I Transformed into a Pair of Beautiful Twin Players in the Horror World

Evaluate it Chapter 3: The part where my sister was napping on the bus. How could I not notice this when I was only conscious? Points will be deducted. Chapter 4: When it comes to choosing a room, what does it mean to make your sister roll her eyes and pinch yourself, but you still feel annoyed? Here I wonder if this is one soul and two bodies. Also, in the section on self-talk analysis skills, what does it mean to be so heartless that your sister never gets angry at you? Do you really know what one soul and two bodies are? Chapter 5: I think it's reasonable to be sulky, but will it change if you try to coax it later? It's not that this sentence is bad, but if it is inappropriate, it will feel like it is not who you are. And when knocking on the door, what does it mean for the elder sister to gesture to the younger sister? Aren't they controlled together? Need to be reminded? My sister also nodded, I nodded to you, you understand. The younger sister in the back also agreed very much. Is this really one soul and two bodies? Chapter 6: After Qi Heng left, forget it and ask, what does it mean to give your sister a blank look? Are you selling beef with beef? Also, during the interrogation part of the store clerk, give my sister a look and she will understand immediately. I think you understand, so why don't you label yourself as one soul and two bodies? It will bring shame on one soul and two bodies [face covering] Chapter 7: You don't understand the part about discussing whether to go out in the room, and you don't understand it anymore? Didn't you understand it just by looking at it before? Why don't you understand again? So these are already two people, right? There is also the part where Wang Wei was detained. Ask me, I will ask you to make two people. What else is there to write about one soul and two bodies? It made the cell brother laugh [face covering] and the personality that best understands my sister, I know your size, Pegasus stuff. Chapter 8: The part about returning to the hotel, I won't go into that part because it feels reasonable. If you want to curse, don't you consider setting issues when writing? To be honest, I don't think anyone's novels would be too bad, but you really write without thinking, and you just put a label on it without understanding the settings at all. What else can this be but scolding? I'm not saying this because I want to curse people, but you need to know where your problem lies. I'm tired from typing so many words, okay? [Smile][smile][smile]

Changing single, the writing is excellent, the description of women's clothing and women's bodies is perfect, and the description of female abduction is zero. One soul and two bodies, twins with independent personalities, a perfect copy of the infinite master god, the plot is very good, and the independent plot of the small world of the strange copy is very exciting. The supporting characters are well described, and the characters of the heroine and the heroine's sister are also very good. It's a pity that the series has been discontinued.

One soul and two bodies do not meet the requirements!

Is it Shuixianwen? It's not about getting married, right? I would like to ask if the author's protagonist has a cp?

Don't be fooled by the setting. The one-soul and two-body setting written by the author is completely a leather case setting, and the dialogue is spoken by mouth. One is thinking, the other is unaware. Is this the so-called one soul and two bodies? [Facepalm] This is clearly written as two independent people. Their thoughts are out of sync and their consciousness cannot communicate. They are almost like one person. You have added a dual perspective at most. But in many things, the elder sister is the main focus. The younger sister is like another single character. After reading a few chapters, these are the opinions so far.

This is not about one soul and two bodies, right?

The horror elements of the dungeon are quite good, and the interaction between the two bodies is also very interesting. As long as the magic weapons at the back are not too exaggerated, it is best for the intensity of the trick to be always greater than that of people, so as to have the scary feeling of this kind of weird dungeon. Otherwise, it will become like a certain old book (cinema) and become a cultivator in the middle and later stages.

I have to say that it is a bit bad in terms of resourcefulness. I guess the author designed the weird events first and then wrote the process when writing, so the content is a bit intellectually depressing [Chigua] But I came to see the settings, not the wits, so the total rating is four stars, half a star for wits, and three and a half stars for the characters (mainly for the setting of twins + twins) [Chigua] [Chigua]

Finally found a novel with such a copy system

(I didn't read those hundreds of books for free, so after reading them, tell me where I went wrong. I'd be happy to hear your opinions.) (You can also scroll to the bottom and read the summary directly, but if you encounter the brainless one, I will just follow it.) I read the review of your book, and to sum it up, it is nothing more than connected consciousness. In the early stage, you can write that the general consciousness glances at each other, and then transmit information through the general consciousness. In the later stage, it can be written that the general consciousness can no longer transmit accurate information, but through such long cooperation to understand each other's meaning. In the end, it can be written that the general consciousness has almost dissipated, and the consciousness of the two sisters is almost completely independent. (Note that here is almost) After all, one soul and two bodies can be said to have almost no total consciousness to control the two bodies until the finale. After all, this will be a poisonous point. It's okay without cp, but it would be weird to marry someone else. After all, it's all about the general consciousness. Isn't it weird to marry one of your two bodies? If both bodies marry one person, it will appear that the male protagonist is philanthropic, and the female protagonist's emotions are worthless. It would be very poisonous to write like this, but it is not impossible to write. (For example, in the world of polygamy, you can write about supernatural powers. It is not recommended in ancient times. It is not recommended to write about cultivating immortals because it will be difficult to write. You can write that you don't know whether you fell in love with the older sister or the younger sister. In the end, they both fell in love. After all, it is the general consciousness. One of the bodies fell in love, so it is not impossible to marry him, but it requires a high level of writing, otherwise the consequences will be as mentioned before) If there is a man and a woman, it will most likely be written as Narcissus, but the overall consciousness will be very poisonous. There is a high probability that Lily will have two bodies and find one or two women to have sex with. It would be okay if it were Lily and Narcissus combined, but it would be easy to find flaws if you have a general awareness. Although you can write in that way, if you write in that way, you will most likely have to make the two bodies have independent consciousness. If you have to maintain the total consciousness to write, it will be difficult to write. If you have independent consciousness, it will be less poisonous. It is very important to write about the independent consciousness of one soul and two bodies. If it is not written well, it will be a big poisonous point and will affect the reader's reading mood. I read the plots other people said, and there is nothing wrong with what you wrote. But you shouldn't write it in the early stage. Even if there is independent consciousness in the early stage, it is weaker than the general consciousness. They can know each other's thoughts from the general consciousness, but with independent consciousness, they can write that the sister understands the sister's thoughts from the general consciousness and then rolls her eyes, instead of feeling speechless after saying it. With this gap, you can write it as two people, so you try to write the two people as one person. Summary and suggestions: Write more in the early stage to understand the other party's thoughts from the general consciousness, and write less to understand the other party's thoughts only after speaking them out. In the later stage, more gestures, eye contact, and handwriting are learned from the general consciousness, so that the consciousness of the two bodies gradually becomes independent (less communication in the early stage, more communication in the later stage). Of course, write a part of each in the middle stage. The setting is that the information transmitted by the main consciousness is sometimes blurred, and gestures and eye contact are needed to cooperate. Then in the early stage, try to write the two people as if they are one person. In the later stage, it is not a big problem if you separate. In the end, I like your subject matter, so I came to give four stars and suggestions after reading the third chapter. After all, I don't like the idea of ​​being stuffed with shit in my mouth while watching the future, but because I like the subject matter, I will most likely continue reading it. But if it's okay in the future, I will change it to five stars, and if it becomes more poisonous later, I will change it to three stars. Oh, yes, I have to complain about your first chapter. The topic is too stiff, as if you deliberately let readers know that you could use a little more foreplay.