The Sixties: My Reputation Ruined, I Turn Around and Marry the Factory Director’s Son

Si Yao transmigrates to the 1960s. Her original self was pushed into the water and killed, her fiancé was stolen by her cousin, her grandmother isn’t her real grandmother, her mother is weak, her father doesn’t care, and she goes hungry every day. This looks like a living hell. Si Yao sighs at the sky. Perhaps Heaven hears her, because it grants her a pocket dimension. She uses it to grow food and sell goods, then schemes to split the family household. Let’s see how she uses her pocket dimension to make a good life for herself in the resource-scarce 1960s. Song Chen’an, the son of Director Song, is still young but has already become a department head. He is exceptionally capable, comes from a good family, and is handsome. Women hoping to marry him line up in droves. No one expects Song Chen’an to start dating a country woman and treasure her like a priceless jewel. She’s rustic, uneducated, and no one can understand what he sees in her. Maybe he’s gone blind. They soon eat their words. The country woman, beautiful as a fairy, is not only gorgeous but widely learned, and she quickly wins over the Song family.