I, the Villainess, Have Turned Countless Worlds Upside Down

It's best not to bring anyone with you when you time-travel, and if you're not going to marry her, don't flirt with her. Just bring the female lead together in the finale.

What's most off-putting is the writing style, followed by the logic of the writing. It seems to come up with ideas on its own, and the writing style is also rambling and disjointed.

What I want to say is that these useless, broken wings are a real burden. The author seems desperate to reveal the protagonist's angelic identity to the whole world, but everyone knows the protagonist is trash yet still acts so arrogantly. This behavior contradicts the previously concealed abilities; it only demonstrates the author's extremely low intelligence.

The writing is dry and the logic is riddled with flaws.

It's so padded out. A single sentence is said from the protagonist's perspective, then repeated from another character's perspective, filling an entire chapter with just one sentence. Then, you open the next chapter and find the same sentence being said from a different perspective again. Several chapters are filled with the same sentence repeated over and over again, in different ways and from different angles.

It's neither enjoyable nor enjoyable; the upgrade system is uninteresting, there are absolutely no oranges (gifts), and the character development feels like an assembly-line product. The overall impression is that it's like dry, unappetizing food that you gradually lose interest in after eating it for a while.

I should be considered one of your long-time readers. Ever since the female protagonist turned evil, you've become increasingly fond of philosophical or metaphysical things. I can't quite describe it, but you definitely know what I'm talking about. The result is that the relationships between people in your book become increasingly weak, and the storytelling quality declines. This change is very evident in the book about the villainous female protagonist. In the early parts of the book, Yukino is still scheming and interacting with the outside world, but as the story progresses, the heroine lives more and more in her own world, and the plot becomes increasingly dull and boring. Without the clash of emotions and obsessions between people, how can a story be exciting? This is just my suggestion; whether you listen to it or not, and how you write, is up to you. I hope you improve with each writing session.

Having caught up to almost the latest episodes, my impression is that she's a so-called "femme fatale" who, with her superior perspective, transcends previous versions of herself. For example, she upgrades her wings in Parasyte, becomes a new Demon King in Demon Slayer, and performs super-creation of cursed spirits in Jujutsu (which is still incomplete). In the various worlds of the story, numerous inexplicable supporting characters appear only a few times before disappearing without a trace. The problem is that the plot is bland, lacking prominent characters, and even the main character feels somewhat invisible.

Doesn't anyone find the author's constant mention of roommates in the plot confusing? It's like some novels where the protagonist travels through time and then insists on writing some weird roommate relationship—it gets more and more awkward the more you read.

The Naruto arc is good; the main character isn't invisible anymore. But isn't this supposed to be a romance novel? There's so little physical intimacy; it's like a singles story.