Anime Crossover: Ascending to Godhood as a King of the Awakened

Why didn't you join that club? Do you still want to perform on stage?

I want to see the kind where the male protagonist threatens the female protagonists and then makes them violent. I haven't seen this kind of subject in a long time.

You mean? Qi Ai wants to kill the male protagonist, and then says that the male protagonist just defeated her and the matter is over? The hero actually agreed?

After reading Chapter 22, I found it boring and lackluster. The plot is all about the protagonist going to the heroine to open a illustrated book. The writing of Invincible is very cheap. You have written k, why don't there be a sword floating in the sky like k? Then add another setting, only those with extraordinary talents, such as Jianzi's yin and yang eyes. You can also see this sword when something strange triggers the heroine's destiny. Then they hold the idea that retreating means death, and they go to the sword's position where there may be a chance of saving their lives and find the protagonist. This sword can lead to too many plots, which is much better than rushing to find the heroine. Of course, the most important thing is that the plot is too boring and boring.

The previous ones were collected so quickly, why did you write so much about this one, Yangno and Jing? Do you like these two so much? Still have nothing to write? Don't forget that there is Yukino, who can give you water for several chapters. You're so good at water, why don't you just drown you stinky s, b?

The setting was quite interesting at the beginning, and I saw more than 180**. When you get to know the heroine and introduce yourself, you will always say the same thing over and over again. Once you have conquered one, you will end it and start looking for the next one. From time to time, you will summarize it in stages. It's understandable that you don't write about battles in daily themes, but your daily writing problem is also a big problem. It gives me the feeling that when you meet a female protagonist, the female protagonist is conquered by the male protagonist or saved by the hero, and then the male protagonist explains that he is a god, bala bala, and repeats a set of words, and then the female protagonist is conquered and then starts the next female protagonist. Are you writing a work report?

How to put it this way, it feels uninteresting, the plot has no ups and downs, and no explosive points. I feel that the male protagonist is quite separated. The vampire heroine Asashi in the front is dating. She had the most scenes before the release, but it only stopped at Qinzu. The protagonist Yotsuya Miko in the back is not Asashi. I don't understand how the date is a contract. I thought that with so many scenes, the first kill before it was released must be the vampire heroine. But halfway through, the heroine was killed, and the protagonist also turned carnivorous. Is this considered the leading role? It's really time to put away the meaty food after the date, but after it was put on the shelves, I really can't understand. Is the protagonist Asasi cultivating his relationship, or is he just going home after the contract?

The old guys from ten years ago are back to write novels. The writing method of changing the soup without changing the medicine is no longer popular.

It's good that you can accept girls happily, but can your words not be so stereotyped? There is also the sentence "You can treat me as a god". This is a bit overwhelming. Every time I accept a girl, I have to explain it again, and then say hello in a formulaic way. It's too watery.

Time travel should be written carefully, because it is very easy to write a plot where I am jealous of myself. It is important for the protagonist to remain unique, I hope the author can handle it well