You Asked Me to Draw Traits, So Why Are They All Conceptual?

Overall it's okay, the pace is fast enough, there is no stupidity to ridicule, and there are no obvious poisonous points. It is quite watchable on Tomato. However, the first ability is not very clear. It does not explain how to absorb the cultivation of people around you and convert it into the realm according to the improvement of other people's cultivation. It does not explain how large the coverage area will be after the realm is improved. This ability is basically not mentioned after the realm reaches the great martial artist. The fast pace does not mean that powerful kills will not be written, or even if it is of little use, it should be mentioned that it is far inferior to the poisonous body of disaster. In addition, there are some similar settings that are not explained clearly enough. This book has many echoes of the books I have read before, such as Dou Po, Yuan Zun, and Different World Lingwu Tianxia, ​​which is very enjoyable to read. It is really unreasonable to travel to the past and change the future. This kind of time travel is inherently prone to bugs, and it has to be written as a type of changing the past and the future that is the worst way to come back. It is better to travel through parallel time and space and simply travel back to get opportunities without affecting your current reality. Otherwise, it would not be possible to explain how many people would be affected by a small action of traveling back in time, and if what changes is the fate of the person the protagonist knows, will the protagonist still remember this person, and will the protagonist's growth process change accordingly, for example, if traveling back in time causes a certain opportunity obtained before to be replaced by another, etc., It will never come back.

The early plot is relatively bland, with no slap-in-the-face plot and a bit of a counter-routine. Unlike most novels, which clearly lack resources, there is an inexplicable arrogance of a time traveler, as if he knows he must be the protagonist. I've read a lot of stories, both male and female. Not all time-travelers are protagonists, some are supporting characters, even villains or cannon fodder. I don't know where the protagonist's confidence in those routine stories comes from. It's probably given by the author! When I first read that kind of article, I thought it was pretty good. But now that I read it, I always find it a bit weird. This one is different, the author's writing is very smooth. The protagonist is very sane and hardworking. All choices and decisions are very natural and reasonable, and they don't give people the feeling of breaking through a dimension and knowing that they are the protagonist.

The writing is very plain, there is no intrigue plot, and there is no vulgar plot like other books where the protagonist encounters all kinds of things after taking only two steps. It has been steadily upgraded so far. The realm of the skill is not mentioned, but it is probably: Chen, Xing, Huang, Xuan, Earth, and Heaven It's a pretty good book, very easy to read.

After reading Chapter 50, the main character is pretty good. I can't find any bad points. I want to develop well and develop in a low-key manner. I don't have to work hard every day because of the system and talent.

The level of cultivation in this book does not improve quickly, but the greater the strength, the level is really ruthless, and the better the level, I can only say that it is open.

It's pretty good, but too little. And don't suppress the pig's feet. There aren't those old tricks of showing off and slapping people in the face.

It's pretty good. There aren't those classic plots. It's a bit bland now. It should be more fun when I go to the battlefield.

It's so beautiful. Keep up the good work. I'm optimistic about you.

Not bad, no pretense or slap in the face

Good! Like to watch! Come on!