Lord of the Night

It's a good book, very much like a classic novel. I hope the author will continue writing and express his optimism. Personally, I feel that the best part of this book is the good pace, the unhurried pace, and the alternating main and dark lines. I think it is well written. The disadvantage is that the characters depicted are not deep enough. I have read more than a hundred chapters, and I am not particularly impressed by any of the characters (but it is not unimpressive, just that the writing is average). You can consider supplementing the characters in the process of relaxing the plot (foreshadowing). The last little personal wish I have is that I hope there will be more female protagonists, more chic, and the emotional line will be a little thinner. After all, we are all free and happy, and the thought of not being romantic makes me uncomfortable, not to mention that Ruyan has a lot of scenes. After finishing the work, I recommend a book similar to this book to the author. You can learn from "Tsuma No Shang Shogun". Its characterization is more profound than this book. Secondly, the emotional line, structure and so on are very similar to this book. Seeing that Emperor Liu Ruyan was passed, although I gave the book five stars, this paragraph is really true, so 💩, you chase me and feed it 💩. It's not that I like multiple heroines, I watch single heroines, multiple heroines, and no heroines, but it's really not smooth for you. Why is there an awkward imitation of Jianlai? It was very awkward when she first appeared, without any foreshadowing, and she had been giving hints that she was the second female lead, and she was suddenly eliminated. Secondly, the character design is different. They are infatuated. What are you, a scumbag who just runs away? These are two completely different books. The fusion is too blunt. It's like you learned the cool points from some stories about multiple heroines fighting for hegemony. When you were formulating the formula, you added something that you thought was cool, but it didn't fit in with the context of the text. Emperor Ruyan, as the emperor of the Xiling country, is obviously one of the heroines and the character who promotes the main plot identity. I dare not think about how to fill the emotional line of unrequited love in the future. If you ask me to say that it is better to just remove the noble status and write to death instead of imitating the sword, this part is really terrible. Comment again and again After carefully reviewing the book, I found that the author's emotional lines were too fragmented and I really need to think about it. There is no visible sense of emotional advancement, just a feeling of developing little by little. It has always been very abrupt. Even though I can see that there is a foreshadowing, it just doesn't feel like it is a matter of course. Secondly, the characterization is really a bit superficial. It can be seen that the author is trying hard to portray, but he did not write down the idea. The fortune teller in Tsing Yi wanted to be written as a contradictory person who served the country and the people, but I didn't see how much he served the country and the people. It was too fake and empty of his image. What I saw about him was that others said he was great. Whenever he goes behind the scenes or writes a little bit about entertainment, I think he is thinking about the people here if he has done something for the people here. When I look at the back, I feel like it's a pity to lose it, and it feels like it's been abandoned. Fundamentally, the author's framework is OK, that is, how to write a book that is not difficult to read. This formula must be memorized, and it can also be sublimated with high-end formulas (some short poems, character descriptions). But there is no personal understanding, no soul is injected, and a lot of time and chapters are spent trying to figure it out. It doesn't take too much to build a three-dimensional character. A few books are enough. I believe the author's biggest improvement point is here. In the end, I was very optimistic about the author and hoped that the author would work harder. In the end, I harshly deducted one star.

Recommended for both hands. I felt a little confused at the front, but I suddenly realized it when I saw the back, and secretly thought it was a good plan, Miao Miao.

There's nothing to say about the writing style, just be patient and read it, it's full of intrigues and plots, and it's good-looking. Take a good look. It's a little slow in the front, but it's burning in the back. Come on.

This is a truly good book. Although a small part of it is a bit silly or cliche, this is also a common problem with most novels on the market. Whether it is the writing style or the arrangement of the plot, this book is already at its peak. I hope the author doesn't stop updating and can finish it.

It is better than most of Tomato's books, but there is one thing. The vocabulary is too gorgeous, and some parts of the connection are not very good. It feels like showing off. The main content of the novel is more important. Only with these can it better attract readers. Blindly piling up vocabulary will give people a flashy feeling. However, it is good for a new author to write like this. Come on, author, I am optimistic about you.

The writing is good, not the kind of mindless and exciting article, the storyline is also good, but it is too short, please update it as soon as possible [Please update it]

I've read about a hundred chapters, and overall it's pretty good. I haven't seen anything like this in a long time. The male protagonist's words and actions are logical, the female protagonist (only Zhao) is not annoying, the villain doesn't feel unreasonable, and the story line advances in an orderly manner. 👍👍👍👍👍 Starting from the middle zone, I feel a little unbearable

It has a bit of a Machiavellian feel to it. It's good to watch and I recommend it. It's getting better and better. Come on, ancient

There are not many books that I can follow and read to the end. This counts as one. To be honest, it should be regarded as a piece of cake among the general public, and it is not high-profile in the Machiavellian world. However, the author's creation is still relatively delicate, and the plot is compact. There are no numerical values, and it all relies on technique. The book was written to a level it did not belong to. You have to read books by yourself and drink tea by yourself. I personally think this book is okay. If you like it, you need to spend more time to read it carefully and then you will find it interesting after reading it (the next ten or so chapters just didn't want to be written just to make the finale a hasty ending, which is very boring and can be ignored). After reading it for so long, I only posted this comment, and I have been reading it attentively. In fact, the author's ideological line and creative techniques are very strong, but the main focus is not on this plot, so it is normal that not many people watch it. But this does not mean that this book is not good, on the contrary, it is very good. Don't give up and continue to publish good books. Geniuses will not be buried, only those who are dawdling will.

Come on, come on, I finished reading it before I knew it. Although I think the pace is too slow in some parts, it is still very interesting. But when I read this book, my mood was too dull. When I went back to Chang'an, I thought it would be full of passion and excitement, but when I read there it was very dull. However, after more than ten years of layout, everything has been a foregone conclusion, and dullness is what it should be. I hope the author can write this book better.