Seafaring: I Promote Tom the Cat, So What Does Koby Have to Do with It?

Kebi is indeed not that good. No matter what his strength or achievements are, if he is a deserter in a hot-blooded world, he is destined to be nailed to the pillar of shame.

The plot is a bit bloody. Tom becomes a colonel and then starts arranging troubles for the protagonist. What is the point of making Tom a colonel? If he is not a navy, he can't keep him around as a pet and a scientific researcher. Tom's incredible ability lies in his scientific research ability. He is buggier than Tony. He casually researches a potion that turns him into a superman. How can there be so many bloody plots in life? It doesn't feel good to slap the protagonist in the face by forcefully arranging problems for the protagonist. It feels like a clown.

Didn't it say that Luffy is the Son of the Sun? Can you take out the Nika fruit? If the author doesn't want to kill Luffy, he can only do this. Otherwise, he won't be able to kill him if he catches him. He can only talk about evil-hearted people, not to mention the protagonist's halo. Those are the ones created by stupid authors who don't want to kill because of the low number of words. It's not like every world has the protagonist's halo.

I came here to see pets become generals. What's the point of taking credit for your pets?

Let's also execute Garp, a scumbag in the navy.

During the war, he recorded the escape of the deserter King Kebi!

By the way, how are you going to deal with this Kebi later? Should he be killed directly or crippled?

Funny anime can be invincible by summoning just one, summoning so many is useless, and Tom and the others are a bit poisonous when they start to speak human words. How can I put it, Tom is a mind-only existence, and it recognizes itself as a being. When it doubts itself, it is hard to say whether the control of the system is still useful. After all, they are equal to concept gods and mind-centered gods.

The subject matter is good, but the writing has been scrapped. I started high and started low, but I was afraid that the progress would be too fast and it would be crazy. So why did you choose such a late timeline? He also created a lot of trouble to slow down the male protagonist. You might as well write from the time when the aunt was young, pushing and recruiting girls all the way, and doing whatever you want to do to be arrogant and happy. Anyway, the timeline is long enough, there are enough enemies, and there are many plots. Moreover, those characters introduced in the introduction can completely invent many things to help the male protagonist become a god, and then you can expand the flow of all realms, instead of being afraid of starting to fail too quickly, starting to drag, starting to press, and it will be uncomfortable to watch like now

After reading the introduction, I feel like I don't need to read it. It's hard to imagine who in the entire pirate world can be Tom's opponent. This thing is even buggier than Big Big Wolf.