Tomb Raiding: It Begins at the Queen Mother of the West’s Palace

This is from Murong Fu's book. It's very good-looking. It's different from some other industrial-assembly-line novels. The author wrote the plot of tomb robbing in a very exciting way. It feels as fresh as when I first came across ghosts blowing lamps and stealing pens. It's not like the quality of free books. It's a pity that it has been discontinued.

The writing is very good and the plot rhythm is relatively mature and not childish. And there is no nanny, you don't just feel sorry for this and that, the heroine is not on the pole, there is no embarrassing plot, recommended. The writing is very good, the plot rhythm is relatively mature, the emotional plot is well proportioned, and it is not childish. The relationship is more natural, and this part of the relationship is not greasy. I haven't seen that kind of awkward plot so far, which is great! It stands to reason that it is quite captivating, and it is the type of book I like to read, but I opened it back and forth many times without finishing it, and I was quite puzzled. I watched it again today, and the conclusion should be that the heroine's presence is too weak. It's not that there are few roles, it's that the weight is too light. It's the same with or without her: the heroine has no exclusive plot and no highlight scenes. She has no position in the team, no change in herself, and no change in the story line. The only sticking point is to save Aning and Wuxie, but there is no response in the follow-up. This results in the image of the heroine being very pale and a bit useless. At present, the whole story revolves around the innocent story, and the heroine is just forced to hang out of this story. It feels to me that this is not the story of the heroine, but the story of the original characters from the perspective of the heroine. The character also turns a blind eye to the heroine. He only communicates with her in certain situations and completely ignores her at other times. The effect is even a malicious contempt. This is also a common problem among this type of fan. The heroine is an ordinary person and it is impossible to understand too many highlights, but the original image of Wu Xie is also an ordinary person. He has his own role in the plot, not to mention the hidden plot, but he has a unique position in the adventure team, and there are things that only he can do (such as encyclopedias, such as evil sects). Compared to the heroine, she's a bit... If it sounds good, she's a bystander, if not, she's just a pendant. From what I read, it would be admirable for an ordinary heroine to persevere in a crisis-ridden environment. However, her inability to adapt to the environment, such as fear, exhaustion, and pain, are repeatedly and emphatically described from multiple angles, but her determination, perseverance, and desperate cruelty are briefly mentioned. In the end, it is reduced to two words: aggrieved. In addition, I would like to whisper that the copywriting of Dada is a bit simple. The attributes are not written out. If I didn't click on it from my favorite Dada homepage, I might just cross it.