Siheyuan: I'm Done Living Here, and Move Out from the Start
四合院：不住了，开局搬出四合院
- Status
- Ongoing
- Length
- 7.6M Words
- Genre
- Fanfiction
- Subgenre
- Film & TV Fanfiction
- Updated
- 4mo ago
- Source
- Faloo
Synopsis
All-time: Reads, Flowers.
5.7kChapters
12.6MReads
36.5kFlowers
10.0Score
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Reader comments 50
Translated by Google Translate
After they have all moved out, I still call them one, two, and three uncles. Author, how many uncles do you need? Do you want me to be an uncle for you? Are you cheap or not?
It doesn't matter whether you move out or not. Once you move out, you can't do anything else.
The later you watch it, the less intelligent you become. The protagonist asks other men to take care of his wife who has difficulty moving, but he may not be there. This is because he feels that he lacks a cuckold.
You've been writing about intrigues in the courtyard. What's the point of moving the protagonist out? Out of 10 chapters, 8 of them are all about the trouble in the courtyard. The protagonist comes out and makes a fuss and it ends. You're completely trying to sell someone else's flesh.
Don't touch canteen purchases. In those days, you could get tens of thousands of yuan and tens of thousands of kilograms of food stamps, which were useless and couldn't be spent! Moreover, large quantities of food are produced out of thin air and can be checked accurately. For such a large factory, there is a specific and stable supply for the purchase of food ingredients. You cannot just replace them if you want, and you can't name the stable mechanism for replacement. It's much more reasonable to go to a pigeon market or offer some meat occasionally.
You guys think about Qin Huairu, if her appearance is disfigured, who will help her?
Since you have already written about moving out of the courtyard, write less about the plot of the courtyard and more about the protagonist himself. Writing this way, I feel like the main character is now just a make-up. The protagonist's appearance rate is too low.
I finally saw a book that was moved away. It was very good. Originally, I didn't want to read The Poultry House. I really didn't have a book to pass the time, so I ended up becoming a fan of poultry.
Once you move out, forget about what's inside. Why does the vast world focus on such a small courtyard house? It's only appropriate to mention it occasionally or if the proportion is not high.
That's right, why bother punishing those beasts in the courtyard? Wouldn't it be better to punish them in the steel rolling mill? Then moral kidnapping will be basically useless.