The Quick Transmigration Side Character Has Something to Say
快穿之路人甲有话说
- Status
- Completed
- Length
- 151k Words
- Genre
- Modern Romance
- Subgenre
- Quick Transmigration
- Updated
- 1y ago
- Source
- Fanqie
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Synopsis
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In booklists 7
Quick Transmigration, Fast-Paced, Super Sweet, Sweet Enough to Give Me a Toothache
Looking for Stories Where the Protagonist Is Completely an Extra!!!
The heroine ends up inside a book and lives an ordinary life, keeping her distance from the main characters. No following some villainess plot or getting involved with a yandere or anything like that. I want to see a normal life!!
A Purely Ordinary Bystander, Unconnected to the Plot, Not a Harem Magnet
A Background Character Who Doesn't Derail the Plot, Mostly Watches from the Sidelines, and Isn't Romance-Obsessed
A minor character who doesn't disrupt the plot, only gets involved now and then and mostly watches from the sidelines. No lovesick idiots!!! (Lovesick characters make my head pound.)
Background Character Stories: The Heroine Is Just an Ordinary Passerby, With No Everyone-Loves-Her Plot
Not a heroine who is loved by everyone. She is purely a passerby, watching the male and female leads live a happy life from the perspective of an outsider, though the two leads still interact with her.
Looking for Quick Transmigration Stories With Sound Values, No Seduction Missions!
Quick transmigration novels. The female lead's perspective is fine, the male lead's perspective is fine, and no CP is fine too. CP is okay, but not the kind where the love interest is split into different versions. One CP per world is fine; harems aren't. If it's a strong female lead story, I'd prefer both leads to be strong. No damsels or drama queens.
Go Through It Quickly, One Plane Is Not Too Long (Preferably Around 35 Chapters)
The female protagonist is particularly powerful, while the male protagonist is like a little white rabbit (actually a white and black one). The plot does not drag on
Reader comments 1
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I have read several themes that I am interested in. The female protagonist has a super good character and is the kind of person who will not wrong herself. She immediately slaps her back in the beginning of the second plane. It is not like the frustrating plot where you have to maintain the character and so on. I really like that the female characters have their own charm, instead of giving all the good points to the male protagonist, because I have watched too many female channels. This one is quite good. However, the original male and female protagonists of the original storyline in the entertainment industry can't stand it. If you mention it, you can only say that you are willing to fight and you are willing to suffer. From the perspective of a bystander, the male protagonist has really changed in the future and cannot make up for it. However, the original female protagonist still has feelings for him, so she can just lock them up. She does not understand and respect her [face covering]