After Marrying the Comatose Heir, I Took Charge of the Entire Marquis's Household

Very pretty. Is it because the heroine's mother is a bit unhappy and a bit love-minded? I don't know how to leave a way out for myself, offend my parents' family, and don't treat my son and daughter well. Overall, it's ok, pretty nice.

The overall writing style will be more daily, and the pace will not be too fast, but it will not drag out either. The heroine is smart, sensible, independent, and doesn't want to rely on others. The male protagonist appears later. The progress of the relationship between the two should be relatively slow, but there will be a lot of interactions. I want to try to show a natural relationship, rather than forcefully bringing the two together because they are male and female protagonists.

It's very good. It's not the kind of story where everyone is fighting for the palace, nor is it the kind of mindless story. The heroine has a very high IQ and EQ. Although she is a time-travelling woman, she is just a time-travelling woman, so it is not very nonsensical to people. There is no modern words or things that reflect modernity. The heroine's intelligence is that she has been adapting to ancient life since she was a child and developing her own power. But she also has her own bottom line. Marrying and having children is unavoidable, so she chose a male protagonist who is in a vegetative state. When the male protagonist wakes up, she plans her son's relationship step by step. It is inevitable that she will also give her true love.

The characters of the male and female protagonists are the same as the introduction, and the author's writing style is also quite good. It is more daily-oriented and suitable for a slow pace. For me personally, I feel that the heroine is having a hard time. Her mother-in-law has no way to deal with her, her family has no support, there are traps everywhere in the palace, and the Queen Mother wants to divorce her. Now there is a married eldest daughter who is causing trouble. The old woman's family is probably going to stage another turmoil in which they think that the heroine is of low family status and is not worthy to be the main wife or even have a few nieces. Emm understands that the progress of the relationship between the two is slow, but she doesn't feel that the male protagonist has taken any action, except for promising that there will be no one else when facing the female protagonist, but does he really not know those remarks? He also did not support the heroine in these matters. I think the hero did not do well in this regard, maybe because the two of them have no feelings. The heroine is pretty and good-looking, she was forced to marry because of it, and now she is criticized because of it, but these causes and effects should not be focused on the heroine alone. Emmm, it feels like the progress bar has been stagnant. Even now I haven't made it clear who is behind the story, but it seems that everything is under the control of the heroine. My sister-in-law's mentality is so unstable... I feel like the heroine is like a hard-working machine, either dealing with things or on the way to deal with them... The more I watch, the more tired I feel.

This should be my favorite book: Marriage First, Love Later. It has the feeling of Marriage First, Love Later, and it flows smoothly. The male protagonist is really indifferent. I was really touched when I saw the little changes in him later on and how he learned to love and care for the female protagonist. I was moved by the ambiguous pull between the male and female protagonists and marveled at the female protagonist's intelligence and wit. The shortcoming was that the ending was too hasty and there were not enough scenes between the male and female protagonists.

The heroine really makes me cry to death, she thinks so comprehensively, I feel that I have the same feeling as the prince [laughing and crying], but I am looking forward to whether there will be any concrete development of their relationship in the future [currently working on the draft]

It's rare to see someone who can be so stable in the face of criticism and provocation like the heroine. Many people may say that the heroine is a bit useless, but this is not the case. The heroine's performance is that of a normal young and mature person. I like that the heroine can always solve problems calmly when encountering problems. I also like that the heroine is cautious, does everything in advance and can nip problems in the bud. Compared with the heroine, we who are impetuous, simple-minded and not calm enough are far behind. [Laughing and crying][laughing and crying][laughing and crying][laughing and crying][laughing and crying]

Not bad, the beginning is very good, the female protagonist is planning every step, she is strong, and she can live a wonderful life with or without the male protagonist. The other female characters also have their own ideas. It's just that the plot got a little tired after 200 chapters.

I have just read about thirty chapters. So far, the story has been centered around the crowing of chickens and dog robbers in the back house. It is quite good. The plot has no ups and downs. I think the author is leaving some foreshadowing to expand his tricks. I look forward to more exciting follow-up.

This story is a real house fight. A good fight But it's good to read the story from Zhaidou The love between the mistress Jian Xing and the prince comes naturally Really Compared to other stories, this story is much truer