Modern Cadre: I Play Power Politics in the Ming Dynasty

The writing is good, and the taste of street stall literature is very strong. The civil servants are not only greedy, but also wield power. They are also brave enough to sacrifice for the sake of all civil servants to control the government, and even go to the extent of killing everyone in the family. It's so divisive.

The author writes very well, keep up the good work and keep updating. Many five hundred emperors died violently, and the nine cauldrons pressed against the sky were hard to survive. The rise and fall of many things throughout the ages are all contained in the word "hustle and bustle". (2) The ancients had no good words for governing politics, and the pure and the turbid gathered from the east to the sea. Today's people don't see the moon of ancient times. They point out the country and laugh at the ancients.

It truly describes the cruelty of the struggle for imperial power and the complex calculations of the human heart. The emperors of the Song and Ming Dynasties, who wanted to make a difference, all died inexplicably. It was definitely not something that could be covered up by various so-called accidents. The emphasis on literature and military power was neglected, and the imperial power was neglected. The world was in chaos, and power really needed to be checked and balanced.

The most powerful historical plot novel Why is such a wonderful historical plot novel only rated 6.8? It should be at least 9 or above.

I don't know why the rating is so low, but the writing is really good. The literati and gentry of the Ming Dynasty were really spoiled by Renzong and Xuanzong, and the hereditary martial arts made these people more and more fw. We should violently clear these guys out once. There is also the history of Wu Zong's northern expedition. It was obvious that the Tatars did not dare to go south in large numbers for twenty years after the First World War. As a result, there is no record in the history books. This shows the control and influence of the literati on the court.

The true face of the gentry in the Ming Dynasty is vividly described, and the selfish way of doing things by the interest class is more logical than the description in the history books.

The historical background is profound, the writing is fluent and natural, the plot advancement is reasonable, and the logic is rigorous. After careful consideration, when the shackles of imperial power and the barriers of officials and gentry become shackles of fate, wisdom is used to cut the shackles, and fate is the bet; when the laws of survival and the weaknesses of human nature are intertwined into a web, the web is broken by conspiracy, and the game is used as a chess game. Only the one who defeats half of the sky will be a true hero. In short, there are turmoils in the temples and palaces, political intrigues, time travel, exploring the legends of emperors, making up for the regrets of the dynasty, and showing the charm of history. Destiny is unpredictable, and the interests are ruthless. The rise and fall are changing, and the wheel of history is rolling forward. What a great book!

The descriptions of each character are quite good, and I really enjoyed reading it anyway. It's a good novel, [like][like][like]

I have been a bookworm for seventy or eight years, but I am still very palatable [laughs] I have doubts about the death of the emperor of the Ming Dynasty.

I often hear that writers are good at pleasing people, preaching, governing the world, and storing history. Confucius said: "Poetry can be exciting, contemplative, grouping, and resentful." When Jingkang was hunting in the north, Liu Gaizhi wept and sang in Xiangyang; he shaved his hair and changed clothes, and Gu Yanwu worked hard to write a book on the pros and cons. The husband's prose is like poetry, which is also about time and cannot be separated. My husband's country is in danger and things are changing, but he is more ambitious and talented. The whole book contains new interpretations by historians and contains talents in the lines. The pen moves like a dragon, and the allusions are appropriate. However, the ending is a little rushed and has some flaws, perhaps due to the pressure of updating, and the inconsistent literary style remains. However, the imperfections cannot cover up the beauty, and the dust is not enough to cover up the pearl; when the whip is pushed in, it is even more difficult for a few words to fulfill the author's intention. The whole book debates loyalty and treachery on the stage, and examines the similarities and differences between the present and the present. In front of me, I am exhausted and in ecstasy, but behind me, there are people who can tell the difference between purity and turbidity. Today the broken willows shed tears on the fields, and next year the flying swallow branches will make spring waves on the street.