The Broke Me, the Dazzling Her

I know that every time the male and female protagonists are always good-looking, I couldn't figure out who the female protagonist is in the first few chapters this time. On one side is the affectionate and yandere ex-girlfriend, and on the other is sister Qingmei, a domineering figure in the entertainment industry... Old pawn, are you planning to start a harem this time?

These are the three views I like. There are philosophy, life, bottom line, principles, love but not wanting, respecting each other as guests, and just the right amount. People will always wake up slowly and make trade-offs. Unlike youth, which is reckless, adults can do reckless things while sober. This is the biggest concession. We can actually learn a lot here. I like this book very much. Let's talk about my views on the heroine. From my personal point of view, I prefer the two heroines, Pei Sining and Fang Nannan. Pei Sining, the perfect heroine, may also be the author's arrangement for us readers. After all, it is too perfect, and what you can't get is the best, except Love needs redemption. Pei Sining basically doesn't need anything in his life. The sense he gives us is the white moonlight. We can imagine how much damage he will do to Zhou Ye and everyone here if he is not with Zhou Ye. I won't go into details here. You can read the original text carefully. Then there is Fang Nan, the male protagonist is her salvation, Bai Yueguang. The male protagonist does not regard her as a substitute for Pei Sining. Love is definitely love. From the tone of the original text, it is very likely that Fang Nan is the female protagonist. They are not in love and killing each other, but in finding a balance between love and life. I think this is what the author really wants to tell readers, through the two of them. There is nothing wrong with Fang Nan herself, it's just that her family has made her who she is now. In her twenties, she is not confused about who she is, and growing up is just a matter of tumultuous growth. If there are two female protagonists, there will definitely be a long chapter, and Fang Nan's petty love needs to be slowly transformed into a generous one. From a personal point of view, I don't dislike it. If a very abrupt plot is suddenly arranged, such as the male protagonist being in a coma and seriously injured, and then the female protagonist Fang Nan awakens on her own, I think the score of this book will most likely drop by at least two points. This can only depend on the author's conscience. Overall, the writing is very conscientious and has traces of intention. All in all, all in all, we are all excellent people. The author must be given to Pei Sining, and Xiao Fang Nan cannot be left behind. Just like this, live a good year without any regrets.

Don't be deceived by the one-sided words about how the male protagonist is. At least the male protagonist is worthy of his actions and deeds [face covering] Fang Nan has a pure character issue. This woman is very real and cute. You would never want to meet her, and neither does the male protagonist, but she is absolutely real. This book is not pure love, nor (for the time being?) A harem. The summary is It's the emotional pull between the male protagonist and the female protagonist. It's interesting to see who can change whom in the end. I've never been through society and have a very shallow understanding of love. There's really no need to read it. This book is not a suitable commercial novel and it's not very enjoyable. It can be said to be something the author wanted to write, but it's quite interesting to read. I have caught up with the latest chapter and from a personal perspective, the book is very good. It is not a pretentious love story, but a deep grind. Love is a matter of two people. Marriage is a matter of two people and two families. It is a matter of two completely different personalities and souls attracting each other and tolerating each other. Some people always say that the male protagonist is a playboy and a scumbag. Don't you understand this fact? But if you talk about his three views, behavior, and thoughts, it is meaningless. These things are judged based on personal preferences. In today's society, if it is not illegal, then it is nothing. At most, it is immoral. Reality is more magical than fiction. Moreover, the male protagonist also fits his character and fits the character and thoughts of what we consider a rich second generation. Even Fang Nan is portrayed with flesh and blood and is very real. He is much more real than Pei Sining and Yu Mingzhu. The living Bai Yueguang is not a good Bai Yueguang. The eldest lady chasing after him is usually The Lost Dog is too stereotyped, and the characters are too one-sided. You said there are few descriptions, but if you play a character like Fang Nan, it will be more eye-catching than these two. It is aesthetically tired, so to speak. In short, the writing of this book is still very good. As for the debate about the heroine? My personal opinion on the relationship between Zhou Ye and Fang Nan in the end is that no matter where they go in the end, I won't be surprised [face covering]

The author brings together two people with completely different views, class, experience, and living environment. The two people who are not compatible, and the two people are forced to run into each other, and the various bad qualities of the people are shattered and splashed out, making both sides look hateful to us from a third perspective. And unlike ordinary novels, the characters given by the author seem to grow out of the soil. The style and concepts brought by class are deep-rooted, which shows that it is carefully polished and has a lot of experience. It is not lenient at all to ruin the audience's favor with its protagonist, and it can also attract people to read. Therefore, in my eyes, this is a literary work covered with a cliché novel. I praise the author for polishing this novel from a transcendent perspective, which also makes me admire the author.

This book is well conceived. I understand that Fang Nan feels sorry for Fang Nan, but I also understand Zhou Ye's unique views on love better. I didn't quite understand this feeling at first, but in the end I realized that being obedient will only make two people more tired. Stop bullying Fang Nan. It's really unbearable, but it's also very tolerant. People are always so naughty. It's so tiring. The author should stop having a harem. There's nothing wrong with having a confidant, just don't be too promiscuous.

After reading dozens of chapters, I won't talk about the subsequent plot. I enjoyed reading these dozens of chapters. The narrative, logic, sexual tension, and supporting role configuration are all very strong. Basically, all aspects have been taken into consideration. I just got this kind of relaxed and moderate writing style. When reading novels, I only read the story and never take it into account, so I accept the various shortcomings of the characters in the early stage and never feel that they are poisonous or not. This is part of the story itself and an unnecessary process of growth. I also hate people who read an article and comment on the word "wash", unless they really forgot to write it or read it. Novels are inherently multi-faceted narratives, especially narratives developed from a single perspective. In order to develop the plot, some misleading single-perspective descriptions will be written. The core of most stories is not: creation, development and resolution of conflicts. From the current point of view, the male and female protagonists each have their own advantages and disadvantages, but they both have mouths and hands, and they can say what they need to say without beating around the bush. The narration analysis given by the author is also very accurate and reasonable. It analyzes the complex emotional disputes and it is interesting to read from any side. The supporting characters are also full of flesh and blood, not just embellishments. The most important point is that when reading this kind of emotional dispute articles, you must turn off the comments. The kind of yy paramecium who can only read the Dragon King's slap in the face articles are all here. If you can't read it, don't read it. It must show the diode thinking that is difficult to evaluate.

I like to see Fang Nan and Zhou Ye's sweetness, a bit like happy enemies. At first I thought it was well written, but as I read on, I felt more and more like the character was falling apart.

I don't know why the rating is so low, but let me tell you this, as long as you can read it, it doesn't matter whether it has multiple heroines or a single heroine. If you read it first and then evaluate it, you will feel that his writing style is good, not procrastinating, and basically better than most tomato novels. It is just a little bit poisonous in some places, but as long as you don't bring in the perspective, it's basically fine. If you put in the perspective, you will feel that the heroine is very special.

I still like to change my waistcoat so much. Every book has a very awesome woman, mother, sister, and now aunt. The familiar formula and delicate writing style are still the same. I have only one request. Don't have a harem in this book. I really like the heroine. Just her.

The author's writing style is very good, and the characters in the book are very vivid and vivid. The characters in the books written by male fans are somewhat exaggerated, but they are not as brainless as the Dragon King novels. Within the acceptable range, there are some emotional views in it that are difficult to understand, but in reality There are traces to be followed, and different readers will have different interpretations with different experiences. Overall, it is good, but the title of this book is full of Tomato's usual randomness, which makes people feel uncomfortable. If a more appropriate name is used, more book friends may click in, and the score may be even higher.