If I’d Known, You Needn’t Have Made Me Transmigrate

The writing skills are profound, and the plot is also very novel. I feel that the author is an old author. No matter what the description is, it is very accurate. However, I always feel that too many emotional scenes slow down the progress of the plot. Moreover, the protagonist's way of not only responding but not wanting to live up to others makes him feel like a scumbag. It is better to have an avatar and leave the real person to accompany Hong'er forever. Five stars are considered an encouragement to the author. I gave the praise early. I thought I would be able to make a decision about the relationship between the two of them as soon as the first volume was over. But in the end, they were still entangled, and I even gave the peach branch to my junior sister. I thought I could just avoid it? This will only make people sick. What the saint said at the beginning is so right. Not only can you not save Nan Hongzhi, but you can't even firm up your feelings for her. I also thought about marrying Hong'er through an incarnation. The main body insists on resurrecting Nan Hongzhi. Now I think the protagonist wants her to die completely. Junior brothers and sisters are trying to hurt you, so you run away to stay with your little lover. I even think I can write another book "Rebirth of Nan Hongzhi, Killing the Hypocritical Scumbag". I am Nan Hongji. In my previous life, I died for a scumbag who pretended to save me. After my death, my residual soul was attached to the peach branch. Originally, I was lucky to be with my lover, but I didn't expect that the scumbag turned around and fell in love with another woman. They even fell in love with me in front of my peach branch, and finally gave my peach branch to my junior sister in order to avoid my influence. However, my junior brothers and sisters who have deep affection for me always think about the scumbag. Are the previous oaths of each other fake? Is it possible that even the small wish of taking a peach branch to the endless sea can't be realized? ! I collapsed, but in my despair, the power of the damaged spiritual weapon brought me back to death. In this life, I must take back everything I have and kill that hypocritical scumbag!

A first-class book with good writing style. I was put off by the title. I was attracted after reading one or two chapters. It is a very novel subject matter and the characters are well created. It's hard to calm down, so let's just think that I want it again and again, and I'm complaining about Nan Hongzhi. She died because of the protagonist, and she was a childhood sweetheart. Logically speaking, it is not an exaggeration for the protagonist to die because of this. Someone died because of you! The protagonist is not aboriginal. Since the author has previously set up the character of an "ordinary time traveler" for the protagonist, why is this so unusual? How long did it take for Southern Red Branch to die? Do you really not have nightmares when you are with Hong'er? Do you really not miss your old friend? For the first few years after I broke up with my first love, I thought I would never fall in love again in this life. Good guy, you have laid so much groundwork before you, so you just let go of Nan, right? I didn't like Hong'er's setting from the beginning. The male protagonist was too indecisive in his relationship. I couldn't stand him as a hypocritical turtle🐢. He Hong'er kept cutting, and the reasoning was still chaotic. I really enjoyed scolding Fenghuang'er for that part, and scolded her hard, but the main character was as if he was dead, and his reaction was brushed off. Too poisonous, this is not what ordinary people think. The protagonist is not ruthless enough to be an immortal, nor does he meet the standard of ordinary people's love. It's too fragmented in character. Alas, in fact, the writing quality is still good, but I can't help it, I can't convince myself, and the male protagonist's behavior really makes me uncomfortable. It was really sad to see him smiling on Yuping Mountain. I felt bad for Hongzhi, so embarrassing. I ran away and said goodbye.

The character creation is very good, and the supporting characters are very well-developed. After searching for so many books, I finally found this one that suits my preferences. Damn it, I misread it, everyone was avoiding lightning, it smelled like a literary youth, I was confused when I read it, the characters in the book were all very pretentious in their speech, it felt like The Riddler, and the role of the protagonist plummeted towards the end, and there was no interaction between the male and female protagonists.

It's super good-looking. It doesn't feel like a tomato anymore. It has a clear context and even involves a little bit of philosophical speculation. The world view here is complete and completely self-explanatory. The plot also shows that cultivating immortals is not about killing and killing, but about the understanding of human nature.

Read a few chapters. It feels like a typical waste book, but the storyline attracted me. I feel that this book is quite good and the characters are well portrayed. The protagonist's IQ is online, and the author's writing style is good. I hope he can maintain this writing state. It's a good book and worth appreciating.

The writing style is serious and true, but the plot has an indescribable feeling of unsatisfaction. The writing/playing method does not reach the level of five stars in my mind (very beautiful). However, in terms of the use of imagination and traditional elements, the narrative method, the integration of different elements, and the serious attitude during creation, this book is worthy of a five-star rating on this platform.

No matter what, this must be an excellent story. More than 1,000 chapters have not been watered down at all, and the overall context is clear. The author said that there are three kinds of suffering in the world: good people become possessed by demons, saints are selfish, and Nanzhou cultivates Taoism. Reading it chapter by chapter, it was indeed too painful. From the beginning to the end, it was narrated slowly, and I got to know each of the characters, including Tang Zhen, Yao Hong'er, and Yao Anrao from the beginning. Then we met Jiang Yu, Li Yi, Wu Manmanman, Xiao Tongtong, Wei Tianqi, Yao Wangshu, Yao Anshu, and Lu Zangfeng. From the younger generation to the saints and demons. From Beiyang City to Yuping Mountain to Nanzhou and then to the endless sea of ​​Zhongzhou. From a city lord's mansion to the fourteen places behind. It is worth reading this.

It's good to read. There was a comment in Duan's review before that said, "Life often hates water flowing eastward." It's a clever description when you think about it carefully. How can I say this article? After reading it, I will feel a little silly and have a sense of distortion. The writing style seems to have been written by Jiangnan. I can't stand this type of writing after the Chinese New Year. If you like this style, you can give it a try.

I think the author's writing style is really good, so good that it is a rare and rare writing style. At least I haven't seen such high-level writing style in Tomato (Xianxia Wen) recently. The author's ideas are also relatively new. Mainly because I've watched the protagonist's growth path a lot, and I haven't seen much about the protagonist's journey through the world after he was abolished from the beginning. But, but, although the emotional entanglement is very classic, and it would be very real if written based on the author's own experience, it is really sad to watch. How to say it? If Hong'er is not called Hong'er, just call her Qing'er, Lu'er, Lan'er and Zi'er. Even if she looks like a fairy or ordinary, maybe I will think that the author still hasn't escaped the traditional writing method and always loves to add fragrance to the male protagonist's red sleeves, but it won't be such a heartache. But her name is Hong'er, and the green plum is called Nan Hongzhi. I don't know if you have seen stolen pens. In the sea of ​​​​sand, between Li Cu and Zhang Qiling, Li Cu has never been one of the options, or this may be a bit absolute, but if most people have to choose, they will choose Zhang Qiling without hesitation. I think the same is true for Hong'er and Nan Hongzhi. The author has created a perfect Nan Hongzhi, who is gentle and sensible, has good talents, good looks, and is good at everything. She has a deep relationship with the protagonist's childhood sweetheart. We see the world from the perspective of the protagonist, so we should have the same emotion as the protagonist. So I can't accept that after Nan Hongzhi died, the male protagonist drags his feelings for her to deal with Hong'er. If time can erase all pain, but how long did he leave? The world of immortality has passed by in a blink of an eye for a hundred years, and he hasn't even had 10 years. I can't accept that his emotional sustenance is so fast. The author describes the emotional entanglement of the three people very well. It is so good that Wennan Hongzhi never said a word or had any scene. Just a piece of dead wood could make me complain about the injustice for her. Especially when the fourth junior sister appeared, that part of the language was portrayed. Her original path was forced to watch him having sex with other women. Even though the male protagonist didn't take the initiative, he didn't refuse, right? Maybe I haven't experienced enough and haven't experienced the entanglement between Bai Yueguang and Cinnabar Moles. I just think that the author's emotional line between the male protagonist and Hong'er is both a highlight and a failure. I personally think Hong'er is a love brain, and neither Tang Zhen nor Tang Gouan is worthy of her (only in terms of pure feelings). I also feel that the protagonist is very unbearable and does not take the initiative or refuse. The Tang Zhen I felt from the article should not be like this. Admittedly, I have to sigh again that the author's writing style is really good. Even though there is such a big point that I can't accept, I still couldn't help but read almost 100 chapters. But I really can't understand why the protagonist's emotional line must be such a entanglement? Why do two very good girls have to hang out with the protagonist? Why do we have to describe such emotional experiences to set off the protagonist's growth through experience? Just like why the little dragon girl in "The Legend of the Condor Heroes" had to experience being bullied by Yin Zhiping. I haven't understood it since I was a child. This may be art, but I really don't have such a vision. Maybe life can't always be perfect, maybe this kind of novel is trying to describe the changes in the world, or maybe it's the law that things should develop. But to put it bluntly, I read this novel and it made me scheming. I was saying hello to the Lord of Hell in advance. I feel like it doesn't deserve five stars, so I'd better change it to four stars. The protagonist really wants both.

After watching it, I think it's good. It's more suitable for book-loving friends to watch.