
Bound to Honkai's Big Three from the Start, You Still Can't Take a Break
开局绑定崩坏御三家,你们还不能休息
- Status
- Completed
- Length
- 1.0M Words
- Genre
- Urban Youth
- Updated
- 7d ago
- English
- Request a translation
Synopsis
Stats
All-time: Clicks, Favorites, Recommendations.
489Chapters
5Monthly tickets
8.7MClicks
17.7kFavorites
34.7kRecommendations
Honours
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Reader comments 50
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The concept is good, the design is average, and the writing is readable, but logically speaking, the plot is far-fetched and somewhat inexplicable. You're right, my friend, but the protagonist immediately takes Kiana to Siegfried at the beginning. Siegfried isn't surprised by the protagonist's strange abilities or what faction the Stigmata belongs to; he mentions he's probably Mei's boyfriend, which immediately seems reasonable. Then the protagonist says, "I can help you restore your arm," and Siegfried replies, "What else is there to say? Here's the Heavenly Fire." Kiana asks Siegfried so many questions in the game, but here she only mentions asking for his contact information. Given how enigmatic Siegfried is in the early part of the story, would he really leave his contact information? Overall, it's okay as entertainment.
Fun fact: When you think Kiana is a bit silly, you should also remember that she's fluent in multiple languages without any formal training, while you, my friend, probably only know Chinese and basic English.
Oh, it's you! (So cute!) Now I can watch with peace of mind.
The writing is rather plain, the plot progresses steadily, and there's no deliberate attempt at abstraction; it has a gentle, understated feel. I'd rate it as a decent read. In an era where everyone seems to have exhausted the formulas, this book is refreshingly unique.
This book features Mingchao, is it fun or not? (Question mark)
Even if people say my writing is mediocre, it's always a good idea to come back to this book to cleanse my eyes after being bombarded by those stereotypical, template-based Western writings. I genuinely don't understand how these kinds of stories flood non-main characters and even NPCs with excessive detail, all while claiming it's for the purpose of creating a ensemble cast.
After the final battle, how about having the protagonist say, "My husband has come to pick me up," and then have their soul leave their body and go to heaven?
There are always armchair gamers who like to take things out of context and interpret the Cocoon out of context. The original civilization in the second part of Honkai Impact 3 clearly states that the Cocoon is the origin of the solar system, and everything in the solar system is the Cocoon's dream. But in their mouths, the entire Sea of Trees has become the Cocoon's dream. Does your Sea of Trees only contain the solar system?
Who has a stronger mechanic, Void Demon or Leaf Fury? #(Dizzy)#(dizzy)
The protagonist's character is thin and lacks depth, feeling like an NPC reciting lines while completing tasks. The combat is poorly written; the Demon Void Launcher and the power structure lack originality and development. If the protagonist doesn't have several distinct traits to highlight his personality and character, you'll end up with only one impression of him as a good guy even after 30 chapters. A purely good guy character gets boring quickly; the character is too bland. These days, even good protagonists need to be extreme—like the Ultimate Lover King, the Philosopher King, the righteous yet evil Holy Knight, or the scheming madman who plots against everyone for a happy ending. Of course, you can say the protagonist is just an ordinary person, but the tasks they undertake are beyond the capabilities of ordinary people. Their mindset needs to be in sync with the achievements they're about to accomplish.