Type-Moon: One Special Dungeon Every Week

It's well-written, but the plot is too boring. I want to see a really good CCD, why not do it properly? As far as I know, all the women the male protagonist is pursuing are, to be honest, extremely repressed. Why don't they just pin him down on the bed and forcefully have sex with him? Show off blatantly, flaunting to those who are slow to act that the male lead is already mine. He indulged in excessive and intense writing, followed by emotional repression, which is quite serious. Since the emotional repression is still too heavy, why not write more about love? Isn't it said that the power of love is infinite? Hurry up and get going! The above is my rant. The inexplicable words I uttered are probably because the reading pace was too slow, the story was too fluffy, and the level of depression was too great, so I just couldn't get into it. Why not go for it? As long as you push the male lead down, many things can be solved instantly. Any inexplicable feelings will disappear once you've had sex and given him a good hard time.

First of all, I've never been an author, but I want to say, is it really that hard to update 100 chapters a day? I'm not being unreasonable, after all, as I said at the beginning, I've never been an author.

What will our Type-Moon look like (choking up), sob~ FGO has completely ended. The single-player story will no longer be expanded, the world view has been fixed, and the glory has returned to the past. Does our Type-Moon have any future?

Sigh, I'm so frustrated. I want to watch CCB, especially Type-Moon's. There are just too few Type-Moon CCBs.

Not bad, not bad at all without Heroic Spirits.

It feels like there are very few real people left in this book, but a lot of extraordinary figures. Is Type-Moon like that?

There seems to be a slight flaw in the section on magical attributes. There are only seven normal attributes: earth, wind, water, fire, void, and nothingness. If the protagonist's attribute is ore and life, then it can only mean that his origin has corrupted his magical attribute, but this is generally not the case. Shirou's attribute became sword because of the scabbard and other reasons, which also prevented him from using most of his magic. Kiritsugu's magic is about cutting and reassembling, and his magical attribute hasn't changed, except that he has two attributes: earth and fire. It feels like it could be changed to include two attributes related to life and ore among the four elemental attributes.

The most enjoyable part of this book is the first half, where the main focus is on the romance between the male and female characters, with less emphasis on plot development. The characters are well-written, especially the vivid portrayal of their personalities and emotions, but the story lacks a dramatic, exciting moment. The characters are indeed impactful when they first appear, but that's about it. They don't leave a lasting impression in the later plot, or rather, they don't get a chance to grow and develop. This is because they lack truly refreshing experiences and conflicts, making them seem a bit too bland and mundane. Another issue is that the world-building wasn't explored in depth; many interesting aspects were left undeveloped. The biggest difference between *Tsukihime* and *Fate* is that *Tsukihime*'s mystical world, represented by mages, allows for much deeper exploration. Exploring a world that overlaps with reality yet is full of the unknown is incredibly captivating. For example, what magical items and creatures exist in the mystical realm? How does the social structure of mages differ from ordinary society? What conflicts exist between the social norms and ethics followed by mages and those of normal society? What aspects of their code of conduct and ideology are unknown to ordinary people? These questions haven't been explored in depth, which is truly regrettable. Furthermore, the pacing wasn't well-controlled. The protagonist's strength increased rapidly, but he didn't actually experience many truly impactful events, causing him to almost become detached from the world—his combat power is too high—making it impossible for him to participate in regular events with a sense of immersion. There are actually many events in the mystical side that could be written about; there should be quite a few smaller incidents in works like *Kara no Kyoukai* and *Lord El-Melloi II's Case Files*. In conclusion, compared to the Fate universe, works that explore the world of Mahoutsukai no Yoru and Kara no Kyoukai are indeed rare, but they haven't been able to delve deeper into the world, which is quite regrettable. Hopefully, the authors will create even more brilliant works in the future!

What's the latest chapter about? It's written too fast! It directly mentions time travel and the system. It's not that I can't mention it, but my current impression of Aoko is still based on her being his ex-girlfriend. There's too little description of her. Shiki and Nozomi are from a different era due to the system, so there aren't any major issues. But Aoko is different. She's from the same era, and their relationship is currently delicate, relying solely on Ayumi to maintain a semblance of security, as if she's trying to tear apart any sense of security she's trying to create.

One question comes to mind: since the divergence point between the timelines of Tsukihime and Fate lies in the battle between the Jewel King and the Crimson Moon, it means that the plot development before this battle was completely consistent. Since the Jewel King was Solomon's disciple, the fact that his body was possessed by the Demon Pillars after Solomon's death must have already occurred in the Tsukihime world. Therefore, Goetia should be secretly observing the Tsukihime world at this moment. Although the Dead Apostles disrupted the ritual for summoning Heroic Spirits, preventing them from manifesting, Goetia, who deeply loves humanity, is still there. If Kinoko Nasu hasn't forgotten this setting, then this can only be explained as follows: although the Dead Apostles have polluted the planet, humanity still holds an absolute advantage (with the Jewel King in charge, plus the Church, magicians, and other forces enough to counter the Dead Apostles). Ultimately, the Dead Apostles are merely parasites inhabiting human history; humanity hasn't fallen into a state of utter helplessness and despair, which is why this powerful figure has remained inactive. If one day the threat of the Dead Apostles truly reaches the level of complete annihilation, Goetia will likely take real action.