Still, I Became the Man with the Little Blind One

Person receiving love: Kindhearted and softhearted, deeply attached to others and quick to feel guilty. Sensitive and perceptive, blind in sight but clear in heart. Proud but powerless to resist. Fragile and long-suffering; when pushed to the brink, he sacrifices and hurts himself, trapped for a long time in emotional collapse and self-loathing.

Person giving love: Arrogant and obsessive, with an overwhelming need for control, skilled at scheming and exploiting weaknesses. His moods swing to extremes, and after hurting someone, his reflection is shallow and selfish. He treats Geng Zhi as his possession, unable to distinguish possession from affection. Coldhearted and utterly self-centered.

Dark, unhinged, powerful controlling pursuer Qin Lin (22) × innocent, pitiful, kindhearted recipient Geng Zhi (19). The recipient gets put through misery, then more misery, then the pursuer gets put through misery, then more misery. The pursuer really is a pervert: cruel and lawless. If you're uncomfortable with stories focused on the recipient's suffering, don't read. Their relationship doesn't fully mend after breaking. A groveling pursuit follows. A stubborn, blind, pitiful young man meets a forceful, obsessive pursuer with a possessive streak. Qin Lin, a bold and carefree man from the south, encounters Geng Zhi, whose path is blocked, while drunk. When they meet again, the young master takes an interest and is eager to play. The poor young man is tricked into Qin Lin's territory, where he is manipulated, deceived, pressured, and forced. As he repeatedly tries to escape, he is hurt, broken, and forced to give in. A false dividing line keeps Geng Zhi's warmth in the south; all that remains is the bitter winter of the north. "My name is Qin Lin."

"Is it Qinling, as in the Qinling-Huaihe Line? What a lovely name."

"No, it's Lin, as in the bitter cold of winter."

The characters' values are part of the fictional setup and do not represent the author's values. The author just likes melodramatic stories about coercion and angst.