The Big Shot Doesn't Follow the Plot

I'm convinced too. Overall, it's pretty good-looking. It's decisive, no ink, no virginity, no matter how young or old it is. It doesn't let anyone get away with it. Of course, it doesn't take the initiative to cause trouble. The heroine is the selfish type that I like (this one is great). The content of each story is pretty good-looking, without ups and downs, and it can be reduced to ten points at a time. But I'm a little confused. I always feel that sometimes my IQ and force value fluctuate up and down, I have lost my fighting experience, and the description and setting feel like there are changes. It is clear that the heroine relies on herself at first, with her own skills, storage bags, and elixir weapons. But later it changes. The heroine relies on the system to obtain elixirs. Then when there is no system, she has to tolerate it and becomes dependent on the system. But what is written behind the bar is not the same. What the heroine does is still very powerful, very refreshing, not accommodating, and intolerant. I kept reading it up and down, and wanted to give up, but the content was fine again, so I continued reading, and then the next world came again, and I am still reading it until now. After thinking about it, I found that every world always has a few superfluous descriptions and sentences. Without those few sentences, nothing changes. It makes me heartbroken [facepalm]. To me, it's like superfluous words. [Angry] Angry, but it's also pretty good. [Smirk] [Blow kiss] It doesn't work, it doesn't work this time. There were too many convulsions in the back, which made me unable to go up or down. Obviously I have finished writing a world, and it should be fun to watch it, but now that it is finished, I dare not read it. Myocardial Infarction [Petrochemical], the golden finger, and the problem of space. As long as I see the word space, I will have a headache. I will ignore this paragraph as soon as possible. I feel that the space setting will bring out the weakness of the heroine. The heroine's approach is to focus on the beginning and not the end, and the subsequent plot is not pleasing to the eye. That's it, just treat it as the ending. You can't read it. It will easily ruin your good impression of the first half of the book [awkward laugh]

I quietly opened the new book without making a sound [puckered my lips] and quickly handed over the saved manuscript for updating.

It's very interesting. I like the character of the heroine very much. She can do things but never say anything. I don't like stories about torturing a scumbag slowly, and you have to endure it in the middle. I don't like a story about starting a career every time you go to a plane. The heroine has a sense of immediacy that the heroine is awesome. I like the character of the heroine in this book. She looks very comfortable. Even if she is engaged in a career, she is working hard to climb to that height and kill the scumbag. Come on, author, update! The author started to be perfunctory. The writing of the next few worlds was average and really fast-paced, especially the disaster world. There are so many natural disasters and they are covered in one stroke. It is better to focus on writing one kind.

I've read through so many books, but this is the only one I've read seriously.

It looks good, but it was completed too quickly. It's really fast to wear. It's cool. The heroine has a calm and calm personality. She's very loving and very normal. After all, there's no warmth here within a few days of meeting. It's more about responsibility and sympathy.

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It's very good-looking, the heroine is very sensible and doesn't mind other people's business. That's right, the front is pretty good. Later, the space and materials were taken away, and the memory was gone. He directly became a tool man, and ended up becoming the system manager? ? ? What kind of boss is this [laughing awkwardly], who is such a boss who is so frustrated that he becomes a wage earner [stare]

I complained a lot when I first started watching it, but I continued to watch it and found it quite satisfying. I didn't feel aggrieved, and it was good to directly kill the male and female protagonists. Although I am a cultivator, I like it more because there is no mention of cause and effect. After all, many cultivators are restrained when it comes to causality, which makes it uncomfortable to watch.

How to say it? If you want to watch a slap in the face without CP, it's okay. But if you hope to be a little patriotic and change the quality of life of friendly relatives and friends around you, then it can only be said that it is not possible. Overall it's okay, it would be nice if I could add a little bit to change the country. It feels like the protagonist is like an indifferent robot that completes tasks, without any sense of involvement. It seems like he is just going through a process in the task world.

The whole book is more of a stream of consciousness description and a self-thinking description, but it is more in line with the character of the quick-travel heroine. There are details and no logical loopholes. Although the name of the fast-travel heroine Zhiyun will be changed from zhi to a homophone like: wisdom (I really don't remember the other ones), why not change it to just? [Cover face][cover face]→[laugh][laugh]→[eat melon][eat melon]. Of course, the original script is also wonderful, and sometimes there are several weekly scripts [I understand]. Also, after describing several worlds, the author's desire to survive has become stronger.