Siheyuan: Starting with Max-Level Mechanisms, I Join the Ministry

The old man, a nobody, is awesome and will never fall; the constables from the street office and the police station will never see or dare to deal with him; the protagonist will always be all talk and passively counterattack.

Working at a junkyard, why not look for antiques, mahogany, or old books? And if you have repair skills, why not fix radios or bicycles?

Suddenly Uncle Dong appeared, leaving me completely bewildered.

False accusations, picking fights, physical assaults—an apology is all it takes. But insulting a martyr? No apology needed. The protagonist says he'll let it go for the sake of all the neighbors… (The text then abruptly shifts to a seemingly unrelated scene: "More than a dozen people die from poisoning.")

All choice-based cheats, especially those with drastically different outcomes, are essentially useless. Even the best storyline will only make the cheat a puppet.

Apologizing all day long, apologizing, apologizing, are you an idiot? Did you think you could get away with insulting martyrs just by apologizing back then?

He rode his own bicycle and forgot about the one he had borrowed.

This tiny mechanical bug, no bigger than a palm, is it treating everyone like they're blind?

One childless, two widows, one sycophant, one exploitative, one clueless—it's like a 21st-century time traveler with a system, possessing leveled skills. Is the protagonist too wasteful, or is the courtyard house too powerful?

Commentary on Chapter 25 of Da Qin Jingxiu's novel, *The Courtyard: Starting from Max-Level Mechanical Skills*: "The False Accusation of a Martyr's Child Must Be Thoroughly Investigated!!"