Anime Crossover: Channeling the Myriad Worlds, One Ability a Day

For your skills, don't always put them on the strongest xx, or add a prefix or something like that. When more worlds are integrated in the future, will this one be the strongest or the strongest? For example, Erina, the protagonist thinks that her cooking skills are not as good as Erina, and there is still the strongest chef hanging on the panel...

In fact, it can be seen from your subsequent chapters that writing purely contracted male characters does more harm than good. You say that you don't want to do everything for the female protagonist, but in fact, it is impossible to give many scenes to these male characters, and readers will not like to see you giving these so-called roles for nothing. As for the other abilities of the younger brothers, after integrating more worlds, the strength of these younger brothers will most likely not be able to keep up. You will also have to work hard to arrange these people. These people are originally positioned as thugs. If they cannot beat others, they will become invisible. Wouldn't it be hard for you to write like this? It would be better not to write it in the first place, and avoid making some readers wonder whether you have a tendency to poison. As for the issue you mentioned about the possibility of contracting male characters later, I can only say to wait and see. . .

The issue of the contract boy is actually easy to answer. Wouldn't it be better if you wrote less about everyday male protagonists? Like the great teacher you mentioned, it is much better to just omit and not write about something that has no effect on the protagonist than to think about it yourself. Just write a few meanings, and don't make it so that the male protagonist in the original work has more roles than the male and female protagonists in your novel.

After reading more than 80 chapters, I am really speechless. I really like to add drama to the supporting characters, right? With both children and evil spirits here, is Jiguo Yuanyi so awesome? The protagonist is always leapfrogging, leapfrogging, leapfrogging. **Tong Mo knows how to use modern weapons. Your talents are like a zz. If you don't use modern resources, just go and fight on your own. The daily writing is also strange and speechless. Is it so difficult to evolve a three-magatama into a kaleidoscope? Even though there are so many, it is still a hit. It seems that the protagonist has a lot of cheats, but when one person comes, the protagonist has to fight fiercely for a while. What's the point? Tell me.

The plot is too tight, dealing with time-travelers every day, it's just a waste of time

Looking at the front, I thought the contracts were all female protagonists, but the contracts at the back were male protagonists. If so, should I customize it or turn it off?

Nowadays, as long as you see the male subordinates, you usually don't read it, because you don't know when the author will start to have a bad CP...

You've been suppressing the protagonist and I'm really speechless. Now, what are you doing that's beyond the level?

The protagonist doesn't work hard to become stronger and is still wandering in his mind. If something interesting happens, the book will be over. I can't put it into perspective. I traveled through time and space and was still wasting my life when I couldn't save my life. I thought about all sorts of nonsense.

I don't know why, but I always find this protagonist unlikable. I can't put it in at all.