Bleach: The Strongest Wind

It's really hard to read the main character's name and I don't want to read it anymore

There are too many inner dramas in pig's feet. Hit him, think about it, recall it, say a few words, and then hit him again. Repeated 6-7 times. *Ma is so good at fighting.

I came here after reading the introduction and wanted to ask, is a time traveler still a time traveler if he loses his memory?

Chord of the South Wind, oh my god, it's actually a weapon race legend. How old is this show? Does anyone remember that Lei-chan is the best in the world!

After reading it, I think it's okay, but what are those words in the brackets, the protagonist's inner confession? Occasionally, it is possible. After reading twenty or thirty chapters, almost every chapter has it. It seriously affects the reading experience and even makes some people incomprehensible. After reading the table of contents, there is a heroine wearing a double-traveling novel?

Brother, are you updating monthly?

I was tricked by the cover, thinking it was about Sword Art Online, but it turned out to be Death!!!

I cried, you finally came back to update

I read Chapter 120. In it, I was either preparing to fight my current girlfriend, fighting my ex-girlfriend, or beating up beautiful women. Although there were some fights with men, they rarely exceeded 50 words. I could write several chapters with women. Not to mention, they were all about the main character. The character confesses in his heart, Oh, by the way, there was a time when I had a good fight with a boy. Unfortunately, the second son of a middle-class family was a boy, so he died directly. Otherwise, with his tacit understanding with the protagonist, he would have lived for dozens more chapters at least, and at worst he would not have died.

After reading a hundred chapters, the author's writing style is very similar to Zhang Heng's, but he didn't clarify his own writing style. Zhang Hengda once said that the protagonist of his novel was out of his control from the beginning. As long as the protagonist is not dead, he will not care about it. He is like a recorder, recording the story of the protagonist. The author of this book also writes in the same way, but the author forcibly interferes with the protagonist many times, which makes it very uncomfortable, unlike 4. For example, three time-travel heroines are used to control the protagonist's thoughts and destiny. Too much interference.