: Yeah, I'm Looking Down on You. So What?

Although it is a common three-dimensional crossing into the second dimension, it has a very novel angle of entry! The setting not only maintains the invincibility of the protagonist, but also cleverly gives her the character of Kusuo Saiki, who must always be careful not to lose control or the world will be destroyed. Therefore, when she interacts with popular characters, she does not show the condescension that her fellow countrymen often do. This kind of writing that respects the original characters and world view is a great bonus!

Recommended! It's a very common time-traveling joke, but this setting of three-dimensional traveling through two-dimensional space is really the first time I've seen it! The impact of this dimensionality reduction attack on the protagonist is really interesting! Moreover, the author's writing style is very online, highly recommended! Big cheers for more updates! I will follow you!

Hhh，[][][]，！

This book is just like the title. It really makes you look down on all the characters in a literal and physical sense. It's really funny to think that everyone is a flat stand-up card (...) Please show your cutscene acrylic stand-up stand picture! The heroine currently looks a bit like she will accidentally destroy the world due to being too lonely and making a wish on this book, but in the end she will save the world ← This is purely personal conjecture and not true. After all, everyone is a two-dimensional piece of paper, and only she is three-dimensional, and she can't even sleep or eat properly. The setting is very novel. I don't know how the plot will develop next. I look forward to the author's updates.

From the perspective of the protagonist, the world looks as flat as cardboard, which is a bit funny, but overall it's good-looking.

Does the world in the eyes of the protagonist look like "cloud bread"?

Generally speaking, except for five-star reviews, they will be hidden by Tomato or hidden underneath, so let's leave a five-star review. After all, without this article, it will not ruin the three views and touch the bottom line. It is indeed OOC, it is not a problem of inconsistent character design, it is a problem of inappropriateness. The heroine's dimensionality reduction attack setting is indeed interesting and exciting, but this article does not recommend the heroine to be included (most of the fan fiction is based on the friendliness of the original character, and the heroine is not strong in herself). It is recommended that the original character be included. Of course I mind (Ranpo and Gojo Satoru asked the heroine to buy all the desserts in the dessert shop when they first met the heroine, and they bickered with each other and directly said that Gojo Satoru could not even protect his friends. This is a bit rude and ooc). It is not recommended to enter. The heroine in the whole text is to serve the original character, and the suggestions set for the heroine are detours.

The perspective is very novel. It is very interesting to see two-dimensional things from a three-dimensional perspective. But if you don't know much about anime, don't come here, because the heroine is really sweet, and those who can't accept OCC (is this it?) Won't use it (leaning towards the deified Ranpo). Of course, if you want Ranpo to be omniscient and know everything, you can try it😊 It's a pity, it's a pity, I finally found a novel book (I just read Chapter 10)

This is my first time writing a long review. I actually didn't want to write it, but after reading what the author had to say, I looked through the comments and finally decided to write it (the following are all personal opinions, very messy). If this is the first book written by this author, my evaluation would be pretty good. Overall, it can be seen that the writing style is gradually improving. It seems that it has found its own writing style, and the description of the characters has made visible growth. Although stereotypes and OOC are everywhere in the first few chapters, which can easily put people off, it gets better after about ten chapters. The heroine... Well, how should I put it, there are many comments saying that the heroine is a bit licky? I probably read this article as a purely enjoyable article. The heroine's love and indulgence are more obvious than licking. (For those of you who are talking about licking, look at poor Onito Sama. She was called out by the heroine several times to resolve her confusion. Oh, and Toru Amuro was forced to make a lot of desserts.) At present, the heroine has an inexplicable sense of emptiness. The extent to which she cares about the world depends entirely on the characters she likes. Her sense of belonging is very weak, and she has an attitude of not caring about most situations. Although there are some side cuts in the plot (such as the heart-to-heart talk from Dao Dao, throwing out the emotional problems of the heroine, using books to make delicious food, obtaining nationality, etc.), In essence, the heroine's view of the world has not changed much. This point will probably be solved through the subsequent plot. If this growth process can be really shaped, the whole story will become exciting. As for the plot, it can be seen that the author has his own ideas, and the integration with the original work is relatively smooth (but it is recommended not to write long sections of the original work when transitioning scenes, just a few or two strokes. After all, they are all here to see the second creation, and most of them are familiar with the original work. You can know where it is by giving obvious keywords.) Oh, this can actually be ignored. After all, there are only two times in the whole book. However, this has a big impact on the perception, so I mention it. By the way, the heroine shouldn't have tricked (crossed out) and made a big deal out of (crossed out) many villains. . . Well, then there is the issue of character design. There are really a lot of OOC and stereotypes in the early stage! For example, Gojo Satoru and Ranpo's relationship with each other is a very typical stereotype, and Yauken's early character design was a bit broken (it got better later). The heroine is restrained, from the fact that her favorite paper character will be easily injured by her, to the fact that the world will face destruction due to her emotions and denial of existence, these all restrict the heroine's actions and emotions, and also make the description needs of these two points more prominent. Therefore, while promoting the plot, the author must also improve her behavioral logic and thinking logic. Of course, you can also be lazy and push the protagonist to make choices through the words and deeds of some relatively important characters. At present, the author also prefers the latter. The rhythm of the plot is okay. (Is it about to end? Why does it feel like it is advancing so fast?) The biggest highlight is the plot where the protagonist conquers Xiaoqiang. It is very strong and impressive. Generally speaking, the quality is medium to above average. The biggest highlight is the setting. This setting is fun but difficult to write. The author's ability to write it into a long novel smoothly is very impressive. I have also written novels, and I know that the difficulty of writing novels is not to write well, but to keep writing. As long as you keep writing, you will have the opportunity to make up for the flaws in your writing. Therefore, you don't need to pay too much attention to comments that blindly criticize but do not provide valuable information. The most important thing is to calm down and polish the plot (the most happy news I saw when reading this novel is that it is not a dream ending).

It's a very good-looking book, developed from three-dimensional and two-dimensional perspectives. Although it is a bit more comprehensive, there is no OOC. The interaction between the heroine and other characters is also very interesting, but the author has done too little, and it is not enough to read. It is not interesting at all! ! !