Bianjing Female Widow's Work

In Bianjing in the Northern Song Dynasty, under the bustling market, murder cases were like pimples. The woman Shen Zhiwei was originally the daughter of a criminal minister. Because of her knowledge of medicine and bones, she was forced into the "lowly profession" of widowhood. She held a lancet and held a candle to perform autopsies, read the blood stasis from the swollen corpse, cut off the murder weapon from the broken bone wound, and said "the dead cannot lie", which made many officials speechless. But the investigation into the case becomes deeper and deeper: the waterworker who drowned in the granary, the singer who cut the body into pieces at the temple fair, the chamberlain who was hanged outside the palace wall... Each and every one of them leads to the secrets of the powerful ministers of the DPRK and the Liao Kingdom, and the secrets of the harem. She is a widower of no rank and rank. She has to avoid the open guns of the patriarchal officialdom and the hidden arrows in the palace. In a world where "autopsy can prove injustice, but it cannot prove the truth in the hearts of the people," she has to tell the world one by one the injustices of the speechless people. The atmosphere of the market, the etiquette of the Song Dynasty, and the art of cleansing grievances are all integrated into one place - this is the quietest and sharpest knife in Bianjing. It is a woman who uses flesh and blood to ask on behalf of the dead: Where is the murderer and where is the justice of nature. Do you want me to expand the protagonist's character and the first three unit cases? This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.