The Greatest Warlord of the Late Tang

I have consulted a lot of information during the process of writing my own book, but I feel that there are still many shortcomings, and there are even some errors in terms of titles, utensils, and place names. Thank you readers for your corrections. I will continue to write this book well, and thank you for your continued support.

As soon as you get started, you will have three Jiedu Envoys. This is a win at the starting line of life. However, even if Zhu Wen cannot defeat you, Li Ke's tens of thousands of Shatuo cavalry will not be easy to deal with unless you invent muskets and artillery. Zhu Wen had millions of soldiers and horses in the entire Central Plains, but Li Ke used tens of thousands of cavalry to defeat the country. Based on the pig's trotter's IQ, if you assign him a loyal one and a weak one, does this increase the difficulty? The character you gave is a loser with no power. The difficulty of unification in the late Tang Dynasty was the highest in the history of China. Five stars and five Huahua are not included. The Han people were almost extinct at that time. It was all internal fighting among the Hu people. It was a step higher than the Three Kingdoms. It seems that it cannot be completed in one generation. In addition to the two demons, there are Qin Zongquan, Wei Bo, Liu Kutou of Youzhou, Yang Xingmi, and you are not Han Xin or Lu Bu. How can we unify without technological breakthroughs? I think there is something wrong with your settings

It sings a shocking scene and expresses the sorrow of the world. I chanted out my longing that lingers in my bones, chanted out the passing years, and even wrote out the whispers of my Nan Nan in my dream. He chanted the rising of the sun and the setting of the moon, read out the myriad of thoughts, and expressed what was in his heart. I chanted the dew frost of Jiuzhou, painted the moonlight of my hometown, saw clearly the coldness of the situation, and talked about the past of the mortal world. I sang out the moonlight in front of the window, sighed and fished alone in the cold river, painted the sound of the sea bass, and outlined the faded white hair. It is difficult to write about the suffering in the world. A little light falls on the paper, and the eyes are filled with dim light. But he wanted to drink so much with Li Bai that he crushed the white clouds into pieces while being drunk, but he couldn't forget the figure of the young man. Beautiful words.

Silky, so silky. I was fascinated by this book. I stayed up all night and read dozens of chapters. Even until the end of the chapter, I still didn't want to release the volume. I hope the author will update it more quickly and will be diligent in updating it in the future. Many plots in this book can be called wonderful designs. Whether it is Qi Shen who lets the tiger return from Huangchao or Liu Zhijun deliberately letting Zhu Wen go, they all coincide with the conspiracy of Qianmen and Eight Generals. It can be seen that the author not only has a clear and elegant writing style, but also supports it with rich and detailed historical materials. He has also put a lot of effort in the aspect of power and strategy. Thank you! Xizai has fewer love scenes now, Zhi's plot is depressed and frustrated, and Wang Chuqing is more than playful but not dignified. They are not in line with the image of the heroine in his mind. I look forward to the follow-up development.

It seems that five stars in Tomato cannot be recorded in the rating, so I can only give you four stars. The author said that gunpowder began to be used in military affairs in the late Tang Dynasty, so there is actually no big problem with the protagonist's use of gunpowder. And if you take advantage of gunpowder, what else can you do? Is it possible that you have to use others to use it? Can't you use it first? As a modern person, it is very useful for the protagonist to make good use of modern thoughts and modern memories. You can't suppress the protagonist and let the protagonist not use these modern advantages. You can use these advantages to unify yourself quickly. This is also a way to quickly end the troubled times at that time. Some people in the comment area just want to suppress the protagonist, and then let the protagonist spend hundreds of chapters. What about the foreign invasion? At the end of the Tang Dynasty, the Khitan began to rise in the north, which was another serious concern for the protagonist. I have seen many authors use hundreds or thousands of chapters to unify. In fact, what I want to see is the external war rather than the internal fighting. There is also the issue of children's education. I think that as a modern person, the protagonist's education methods must be better than those of ancient times. Some people in the comment area said that other warlords' children fight with each other, and the protagonist's children do not fight or fight with each other. I think this does have some factors of the protagonist's aura, but I think these warlords' children fight with each other. Is this independent of the monarch's education? I think as long as the monarch's education is good, the children will naturally get along with each other in harmony. This is no problem. Not to mention living in harmony, at least they will not make unbelievable operations in military matters. I think the protagonist can make good use of modern education methods, such as seeking truth from facts, letting his children witness the sufferings of the world or experiencing them, and setting an example for them from an early age. These can help the children establish such a concept when they are young, which will be of great help to them when they grow up. There are also the protagonist's modern advantages. Why not use them if they can be used? Right? As long as you are not stupid, you will definitely use it! However, when using it, it should also be combined with the ancient forms of the time, and cannot just be applied blindly. There is also the problem of the protagonist's harem. I think the current Zhizhi, to be honest, really doesn't like her. She has done so many unfavorable things in the past. If you are in his position, then it is okay for her to do this. Do I even think she can be the main character's wife? Can she manage the harem affairs well? If it hadn't been shaped like this at the beginning, maybe there wouldn't be such a gap. Anyway, what I see now is a bit subtle. On the one hand, I think he can make a lot of improvements if he realizes his mistakes, but on the other hand, I am disgusted by his previous operations, so I am very conflicted. But I have written it all, I think it should be acceptable based on my ability to withstand pressure, and I want to continue to watch the protagonist's unification journey (this is just my personal review, please don't criticize me) Come on, author, I will always support it [Send heartfelt support]

Li Cunxiao gave him a good ending I always feel that the more I write, the worse it gets.

The author is good or bad I love love so much The protagonist is seriously mentally retarded

The history of the late Tang Dynasty and the Five Dynasties is very complex, and the author has a very solid foundation.

Brothers, I beg you, I think your writing is very good, but I think the emotional issue of women can be brushed aside. We actually have knots in our hearts when it is written like this. I think my wife at that time can be written less, and she is not the only woman. People are sensory animals, and there are countless people who love each other at first sight.

It's up to you to get a wife, just marry her