Tomb Raiding: The Path to Immortality Begins with Identifying the Water Ghoul's Ancestral Talisman

It's well written, but it's just not satisfying. The cheating protagonist always feels like he's not cheating. As soon as the protagonist breaks through, he immediately meets more powerful peers. I always feel that the protagonist's abilities instilled by so many systems are not as good as the genius of some family. The protagonist's open mouth and silence just means that he has insufficient background. How much more? Feng Shui Secretary, Yin and Yang Bagua, and secret cultivation techniques are all provided in the system. It would take dozens or hundreds of years to memorize and understand these things for others, let alone practice. The author, you are always a genius from a big family, and you are an 18-year-old practicing internal organs. I disagree!

The advanced combat power appeared too quickly, and the protagonist had no ability to protect himself at all, and then suddenly a lot of geniuses appeared who were even better than the protagonist.

After reading more than 200 pictures, I still can't help but think about how much resources the protagonist has consumed. If this was given to a genius of his generation, he would have dumped the protagonist countless times, and this is a situation where the protagonist has a system. The protagonist written by the author is too useless, right?

Even a master looks down on the protagonist. After a series of fights, another one threatens the protagonist. It's really uncomfortable to watch. There is no passion at all. Is this the only way the author can write? From the initial expectations, now I no longer have the desire to read anymore.

There are ways to practice the truth, but how powerful can some low-minded people be? Aristocratic families and royal families have a monopoly in this kind of world! Are tomb robbers so arrogant in the imperial capital?

Although the protagonist is about to break through, you still have too many five-organ realms. I said they are rare before. Look at you now. Even the Wang family has so many five-zang realms on the periphery. The boss of the periphery is almost breaking through to the master level. The core must not have dozens of grandmasters or more. Others are still playing tricks.

Speaking of ghosts blowing out lamps, what should we do with those ancient gods? After all, most of the ancient gods are at the level of a single universe. Some of them can stack boxes to the extreme and become multi-dimensional, which is really abstract. A tomb-robbing novel can easily destroy the universe. Snake gods are all existences that started with a single structure.

Your book gives me the feeling that it is the style of writing books many years ago, where the weak defeats the strong, constantly improving the combat power, and does not advance to the realm. All stronger forces are hostile, and one's own allies are not very helpful to oneself and only help with small things. One's friends are all old, weak, sick and disabled, and like to save people. . . . . . .

Author, why does the protagonist have to be beaten and then explode every time? The whole picture of the residual blood wave? Is what he wrote enjoyable? Haven't seen anything cool so far

It's another **protagonist who overwhelms the fighting ability, which is not interesting at all.