One lamp illuminates all customs, and one water moistens Wanxiang.
Young Liang Xiaoyu traveled through towns and streets in Dongguan, looking for intangible cultural heritage craftsmen scattered in the countryside.
The thousand-cornered lantern in Guancheng is displayed every ten years, the dragon boat in the middle hall plows the Dongjiang River, the beggar tribute case in Wangniudun is ingenious, the unicorn patrols the countryside in Zhangmutou to offer auspiciousness, Taojiao and Cantonese songs are graceful and fragrant, the plum blossom lanterns warmly reflect the market, Mojia boxing establishes moral integrity, and the wedding customs of water towns accumulate fireworks in the world.
Once upon a time, each craftsman stuck to his hometown, and each skill was isolated from each other, and they persisted silently over time.
Starting from the lion awakening in the New Year, it has gone through dragon boat races, Chinese Valentine's Day fights, Lantern Festival lantern festivals, parades, adding lanterns and renewing the lanterns. Each folk event slowly gathers the scattered sparks.
When old craftsmen meet young students, when the village square becomes a stage for intangible cultural heritage, when the seeds of inheritance are planted in campus classrooms.
Trophies and glory come one after another, but the real fuel is not in the trophies, but in the hands of generations.
Spring begins with parades, summer blooms with skillful arts, autumn gathers lights, and winter returns to one's true nature.
This is a local scroll belonging to Dongguan, a song of Lingnan culture where hundreds of craftsmen work together and hundreds of arts coexist.
This novel and its characters are purely fictitious. Any similarity is purely coincidental and should not be imitated.