Transmigrating Into a Book in the 1960s: After Going to the Countryside, I'm the Biggest Troublemaker

When Qin Mingnuan realized she had transmigrated into a period novel, she was already on a train heading to the countryside, with the female lead sitting right across from her.

And she was the vicious supporting female character, destined for a miserable ending.

Qin Mingnuan: ?

Was her childhood sweetheart’s handsome face not appealing enough, or were his eight-pack abs not fun enough to touch? What did she ever see in the male lead?

After arriving in the countryside, she can’t turn a corner without running into some outrageous character.

Self-important men think marrying her will put them on the road to success?

When they hear she cracked a county official’s head open, leaving him out of a job while she took his position, those men immediately turn into meek little lambs, greeting her respectfully with, “Sister Nuan!”

Gossipy aunties say a man dumped her and now she’s a fallen phoenix, worth less than a chicken?

Once she becomes a factory director and takes control of the village’s economy, the aunties wish they could turn into men and marry her.

Some old-fashioned villagers use their age as an excuse to criticize her for showing her face in public and tell her to go home and serve her husband and raise children?

Then she’ll let them find out what it’s like to raise kids. She makes them attend literacy classes and sets strict assessment standards.

Fail? Parent-teacher meeting.

Later, Qin Mingnuan becomes such a force of nature that even the most outrageous people cry when they see her.

Even more astonishing, the female lead becomes her adoring fan, dumps the male lead, and marries Qin Mingnuan’s younger brother?!

Qin Mingnuan: Σ(ﾟдﾟlll)