Day 17 of the Calamity: The Weird Arrive, and There’s Nowhere to Run

It's awesome. This book is more terrifying than 80% of horror novels. Pick out a paragraph. As for his head - from the broken neck of his head, small and dense legs sprouted, like a colony of ants transporting food. They held his head and crawled through the screaming and fleeing audience towards Nian Jiahe, who was nailed to the spot by fear. "I didn't steal, I didn't steal." Fengdeng's head stopped at Nian Jiahe's feet. "It was originally ours, immortality, I didn't steal it..." He muttered, turning his head over and over. "Set fire, set fire!!" Li Haocen shouted behind him.

The first Tai Sui is very beautiful, and the strange, sticky and stuffy atmosphere that makes people feel chilled all over is written very penetratingly. The biggest failure was putting the insect plague in the second story. It was so ugly that it almost made me quit. This may be the shortcoming of combining different stories by different authors into the same book. Whenever you are familiar with an author's writing style, you will inevitably feel a sense of disparity when starting a new story soon. However, the subsequent stories are okay. I give it four stars.

This is actually not much like an online article, but more like a traditional short story, which is very well written.

It's a nice short story, but I can't keep reading it, it's too depressing.

On the Tomato platform, independent short stories have formed a unique style of writing that is a bit like Three-Body Problem. The narrative is simple without too much rhetoric, but the meaning is expressed very clearly. The story is not scary but quite interesting. It is very creative and full marks.

Xisui's article is really good, weird and romantic, weird and tender.

I think Tai Sui, the first short story, is really good. It is deep, thoughtful, and creative. Although there are some minor logical problems, it does not affect it. The creature transformed by Tai Sui makes it easier to kill, which is understandable due to plot restrictions. The second short story, "Insect Tide," is... So sincere, with no despair, no thinking, and so-so creativity. The ending is not unexpected either. It's very bland and the logic is a bit far-fetched. It's just so-so. I haven't read the rest, I'll talk about it later.

I just read the first part and couldn't help but give it a five-star review. It's so shocking, so well written, weird but romantic.

I haven't read the rest, but the first chapter alone is enough for me to give it a 5-star rating. Not to mention the setting and content, the author's writing and narration are very good. Although it's a genre, it's not just about simple octopus tentacles. I generally don't read genres, but this Tai Sui chapter is really well written.

It's so awesome. It's as shocking as when I read those digests or the New Martial Arts and World Masters series more than ten years ago. There are also such awesome authors in Chinese novels. I hope all the big directors can take a look. What kind of relationship do the screenwriters you use have? Where are the real awesome people?