I Make Props on Set, So What Are You Afraid Of, Eagle Nation?

The author skillfully brings readers into a crew scene full of charm and challenges. The protagonist, a fledgling college student, steps into the crew of The Wandering Earth with dreams and passion, and unexpectedly encounters a mysterious black technology system. This setting itself is full of attraction. The book describes every detail of prop production, from the conception of design drawings to the selection of materials, to the actual application of props on the shooting scene. Every link is lifelike, as if one is immersed in the scene, and one can truly feel the hardship and fun behind film and television production. The magnificent images of fighter jets streaking through the sky and the majestic momentum of warships advancing against the waves are all vividly presented through words, leaving readers unable to help but be impressed by the author's imagination and control of details. In terms of characterization, the protagonist's growth process is impressive. From an ignorant novice, he gradually grew into a unique props expert through the experience of the crew. The setbacks, confusions and final breakthroughs he experienced during this period all resonated strongly with readers. The other characters in the crew also have their own characteristics. They may be strict or humorous, professional or funny, and together they form a vivid family of the crew, adding rich colors and layers to the story. In terms of writing style, the author's writing is smooth and natural, and his humorous language often makes people laugh. At the same time, he can create a tense and exciting atmosphere at key plot points, making the reader's mood fluctuate as the story develops. The book's description of urban life and entertainment industry ecology is both realistic and creative. It cleverly integrates urban imagination, systems and other elements to create a unique novel world.

The writing is good. This book should be viable, but two chapters a day are too few. It needs three chapters anyway. Work hard, young man. Five-star reviews cannot be given to you in vain. Hurry up and type.

Judging from the current plot arrangement and writing style, it can be regarded as a relatively good system text on Tomato. The concept, plot description, and characters are all okay. As someone who likes watching male videos, this one is also very suitable for female readers. It's not that kind of juvenile novel. Recommended to watch.

The book is very good, I read the whole thing. The author is too keen on detailed descriptions, turning a science fiction novel into a popular science novel. He explains the equipment parameters in too detail. There is no need to introduce the performance parameters of many equipments. Not only does it take up a lot of space, it also affects the rhythm of plot reading. The science of equipment parameters in the second chapter and the detailed description of the war in the third chapter can be reduced by more than half. The protagonist's ability plays a small role in the plot development of the entire book, and it becomes less and less important the further you go. In fact, the protagonist's skills are very important, but there is not enough space for him. Overall, it is a good book from Tomato, and it is worth 8.5 Points.

I made a huge plate of dumplings for a dish of vinegar. Putting aside some obviously fantasy content (such as some scenes with Suzaku), this is enough data for me as a non-military fan. The descriptions of war scenes and major scenes are very good. After the first dozen chapters of Long Aotian's behavior, you can understand it smoothly.

So, will your crew be able to finish filming? After seeing more than 200 chapters, we are already preparing for three battles. The Wandering Earth 2 has not been released yet [face covering]

What is black and deep residual? How to write a dark and deep character well? A long-standing plot, why when others use it, it is a recurrence of the classic, but when you use it yourself, it is bad and vulgar. This situation is actually reflected in the early stage of the novel. How to embody darkness cannot rely solely on the so-called "oral narration". The game is a process, not a result. If there is not enough plot foreshadowing and only relies on the dictation of a person in the play, then the so-called darkness can only be superficial, just a cold text, unable to reflect the power behind these words. The more profound things are, the more attention is paid to the author's writing skills. To describe darkness, it is better to have a long and steady flow than to rush for quick success. Darkness without depth is just a shallow puddle. People talk and laugh and step on it casually. The splash of water can wet people's trousers at most, and no one cares.

It's already been 40 chapters. Why haven't we cooperated with the military yet? The T Group is still active there.

Brother, I've read dozens of chapters and still feel like it's good to get my brain back. I worked in a bank. Although I am not a military fan, I still like to look at military equipment when I have nothing to do. Really live in Bengbu.

Although I don't quite understand some of the technical terms explained in the middle, it's really fun. Update soon! ! It's too little now. I'll finish it in one go.