[Reborn + both leads are faithful + abusing scumbags and face-slapping + military marriage + everyday family life + raising a child]
Only after she died did Su Dongchun learn that she was merely the early-dead cannon-fodder ex-wife in a period novel about a widow. She was lazy and greedy, abused her son, then sold him and ran off with the money and another man.
Her only purpose was to make the widowed heroine look gentle and kind, and to remain chaste for her dead husband.
In reality, her husband hadn't come home in five years of marriage. She and her child were abused and tormented by his family. When human traffickers snatched her son, she chased after them desperately, only to be beaten to death.
Her son's hands and feet were also chopped off, and he was sent out to beg. He froze to death in the snow.
When the husband came home, everyone told him that she had run off because she couldn't stand being lonely. Then, swept up in the heroine's sweet talk, the two ended up together.
Reborn, Su Dongchun wanted nothing to do with being a cannon-fodder ex-wife. She stole money from her in-laws, took her son to find her husband, and slapped him the moment she saw him.
She didn't care what he thought. Even if they divorced, she was getting back the money for raising their son. She wasn't about to let the heroine benefit for free.
Whenever the heroine caused trouble, Su Dongchun went straight over and beat her up. First she had her fun, then they could talk.
But the man who never came home simply reddened his eyes and let her hit and scold him, even eagerly serving her by washing her and her feet.
Fine, she'd keep him close for now. Even if they divorced later, she could still keep a firm hold on his money.
Later, the man said, all aggrieved: “Wifey, the kid and the money are yours, and so am I.”
(There is an unconventional pocket dimension, but it doesn't feature much. It only helps with the heroine's career.)
It feels like rebirth is rebirth without changing the IQ. The male protagonist doesn't feel very borderline at first, and then people don't feel that he has the charm of being a male protagonist. But overall, I finished watching it and it was pretty good.
I really like the interaction between the male and female protagonists, and the male protagonist really can't see other people's back-and-forth manipulation. From the front, I thought that the male protagonist had no sense of boundaries on purpose. But from the back, I found that the male protagonist really didn't do anything. His bad love was purely based on the bad love. However, in the previous life, the male protagonist remarried soon after the heroine's death. It was not clearly written. In the article, the female protagonist also said in her heart that there was no answer to why the male protagonist remarried so quickly. No. It must be that Ruan Sisi's method of framing Liang in this life was used in the past life of the male protagonist, and why the trafficker knew about the female protagonist and deliberately kidnapped her. Unfortunately, there is no extra story about the past life, and the person who secretly hid the heroine's letter did not get any follow-up. He just said that there was no way without evidence, but it was okay not to go back to the village to deal with her. After all, the male and female protagonist would not go back in the future, and there was no need to go back to the village for her.
It looks good, but the male protagonist has too many peach blossoms.
Reborn as the Villainess, I Fight Back by Going Wild
Prince, Hurry and Catch Her! Your Mad Princess Has Run Off with the Money
The Vicious Supporting Actress Is So Over the Top
On the Day of the Divorce, the Villainess and the Male Lead Were Reborn
Pregnant with Triplets and Joining the Army: The Female Side Character Has the Stone-Faced Officer Wrapped Around Her Finger
It feels like rebirth is rebirth without changing the IQ. The male protagonist doesn't feel very borderline at first, and then people don't feel that he has the charm of being a male protagonist. But overall, I finished watching it and it was pretty good.
I really like the interaction between the male and female protagonists, and the male protagonist really can't see other people's back-and-forth manipulation. From the front, I thought that the male protagonist had no sense of boundaries on purpose. But from the back, I found that the male protagonist really didn't do anything. His bad love was purely based on the bad love. However, in the previous life, the male protagonist remarried soon after the heroine's death. It was not clearly written. In the article, the female protagonist also said in her heart that there was no answer to why the male protagonist remarried so quickly. No. It must be that Ruan Sisi's method of framing Liang in this life was used in the past life of the male protagonist, and why the trafficker knew about the female protagonist and deliberately kidnapped her. Unfortunately, there is no extra story about the past life, and the person who secretly hid the heroine's letter did not get any follow-up. He just said that there was no way without evidence, but it was okay not to go back to the village to deal with her. After all, the male and female protagonist would not go back in the future, and there was no need to go back to the village for her.
It looks good, but the male protagonist has too many peach blossoms.
It's okay, it's pretty good-looking