May All Things Go as You Wish

The writing is good. Each character has his own life path and his own unique things. The protagonist is utilitarian in dealing with others, but he also has his bottom line. This is human nature, it is not black and white, it is very real. After the protagonist is reborn, she does not only live to avenge the sufferings she experienced in her previous life. She chooses more ways to face the people in her life. She can love, stay, and accompany them, break up with them neatly, forgive them, or give them other choices. In fact, we can learn from this attitude towards the people around us. I treat you sincerely, but I am not attached to you. I live in fate, not in relationship. I cherish you when you are here. I will not force you to stay when you leave. The wind blows, and the rain listens to the rain. I will take on what God has given me, and I will be calm about what I take away. I will cultivate my own character and create my own scenery.

There is no one who can do good work. It is highly recommended. I don't know why the score is so low. Maybe some of the plots are not very enjoyable, but the characters are portrayed in depth and the content contains profound thoughts. It is worth at least 9.5 Points.

I've watched half of it, I should give it three and a half stars. It was really good at the beginning. Whether it was the protagonist or the supporting role, the descriptions were very good and the pacing was also good. But later on, I wonder if the writer changed? Or is it just for word count? I'm always describing the mind, or detailing the atmosphere. That's not to say it's not good. The proportion of this kind of thing shouldn't be too big, but the author does it too much. It feels like one-third or even half of each chapter is devoted to psychological descriptions and atmosphere. It's very greasy, and the descriptions of mental activities here are just like that [laughing and crying]. However, the story development and plot arrangement are quite good, so I have to stick to it, skip the greasy atmosphere and psychological description, and comment after a quarter of it.

There are many books on the market with the title of heroine, but I think this one deserves the title. It is not just the heroine, there are many female characters with distinctive personalities, Xiaoman, Big Sister, Yan Ruoling... They are not stepping stones for the heroine, nor are they specially selected for the development of the heroine's story. Everyone in it has their own story, walks their own path, and has their own growth line. (Btw this is a book that is friendly to both male and female characters. In order to depict the awakening of gender, many books usually highlight the inferiority of men. But not to mention the male protagonists, just Li Twenty and Chen Jiangan, they don't have this kind of gender arrogance) I like every character in this book very much

The writing style of Hard Candy is really good. Some of the plot descriptions are so vivid that I feel like my breath has stopped. With the tension or joy of the story, I watched Ruyi's growth process step by step. I felt distressed and happy. I finished it by accident. I am very anxiously waiting for the update.

Come on, author! I hope the emotional scenes won't be too greasy.

The heroine was not timid from the beginning, which is really good. The plot about not having the mother is very good, the plot about changing the name is very good, the plot about beating the younger brother is very good, the plot about changing the household is very good

So pretty! The heroine doesn't suffer at all, she avenges her on the spot❤️❤️❤️

The author's writing is very good, and it is a heroine novel with a very exciting beginning. However, the story is a bit strange. The characters of the male and female protagonists are very different from the previous life, but they did not use the prophet to create more wealth and connections for themselves. The heroine is a reborn native in ancient times. In her previous life, she was a low-class lady and a concubine. She was extremely miserable. But after rebirth, she became a township female entrepreneur with strong martial arts skills. She started her new life with great difficulty, and she also possessed a lot of modern concepts inexplicably. The matter of her biological brother was a pain in the neck, and the way she handled it was really inconsistent with the bottom line of human morality. I first thought that the male protagonist was Han Shi'an, our lover who was reborn together and the former No. 1 Scholar, but I found that Li Shi'an wrote much more than Shi'an, and he also accompanied the female protagonist more. I couldn't explain how I felt. However, some of the feminist chicken soup in the article is very touching. The combination of A Cai and Fifteen, Shiliu's shrewdness, and the battle of wits and courage with Patriarch Li when he was a child are all very well written.

The writing style of this novel is delicate and transparent, and the author's views are correct and gentle, making it particularly comfortable to read. I just read too many of the current female pornographic articles about female characters, and I always feel a little awkward. Even this book has a sense of deliberateness: most of the heroines or some characters nowadays are all set to be unmarried and infertile. Even if they get married, they will never have children. I think humans are also animals. Reproduction is a natural law, and when writing fertility plots, only daughters are arranged throughout the book. But in my opinion, true women are independent and strong and should never have only one template. There is nothing wrong with being single and free and easy when you are young; but if you meet someone who has the same three views and cherishes each other, it is also a good thing to be willing to enter into marriage; even if your relationship changes after marriage, you can have the confidence to withdraw decisively. Even if you don't meet your beloved, you can live alone, adopt children, and carefully cultivate disciples, you can still have a complete and fulfilling life. You don't have to regard marriage as a prison and completely deny the value of people's companionship. It is free to be alone when you are young, but when you are old and frail, and there is no one to take care of you, you will inevitably experience loneliness. Life should not be trapped in the same way of life. In addition, I have always felt that female independence never needs to be proved by refusing to have children. The desire to become a mother is also an independent choice. Getting married and having children never means losing oneself. Let's talk about the concept of equality in childbearing. To truly break the shackles of son preference, it is not to blindly favor daughters and reject sons. There is no need to be ashamed of expecting both sons and daughters. It is just to have a preference in your heart. Love whatever you are born with, and accept it if it fails. Don't get angry. No matter the child is a boy or a girl, love and educate them equally from the heart, without deliberately favoring any gender. This is true and transparent gender equality. If you only favor daughters in your creations, you are actually still trapped in gender bias, which is no different from the traditional narrow-minded thinking that favors sons over daughters. We look forward to more female channel works having a diverse and inclusive narrative perspective in the future, not deliberately creating gender opposition, respecting every independent life choice of women, treating boys and girls equally, and depicting various aspects of the world that are more realistic, gentle and complete.