I Was Away on a Three-Year Pilgrimage, and You Bald Donkey Stole My Home?

Since they are all cultivating immortals, it is enough to have China in their hearts. As for positive and negative, they cannot represent China. It is just an organization.

There have been a lot of stories about monks stealing their homes recently. Is this true in reality?

You have to make some messy side stories to come out, right? It doesn't matter if you get some martial arts masters, as long as they are not too strong and you can accept it, even if the curses are released??? I just want to see the main character, do you understand? I said earlier that there is only one protagonist, a cultivator, and there are no monsters or ghosts in this world. Now, are you starting to eat books? According to your pace, you can write more than a hundred chapters and still have monsters flying all over the place?

When he becomes powerful, he can't just wipe out all the bald donkeys, but he also writes about things that delay his cultivation of immortality. It's boring to watch!

Then the book becomes useless as soon as the princess and anchor appear. Once the protagonist becomes an immortal, his level is different from that of a mortal. When the protagonist gets the system, he will definitely become an immortal and become an ancestor. There is no trace of the temperament of an immortal at all.

Too inky. Just asking people to move out in ten days, if someone is so awesome, let alone one day in ten days.

The hot spots are good, but the writing is over. It feels like the whole world is against the protagonist and the system is broken.

As a system protagonist who is not a Taoist, what else do you want to do in a place where he is the only one who cultivates immortality? If anyone dares to offend him, he will use side Taoism to kill him that night. There is no need to worry about any side effects. I have the system in hand, and any side effects are just a small problem!

Did you, the author, write it yourself and not read it? When I first started writing about a technological society, the protagonist knew magic and struck down the main hall with lightning, and then the monk called his senior brother to report that he didn't believe it. Later, you had a coexistence of imperial power and technology, and then there were other ascetics besides the protagonist, and biological parents appeared to recognize their relatives. Didn't your writing remain twisted? I tried my best to increase my poison, and I was really convinced. When I first wrote about the interview with the master, it was fake to practice Taoism. Later, other Taoist forces emerged. Then, should I write about the Buddhist temple and immortal magic in the future?

Buddha, *doesn't believe it, *looks at those who kowtow to Buddha and shakes his head