You Were Asked to Make a Movie, So Why Are You Making the SCP Foundation?

It is best for the author not to create any national camp. I hope that the protagonist is not affiliated with any country, but an independent foundation camp, like a beacon, illuminating the way forward in the unknown and fearful world of mankind. It's a parallel world anyway, and it makes sense that the country is different from reality, or it's the camp of all mankind. Classifying the Foundation and its contained objects into a country, as a tool of a country, is really a downgrade. From the beautiful virtues of human beings, wild imagination, bizarre stories, and a huge world view composed of various contained objects, it has directly become a fantasy story of the struggle between countries. The Foundation itself is a story that highlights humans and abnormalities. Sometimes it gathers one person, a group of people, a custom, and the coexistence of human destiny. This is the charm of the Foundation.

You won't just let them reap the benefits every time, right?

How much does the author like Bigfoot? It's an original setting again, and I'm writing this in a long way…

Bigfoot was written too slowly and too long.

The three brothers of death are also at the top of the supreme divinity in terms of strength and status, and they seem to have surpassed Xu Huang and Jiang Mo recently.

However, please try to avoid the rapid expansion and collapse of the combat power of this book. In addition, please add it to the real-life location later. I will refer to the opinions of readers. If it fits the plot, let it appear in this country!

It is recommended that the protagonist establish a foundation as soon as possible, get in touch with Mary and others, and let the protagonist discover that the containment objects have come to reality. Don't act like an ordinary person and know nothing. Let the protagonist improve his strength as soon as possible. Otherwise, powerful containment objects may not be able to save his life. There are also containment objects, especially some important containment objects, which can only be contained by the protagonist. Also, can you write less about the national forces? It's very embarrassing. Less of this kind of plot. The feeling you write now is not much different from the comparison and inventory.

In the early stage, national confrontation is okay, but it is not recommended to engage in this kind of confrontation in the middle and late stages.

The Brother of Death, the Supreme God of Endless Ode, is a bit out of character when he can't defeat the missing thing. Should the author write about Dust and Blood and bring out the Red King (without the Crimson Demon)? Anyway, the Brother of Death is pressing on him. There is no solution. It's okay to write 999, the seventh son of the Red King. This will solve the problem.

I personally hope that the author will not use Chinese names on the characters when describing SCP. Just use whatever the original text is, and call it whatever the original text is. You can add characters, but don't change them. After all, SCP works are submitted by people from all over the world. Changing the name is an infringement if you really want to study it carefully. We are not without it. In this work, there is no need to adopt the Korean style, and I also hope that the protagonist will not inherit the ability of SCP, and do not engage in absolute obedience. SCP itself is weird and difficult to defeat. Obedience reduces the danger of SCP itself. It is recommended that the author use SCP to fight against SCP, use it rationally, and use human wisdom to fight against SCP.