A Crossover, Beginning with Their Seventeenth Year

When will CCB give birth to Yukino?

I just remembered, did I forget about Yui Pena's mother? That lady is really popular! #(Laughing and crying)

If we accept them all, the known children would be Haruno, Yukino, Kaguya, and Eriri, the three-person group of Hoshika, Shizuka, the three-person group of the teacher, and the two-person group of the upperclassmen. Even if each of them has one, there would still be nine children. It would be a lively harem after reading it. However, I may have forgotten some things, so please feel free to add them.

I feel like these past two days haven't been very good. I didn't handle it well; it just wasn't exciting enough. I thought I was coming for a sweet romance, and even if it was exciting, why did it leave me feeling so conflicted in the middle? It just didn't feel exciting enough. Thankfully, it got a little more exciting at the end, otherwise I think I would have really messed up.

Add the mothers of Touka and Rikka Kotori, the mother of the heroine from The Quintessential Quintuplets, the mother of Motoyo Nagasaki, the mother of Ai Hayasaka, and the mother of Eiji Hayasaka.

Speaking of which, seeing the recent storylines about pure love and cows in the text, I feel that readers who want to see cow-themed content don't necessarily actually like the cow theme itself. However, stories with a cow theme are generally better. There are many factors that can influence a reader's experience when reading a work. But in summary, it all comes down to having a sense of identification with the characters in the work. This kind of identification doesn't mean putting yourself in someone else's shoes. Rather, it refers to recognizing the character as an equal to oneself, and only on this basis can one truly connect with the various storylines that unfold. Otherwise, without this sense of identification, the characters will only seem fake and leave you feeling nothing. Most pure romance doujinshi (fan-made comics) have plots that unfold too naturally, lacking character development and twists, simply jumping straight into the main story. Unless the art style is exceptionally impressive, they often leave readers feeling unmoved. However, works featuring cows are different. They often introduce the characters' backstories and personalities at the beginning to set the stage for the plot, and frequently depict the characters' inner changes throughout the story. The endings are also often varied and diverse. These character portrayals make it easier for readers to identify with the characters, feel that the characters are real, and feel more connected to their stories. Given the differences arising from these two themes, and considering the common human tendency to seek plot within erotic content and to find contrasting elements within the plot, the appeal lies in... Over time, readers who may have initially been subconsciously drawn to the plot may have developed a path dependency in believing that they like cow-themed content.

The latest plot is a bit crazy; I'm worried about the author's mental state.

It's very well written, and it's not just a simple anime/manga story. The author is quite knowledgeable and has a genuine understanding of Japan. Furthermore, the handling of interpersonal relationships between characters is very realistic. It presents dynamic scenes with details, and makes the characters more vivid and concrete through indirect descriptions and psychological emotions. It gives the awkward and troublesome settings and plots that should have been obstacles a realistic and reasonable compromise. It's really good, no problems at all.

The author writes a really good story!

254 In long review